Jump to content

Recommended Posts

Posted

Larry, you're right about the Ausralian jazz scene of the Bell brothers, the Barnards, Ade Monsborough and others -- quite a distinctive take on jazz, with its' own accent.

I had the great pleasure of meeting Bell, and recording him with the Climax Jazz Band here in Toronto in 1975. He was a very good pianist, and a very good interview -- a charming man, full of anecdotes. A nice couple of days in his company. I recall that I had a full beard on one day of his visit, and was clean-shaven on the next. He didn't recognize me, and said something like "It's an instant disguise!".

I was in Sydney in 2008, and Bob Barnard put me on the phone with Graeme. He said, "Oh, yes -- Toronto! Did you ever grow your beard again?" That was 33 years later, and he was 94, and obviously still sharp as a tack.

Posted

@ Ted -- Dave Dallwitz! One of the great, by any standards, jazz composers IMO. The Ern Malley Suite for one. I've got a good deal of what Dallwitz recorded on Swaggie LPs, but I'm afraid that much of it is o.o.p. now. My, and Chuck's, good friend Terry Martin is a native of Adelaide (Dallwitz's hometown) and knew him fairly well, initially because Terry and Dallwitz's son were childhood pals.

Dallwitz was a heck of a painter, too:

http://www.greenhillgalleriesadelaide.com.au/show-artist.php?id=76

Posted

Dallwitz, of course! My late night posting passed right over him, and shouldn't have. A great composer and pianist, essential in creating significant and distinctive music. He 'caught' Australia and expressed it using the same tools as any other composer, but it came out completely individual. "Ern Malley Suite", the "Melbourne Suite", dozens of truly original compositions, stylistically ranging from ragtime to dixieland to mainstream (if you want to try to label An Original).

I am surprised to learn that he was an artist, and did a search to learn of his great talent in that direction. Indeed, I guess that painting and teaching took over his life for 20 + years. I never knew why there was a gap in his music from the early '50s to the early '70s, but that would explain it.

Like Graeme Bell, Dallwitz had a long life -- he made it to 89 years.

I wish some Canadian composer did as well as Dallwitz in picturing his own country in jazz -- probably our best is composer/clarinetist Phil Nimmons, especially in his wonderful "Atlantic Suite". Phil's going strong, too -- he just passed his 89th birthday, and has concerts scheduled through the summer. He and a brilliant younger pianist David Braid (mid-30s) go onstage with no music, no pre-discussion, and just start improvising. Mostly brilliant, never banal...

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...