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Posted

Same general vein, but less husky, more airy voice than Merrill's to my ears. And more elastic time.

Wow. More elastic time, for sure. The way she sings "...that I may kiss"!

This is she, right?

http://annephillips....s/performer.asp

Seems to be, yeah.

Her Born To Be Blue album just kinda fell into my lap today, and....I'd recommend it. Nothing about it particularly/overtly calls attention to itself, but on almost every cut I found myself giving out with an admiring "hmmmm....". She's got this really nice instrument with a nice full lower end, somewhat like Miles of the time hitting the low notes when he had the Harmon mute in, and there's no break between any of her registers, so she delivers the melodies like there's no gravity or friction. Really, really a satisfying vocalist, and...have you ever heard of her? I hadn't.

Posted

The late Chicago stalwart Lucy Reed (with Bill Evans):

I'm also very fond of the work of Chicagoan Audrey Morris, who is on the cusp between jazz and cabaret. Her latter-day recordings are superb (though samples are not available on the 'Net), but these samples of her early work are nice:

Three from 1954 (she's the pianist too):

http://www.youtube.com/watch?v=KrsFWPQSYG4&feature=related

http://www.youtube.com/watch?v=PORCCndmvdk&feature=related

And two from 1956:

http://www.youtube.com/watch?v=C7ZqTMuLaF8&feature=related

http://www.youtube.com/watch?v=YAFiZkbuyMM

Morris' home page, where her records can be found. A great lady, too:

http://www.audreymorris.com/

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