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Posted

There's been a few discussions here of who's a jazz singer and who isn't and even some on who's a jazz musician and who isn't. It's been suggested that improvisation is one of the key signifiers of jazz but other genres of music often use improvisation. When I hear Wes Montgomery improvising I know it's jazz, and when I hear Neil Young playing a long improvised solo I know it's not. But I can't really articulate why. Any suggestions? (I was spurred to this queston by hearing a cut from the Al Kooper Super Session disc on a pretty good local jazz show.)

Posted

Usually, I think of something as 'jazzy' if it has a 'cool' sound and feel...especially if it includes a piano and/or a saxophone. A paradigmatic example would be Billy Joel's 'New York State of Mind'.

Posted

It's been years since the question of what is and what is not jazz concerned me very much. But when I as a young man, I thought about it a lot, and here's what I came up with. Jazz is characterized by:

1. Swing, which I'll loosely define as a paradoxical blend of rhythmic relaxation and flowing forward motion.

2. An individual approach to timbre.

3. A heavy reliance on improvisation.

To the extent that a piece of music has these characteristics, it's jazz. If it matters.

Disclaimers and further explanation:

I don't think of swing as limited to traditional walking-bass-driven 4/4. In my book, Cecil Taylor and Albert Ayler swing. Neil Young, and most rock, doesn't. The beat doesn't flow - it's marked; it's up-and down rather than forward-moving.

There is jazz that doesn't have all of these characteristics, but the more they're absent, the less the music will sound like jazz. I can think of pieces by Anthony Braxton that have the last two in spades, but which don't flow rhythmically like jazz, even like the Cecil Taylor kind. I might think that it's still jazz, but wouldn't be particularly inclined to argue with someone who said that it wasn't.

And the aspect of improvisation is not limited to solos - it includes the kind of group interaction as a pianist responding to a drummer while accompanying a horn player.

This may all be BS, but it's what I came up with once upon a time.

Posted

Yeah, the more I tried to pin it down, the dumber I sounded, so I took that as a sign to just chill out and let good be good, period.

Think I like it better that way. I'm having more fun, that's for sure.

Posted

The problem is that jazz has never stood still long enough to define. It just keeps getting broader, and the boundaries with other musics are fuzzy as well.

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