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Posted

I'm listening to my iPod on shuffle and Charlie Parker's "Now's The Time" comes on, but I notice this is essentially the same instrumental as Roy Milton "The Hucklebuck." Are there many examples of this in the jazz world?

Posted

I brought this up before (here), but...

"Lord Sideways" (Albert Dailey), from Ramon Morris' mid-70's Groove Merchant album "Sweet Sister Funk" (with Dailey on piano on the date)

and

"Love Dance" (Joe Bonner), on Woody Shaw's 1975 Muse album "Love Dance" (with Joe Bonner on piano on the date)

Which one is the correct writing credit? - since both can't be right. They are the exact same song, same vamp, same head, the whole enchilada.

Posted (edited)

  On 1/21/2012 at 7:25 PM, Noj said:

I'm listening to my iPod on shuffle and Charlie Parker's "Now's The Time" comes on, but I notice this is essentially the same instrumental as Roy Milton "The Hucklebuck." Are there many examples of this in the jazz world?

There are so many! I've noticed musicians recording a composition under different names at different sessions. I think Johnny Griffin's "Purple Shades" is an example, but I'm too lazy to seek out the other version(s). Then there are tunes/riffs which seem to be common property - Hawkins's "Stuffy" and Monk's "Hackensack" are examples IIRC. Stitt's "The Eternal Triangle" has quite a lineage, too.

Edited by BillF
Posted

Night Train = Happy Go Lucky Local + That's the Blues Old Man. Hucklebuck and Now's the Time are NOT exactly the same, and what they share go back before either Got My Mojo Working and Hi Heeld Sneakers are same melody set to a different groove, eddly Blue Mitchel's HHS sounds more like GMMW to me. And that's funny 'bout Werewolves of Alabama, someone should do them as a medly!

Posted (edited)

Ha! In my spotty memory I somehow forgot that both tracks I mentioned were on RDK's very clever BFT#11 Bonus Disc (which I love to this day). The one from Roy Milton I still have on my iPod, but "Now's The Time" I swapped out because I bought the Complete Savoy Charlie Parker and replaced the CD-R quality track with the CD-quality file. :wacko::winky:

Anyway, I was hoping this thread would result in a nice list of the individual songs that have multiple names. Thanks all for your contributions.

Edited by Noj
Posted

  On 1/22/2012 at 4:26 AM, Noj said:

I was hoping this thread would result in a nice list of the individual songs that have multiple names.

I wouldn't put it that way. Some of the songs mentioned have melodic similarities, but they're not "songs with multiple names". "Got My Mojo Workin'" and "High Heeled Sneakers" have melodic similarities, but if you take the original melodies and compare them side by side, they're not the same. Blue Mitchell creating a hip new variation the HHS melody is another thing altogether. The number of variations is endless of course, unless somebody is trying to play a melody as written (in the case of an instrumental version, purposefully retaining the melodic inflections of the original vocal line, for example).

I'm being picky perhaps, but as a musician, I'm slightly uncomfortable with the premise that some of these songs are melodically "the same". That's a bit simplistic, imo.

Posted

  On 1/21/2012 at 9:54 PM, BillF said:

Then there are tunes/riffs which seem to be common property - Hawkins's "Stuffy" and Monk's "Hackensack" are examples IIRC.

I'm not familiar with the title Stuffy. Is that common? I know it as Rifftide.

Posted

  On 1/22/2012 at 6:36 AM, GA Russell said:

  On 1/21/2012 at 9:54 PM, BillF said:

Then there are tunes/riffs which seem to be common property - Hawkins's "Stuffy" and Monk's "Hackensack" are examples IIRC.

I'm not familiar with the title Stuffy. Is that common? I know it as Rifftide.

We're mixing things up here.

Hawkins "Stuffy" = Monk "Stuffy Turkey"

Hawkins "Rifftide" = Monk "Hackensack"

Posted

  On 1/22/2012 at 5:08 AM, Jim R said:

  On 1/22/2012 at 4:26 AM, Noj said:

I was hoping this thread would result in a nice list of the individual songs that have multiple names.

I wouldn't put it that way. Some of the songs mentioned have melodic similarities, but they're not "songs with multiple names". "Got My Mojo Workin'" and "High Heeled Sneakers" have melodic similarities, but if you take the original melodies and compare them side by side, they're not the same. Blue Mitchell creating a hip new variation the HHS melody is another thing altogether. The number of variations is endless of course, unless somebody is trying to play a melody as written (in the case of an instrumental version, purposefully retaining the melodic inflections of the original vocal line, for example).

I'm being picky perhaps, but as a musician, I'm slightly uncomfortable with the premise that some of these songs are melodically "the same". That's a bit simplistic, imo.

Thanks for the thought full response, I'd add that sometime the melody line isn't what's defining of 'the song', it could be the groove or the riff or any number of things...

Posted (edited)

  On 1/23/2012 at 9:05 PM, GA Russell said:

I guess the most famous example is Stranger in Paradise.

“I’m sure you recognize this lovely melody as ‘Stranger in Paradise.’ But did you know that the original theme was from the Polovtsian Dance No. 2 by Borodin?”

Edited by Jim R

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