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are there jazz standards you strongly dislike?


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The original recordings of "Lonely Woman" and "Ramblin'" are great, but I can't think of any non-Ornette ones that are much good. The Joe Daley Trio "Ramblin'" is like a root canal, aside from Russell Thorne.

I really dig the Helen Merrill/Dick Katz version of Lonely Woman.

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The original recordings of "Lonely Woman" and "Ramblin'" are great, but I can't think of any non-Ornette ones that are much good. The Joe Daley Trio "Ramblin'" is like a root canal, aside from Russell Thorne.

I really dig the Helen Merrill/Dick Katz version of Lonely Woman.

i'm lucky enough to own the katz merrill.

there is a stunning early to mid 1960s version of lonely woman with a denny zeitlin-charlie haden-(i forget the drummer)- trio(my shining hour), if you can find it. the whole recording is a study in understated intelligent eloquence.

a fresher less tired trio version of quiet now is on the same recording.

8 wilkerson's 8 bold souls recorded a stunning version of lonely woman with wilkerson offering a blistering alto solo.

Edited by alocispepraluger102
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I love most of the standards, what I hate are all the perfunctory 'compositions' on standard or near-standard changes. I understand the reasons for this, but it's a practice that really dilutes a lot of 50s/60s studio records for me - the tunes are just so boring.

Digression over - speak on.

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Another song that kind of grates on me is The Way You Look Tonight.

Wow. That's my favourite song. Goes to show, etc.

There's a difference between standards that are overplayed and those that one simply doesn't like. I've always liked My Funny Valentine, but it's performed far too much, or at least it once was.

There are four standards I've never seen the point of as I find the tunes colourless and depressing:

Willow Weep for Me

Old Folks

Darn That Dream

and the absolute worst stinker of all time:

Summertime

I suppose all these have interesting chords or something, otherwise I can't imagine why musicians keep playing them.

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The original recordings of "Lonely Woman" and "Ramblin'" are great, but I can't think of any non-Ornette ones that are much good. The Joe Daley Trio "Ramblin'" is like a root canal, aside from Russell Thorne.

I really dig the Helen Merrill/Dick Katz version of Lonely Woman.

i'm lucky enough to own the katz merrill.

there is a stunning early to mid 1960s version of lonely woman with a denny zeitlin-charlie haden-(i forget the drummer)- trio(my shining hour), if you can find it. the whole recording is a study in understated intelligent eloquence.

a fresher less tired trio version of quiet now is on the same recording.

8 wilkerson's 8 bold souls recorded a stunning version of lonely woman with wilkerson offering a blistering alto solo.

The album you're referring to is "Denny Zeitlin - Live at The Trident" and yes, his version of Lonely Woman is lovely; as is the whole album, actually. BTW the drummer is Jerry Granelli.

The 1960's were a real purple patch for Denny as can be heard from his playing on the Mosaic Select set and this album reinforces this opinion. Unfortunately the album itself appears to be OOP at present, which is a shame. However I seem to recall reading somewhere (here?) that he was putting together another box set of his live 1960s recordings so presumably this would be included in that.

Edited by Head Man
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The original recordings of "Lonely Woman" and "Ramblin'" are great, but I can't think of any non-Ornette ones that are much good. The Joe Daley Trio "Ramblin'" is like a root canal, aside from Russell Thorne.

I really dig the Helen Merrill/Dick Katz version of Lonely Woman.

Much to "arty" IMO.

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I'm glad aloc started this thread. Without getting too analytical about it, I'd say that seven of my ten favorite songs have been named. (No accounting for taste...and I'm not satying whether I mean "my taste" or that of "the person who doesn't like X" :) )

If nothing else, I'm going to have to rethink some future set lists.

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Kind of interesting indeed what does turn up and what doesn't - hundreds of versions of "Star Eyes" always with the same introduction, thousands of "What Is This Thing..." and "I'll Remember April... none of these are bad songs, "What Is This Thing" is in fact a great one, but since this thread mostly amounts to "what standards have grown fatally tired of", they might make my list if I'd bother to do one.

As for "Invitation", the version on Jaco Pastorius' "Birthday Concert" is rather fine, too, methinks. I'm not too fond of that tune, but some fine versions have been named and I certainly won't complain havint to hear them again.

I used to stronly dislike "Somewhere Over the Rainbow", but that changed... not just because of but also thanks to Judy Garland (yea, can you believe it?)

"My Funny Valentine"... oh well yes, I rather dislike it, but I still enjoy listening to Miles' and Chet's recordings every now and then.

And who ever names Willard Robison in this thread will have to duel himself with me :crazy: (and don't even dare bringing up Hoagy... he's not to blame for all that happened to/with his songs, is he?)

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... none of these are bad songs, "What Is This Thing" is in fact a great one

I've always wanted to post this somewhere on the board, and now seems like a good time. I hope I'm not infringing on any copyright here. In my cassette copy of "The Thad Jones/Mel Lewis Quartet" (A&M, originally on Artists House), the following was included in the liner notes. I've always found it interesting and useful:

Compositions using the chord progression from "What Is This Thing Called Love" by Cole Porter.

1. "Barry's Bop" (also called "Fat's Flats") by Fats Navarro

2. "Becoming" by Lennie Trlstano

3. "Bunny" by Teddy Charles

4. "Cette Chose" by Robert Jaspar

5. "Coolhouse" by Warne Marsh

6. "Dell's Bells" by Charles Laguna

7. "Fifth House" by John Coltrane

8. "Hot House" by Tadd Dameron

9. "Llke ... What Is This" by Bernard McKlnney

10. "Madhouse" by Jackie McLean

11. "One Hundred Proof" by J J Johnson

12. "Samba De Bamba" by Les McCann

13. "Serenade To A Pair Of Nylons" by Charlie Shavers

14. "Sputnik" by Lou Donaldson

15. "Subconscious-Lee" by Lee Konitz

16. "Supersonic" by Lennie Tristano

17. "These Things Called Changes" by Bill Evans

18. "This Is Called Love" by Charlie Haden and Hampton Hawes

19. "This Is The Thing" by Hal Galper

20. "This Thing" by Ronnie Hoopes

21. "Trilogy Pogo" by Charles Mingus

22. "Wham Bam Thank You, Ma'am" by Charles Mingus

23. "What Is It?" by Pepper Adams

24. "What Is This Thing?"' by Thad Jones and Mel Lewis

25. "You Tell Me" by John Coltrane

From: "The New Expanded Bibiography of Jazz Compositions Based On The Chord Progressions of Standard Tunes" © 1974 Reese Markewich, M.D.

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I used to stronly dislike "Somewhere Over the Rainbow", but that changed... not just because of but also thanks to Judy Garland (yea, can you believe it?)

I can believe it. Judy Garland is often maligned as campy and fake, but she usually strikes me as very real and sincere.

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I would be happy to never have to hear a new version of "Lullaby of Birdland."

I agree, but I've heard at least two interestingly varied remakes by Shearing himself (a Latin interpretation on his live from San Francisco Capitol album, another on Telarc) -- he of course being quite aware of the need to shake up the recipe. That particular Capitol edition of the quintet was tasty BTW -- Dick Garcia, Warren Chaisson, Al McKibbon, and Vernel Fournier. Particularly nice to hear Fournier in a context other than Jamal, and Garcia could really play. There's a very nice version of Silver's "The Outlaw" on the SF album. Did anyone else ever cover that excellent composition?

Oops. This is the correct personnel for Shearing's "San Francisco Scene" (Capitol ST-1715):

Shearing (p), Warren Chiasson (vbs), Dick Garcia (g), Wyatt Ruther (b), Lawrence Marable (d), Armando Peraza -1 (congas).

Recorded Live at the Masonic Temple, San Francisco, April 28, 1960

The Be-Bop Irishman I'll Be Around - Jumpin' With Symphony Sid - Cocktails For Two -1 -

Lullaby Of Birdland -1 - The Outlaw - When April Comes Again - Monophraseology -

This Nearly Was Mine (solo p) - My New Mambo -1 -

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A Child is Born :tdown

It's like jazz's Send in the Clowns or even its Feelings

Gotta agree with this one (or these three, as the case may be)

Some songs just require extraordinarily careful handling: It Don't Mean a Thing, Stardust, Take the A Train... No doubt they've been done to death. But under the hands of a deft and creative musical surgeon, sometimes something worthwhile can be extracted. Damn seldom.

Uncategorizable: "C Jam Blues". Almost elegant (in its simplicity) when new, but now so battle-worn... Just get me past the head, please!

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