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Posted (edited)

Michelle...

Here There and Everywhere...

And of course...

The Fool on the Hill.

Whenever Singers Unlimited did a Beatles tune, it always BLEW AWAY the Beatles' own version.

That's it, we just finished fondue for dinner and we're going to watch either Purple Noon or Girl on a Motorcycle.

Have a good week!

- Your beloved TTK.

Edited by Teasing the Korean
Posted

Michelle...

Here There and Everywhere...

And of course...

The Fool on the Hill.

Whenever Singers Unlimited did a Beatles tune, it always BLEW AWAY the Beatles' own version.

Actually, you may be right. These are all McCartney songs and he tends to lean on the wistful little-boy-lost sentiment when he sings his own ballads. Gene Puerling's arrangements dig much deeper.

But it's not a competition. We have both versions.

Posted

I am not, nor do I intend to become familiar with The Singers Unlimited. After sampling some of their music on iTunes, I thought for sure I was listening to the group that backed up Shelley Fabares on Johnny Angel. Different strokes for different folks, but I'm not sure how anyone can think these are better than the Beatles' originals.

Posted

No comparison. When I listen to them, I'm somewhat reminded of Muzak or Lawrence Welk. Imitation is the sincerest form of flattery but these versions don't flatter the original.

Posted

Having listened to the various samples of the songs mentioned here and another thread, I'm going with:

Beatles > Brasil "66 > Singers Unlimited (">" = "greater than" with a pretty wide chasm between the Beatles and Brasil '66)

Brasil "66 was kind of interesting and the Singers Unlimited much less so. Neither are really my bag. The Jazz Crusaders/Crusaders did some nice Beatles covers. I actually enjoy those covers but still wouldn't say that they're greater than the Beatles version. Just off the top of my head, I think Joe Cocker's version of "With A Little Help From My Friends" is the equal of the Beatle's version.

Posted

I love the harmonies and strange chord changes in the Singers Unlimited. They do some lovely Beatles arrangements but don't replace the Beatles versions for me.

Don't give a bugger about who's the best.

He's just yanking chains and trying to stir up some controversy with his fetishist musical tastes. Methinks it makes him feel unique, evolved and cool all rolled up into one.

Posted

Gene Puerling had some serious, serious skills. The "muzak-y" sounds of SU are real, but they are also entirely superficial and only occasional. There is a harmonic depth there (literally and figuratively) that is not to be underestimated or trifled with.

A buddy of mine once described them as cotton-candy heroin, and that is not far off the mark, on either end.

As far as "better than the Beatles", hey, whatever. I don't know what that means, really.

Posted

Gene Puerling had some serious, serious skills. The "muzak-y" sounds of SU are real, but they are also entirely superficial and only occasional. There is a harmonic depth there (literally and figuratively) that is not to be underestimated or trifled with.

A buddy of mine once described them as cotton-candy heroin, and that is not far off the mark, on either end.

As far as "better than the Beatles", hey, whatever. I don't know what that means, really.

but are they better than "elvis"?

:g

Posted

I think the decline in great pop music occurred because of the popularity of the singer-songwriter, which I guess for the most part started with The Beatles. As a general rule, I think that singer-songwriters sing pretty well for composers, and write pretty well for singers.

I have no difficulty believing that a good singer can perform a song better than its composer.

Posted

I think the decline in great pop music occurred because of the popularity of the singer-songwriter, which I guess for the most part started with The Beatles. As a general rule, I think that singer-songwriters sing pretty well for composers, and write pretty well for singers.

I have no difficulty believing that a good singer can perform a song better than its composer.

But both Lennon and McCartney have long been considered exceptional singers! As a matter of fact, one of MY top ten moments in music is Lennon screaming "Twist and Shout" with his throat already torn to shreds. Politeness in music is not necessarily a good thing.

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