EKE BBB Posted June 13, 2012 Report Posted June 13, 2012 Given the controversy on Phil Woods at the Gene Quill thread, we may open a proper place for PhW discussion. Quote
EKE BBB Posted June 13, 2012 Author Report Posted June 13, 2012 A few points: Don't miss the "Three Bones and a Quill" album. The bones (Jimmy Cleveland, Jim Dahl, and Frank Rehak) and Quill were all members of Johnny Richards orchestra, and the togetherness shows. Haven't sat down and studied this, but on the whole I like Quill best when he was apart from Phil Woods; together, things seemed to get a bit too "athletic" for my tastes for both of them, though the time of their partnership was still before Woods came to be rather artificially "hot" IMO. But we've been down that road before; sorry for mentioning it. but his tone was different in those days, too - edge, not growl, I think - just a little more intense. You felt like he meant it. The Phil Woods of today sounds to me like a synth. There's an old Xanadu LP that's got some live stuff, I think, with Woods, that was a revelation to me. I think this is it: http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CDEQFjAA&url=http%3A%2F%2Fwww.xanadurecords.com%2Fpdfs%2Finternationaljamsessions.pdf&ei=PpqYT8f5C-rF0QGTheyJBw&usg=AFQjCNHPMKojqO9ojPI1vx9Q5rnnEiH5Yg&sig2=L2GtYd_blqHx2w2at_NIrw in the 50s Woods still had a wonderful edge, I know what Larry means (I think). Later he became a bit machine-like. Quote
fasstrack Posted June 13, 2012 Report Posted June 13, 2012 (edited) I think players hit certain peaks and recede to certain valleys. When they're the greats-as Phil at his best deserves to be called-it's never less than interesting. I believe Phil plays as he is: a very emotional guy. I think he's at his best bringing out that million-dollar sound (which as one of the great lead players alone can be heard on more recordings than most realize). He was less enjoyable IMO indulging in Hodges-like swoops (in that wonderful band w/Tom Harrell, et al). Too much 'apple jack', I guess (; . For me as soloist Phil from '57-'61 (esp. in '61) was magical: compositional, swung his tail off, found unexpected bends in the road a la Pres. The romanticism of the '70s playing laid it on more-but it was put to good use w/for instance Michel Legrand (a composer I have mixed feelings about). Don't forget he was mired in studio work and dying to play jazz-hence came charging out like a bull when he did. Let's not forget the great stuff inbetween with Art Farmer and Sergio Mendes. His 'heat' is real Edited April 5, 2013 by fasstrack Quote
Free For All Posted June 13, 2012 Report Posted June 13, 2012 I've always hoped the Live at the Showboat recordings would be released on CD in their entirety. They were partially released on a Novus CD but much of the session wasn't included. IIRC it was originally a 2 LP set. Rights of Swing is another good one IMO. Quote
Head Man Posted June 13, 2012 Report Posted June 13, 2012 (edited) I've always hoped the Live at the Showboat recordings would be released on CD in their entirety. They were partially released on a Novus CD but much of the session wasn't included. IIRC it was originally a 2 LP set. It seems that this may have received a Japanese re-issue a few years ago. There's more information on Phil Wood's forum (yes....he has his own forum!) here: Phil Woods - Live at The Showboat Edited June 13, 2012 by Head Man Quote
Larry Kart Posted June 13, 2012 Report Posted June 13, 2012 I... For me as soloist Phil from '57-'61 (esp. in '61) was magical: compositional, swung his tail off, found unexpected bends in the road a la Pres. ... Yup, especially "compositional." Quote
Larry Kart Posted June 13, 2012 Report Posted June 13, 2012 Some vintage compositional Woods (the first track [mistitled] though quite good, is surpassed IMO by his solos on "Walkin'" and "A Sleeping Bee" from this album, but I can't find them on YouTube): http://www.youtube.com/watch?v=j8YrK05Q4rY http://www.youtube.com/watch?v=0V_AH-nz0SE Quote
brownie Posted June 13, 2012 Report Posted June 13, 2012 There are plenty Phil Woods albums I enjoy. Among the best are the ones he recorded during his sojourn this side of the Atlantic with his European Rhythm Machine Quote
CraigP Posted June 13, 2012 Report Posted June 13, 2012 I've always hoped the Live at the Showboat recordings would be released on CD in their entirety. They were partially released on a Novus CD but much of the session wasn't included. IIRC it was originally a 2 LP set. Live at the Showboat was indeed a 2 LP set. Curious what people think: is this an example of "prime" Woods, or do folks have issues with it? Quote
John Tapscott Posted June 13, 2012 Report Posted June 13, 2012 I've always hoped the Live at the Showboat recordings would be released on CD in their entirety. They were partially released on a Novus CD but much of the session wasn't included. IIRC it was originally a 2 LP set. Live at the Showboat was indeed a 2 LP set. Curious what people think: is this an example of "prime" Woods, or do folks have issues with it? "Prime" Woods, for sure. But not just for Phil, the band was tight and swinging, the tunes and arrangements were generally top-notch, too. Unfortunately the CD reissue left off some of the best tunes, "Little Niles" for example. Speaking on behalf of fellow "Phil-o-philes" I would say that we definitely consider it one of his very best. Quote
fasstrack Posted June 13, 2012 Report Posted June 13, 2012 I liked Phil's playing a lot on Showboat. He was at the peak of the romanticism I alluded to. I always loved his energy-like a jet plane taking off. He did a beautiful job on Superwoman-melody and solo. Stevie must've been proud. Also I'm glad he gave a shot to Harry Leahey, who deserved one-and played a beautifully warm and melodic solo himself on that tune. Quote
sidewinder Posted June 13, 2012 Report Posted June 13, 2012 There are plenty Phil Woods albums I enjoy. Among the best are the ones he recorded during his sojourn this side of the Atlantic with his European Rhythm Machine Indeed ! That band with Gordon Beck and Daniel Humair was excellent. Quote
John Tapscott Posted June 13, 2012 Report Posted June 13, 2012 (edited) The infamous 'hat' allegedly responsible for the decline in Phil's playing. Or perhaps it was this one: Edited June 13, 2012 by John Tapscott Quote
BillF Posted June 13, 2012 Report Posted June 13, 2012 There are plenty Phil Woods albums I enjoy. Among the best are the ones he recorded during his sojourn this side of the Atlantic with his European Rhythm Machine Indeed ! That band with Gordon Beck and Daniel Humair was excellent. I saw them play at Ronnie's. Quote
Free For All Posted June 13, 2012 Report Posted June 13, 2012 I've always hoped the Live at the Showboat recordings would be released on CD in their entirety. They were partially released on a Novus CD but much of the session wasn't included. IIRC it was originally a 2 LP set. And yes, there was a hat involved, but I still like the music a lot. Quote
paul secor Posted June 13, 2012 Report Posted June 13, 2012 What is with the hat? Did he go bald? That's the usual reason guys wear hats these days. Quote
JSngry Posted June 13, 2012 Report Posted June 13, 2012 None of these are bebop alto players in the 1970s and beyond. Whole 'nother world, that one is. Quote
Chuck Nessa Posted June 13, 2012 Report Posted June 13, 2012 thank god i'm not involved it this thread. Quote
Larry Kart Posted June 14, 2012 Report Posted June 14, 2012 For an example of latter-day Woods at his cheesiest/most un-compositional, check out "Watch What Happens" from this album (which believe it or not I own a copy of): http://www.amazon.com/American-Songbook-Phil-Woods-Quintet/dp/B000QEILFQ A blatant piece of bebop pole dancing, IMO. Quote
danasgoodstuff Posted June 14, 2012 Report Posted June 14, 2012 "A blatant piece of bebop pole dancing" If I were to ever issue a late-period PW's boot, this would be the title! Not that I would ever do such a thing, for so many reasons... Quote
flat5 Posted June 14, 2012 Report Posted June 14, 2012 Well golly, Larry, the reviews are very favorable. Quote
AllenLowe Posted June 14, 2012 Report Posted June 14, 2012 fifty million tone deaf Frenchmen can't be wrong..... Quote
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