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Posted (edited)

What a company you got, Allen! Apart from being excellent and polyvalent musicians and thorough researchers, Kellso and Porter are a couple of wonderful human beings!

Edited by EKE BBB
Posted (edited)

This is very fine too. I even thought the music had definite 'crossover' potential until I heard the saxophone solo. Maybe you could edit it out :)

That's some beautiful trumpet playing.

Edited by freelancer
Posted (edited)

I'm very happy with this whole thing, btw, and will post something soon with Kalaparusha on tenor.

It's very difficult to write this much music; transcribe it for 9-10 musicians; drive 300 miles carrying three horns, a piano, 3 microphones, about 100 lead sheets, and a weeks's worth of clothing (this took 3 sessions); sleep on a floor; go into the studio; conduct the band; instruct the engineer; read the music; coordinate the 3-4 different combinations of players; and then try to play a creative solo. And we recorded 39 songs.

not one musician was late, and, believe me, no one got paid very much, so I am thankful.

but something tells me Esperanza Spalding doesn't have to go through all this.....

Edited by AllenLowe
  • 4 weeks later...
Posted (edited)

just two recent mixes from the new project -

I'm an Old Regular Baptists features Kalaparusha and Ras Moshe -

http://soundcloud.co...regular-baptist

The Discreet Charm of the Underclass is our craven attempt to snare the trad crowd, as it's from 1850:

http://soundcloud.co...et-charm-of-the

just two recent mixes from the new project -

I'm an Old Regular Baptist features Kalaparusha and Ras Moshe -

http://soundcloud.co...regular-baptist

The Discreet Charm of the Underclass is our craven attempt to snare the trad crowd, as it's from 1850:

http://soundcloud.co...et-charm-of-the

Edited by AllenLowe
Posted (edited)

or "Excavations in jazz" - 'the exposure, processing and recording of jazz remains' - maybe that sounds a bit fossilized

Edited by cih
Posted

1) thanks for the title suggestions - leaning toward Renovations because we are "renovating" the tradition, and I like the Kenton reference; I also like "the past refuses to be over" which is a line by Philip Larkin; though I am also considering I Hate Maine.

2) on Brickyard Blues it's Randy Sandke on trumpet, Ken Peplowski on clarinet; they are on a few other cuts as well. Good friends, great musicians.

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