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Posted (edited)

Never been much of a Lovano fan but I like the look of this.

Martin Speake has done something similar:

51HAMOpxl5L._SL500_AA300_.jpg

Speake plays alto but the use of the guitar of Mike Outram helps shunt it sideways.

Edited by A Lark Ascending
Posted

Thanks for posting. That does look very interesting. Not quite sure I'd go along with the reviewer's first sentence in which he calls Lovano, "one of the greatest jazz musicians of all time". /i] I enjoy some of Lovano's CD's, and really enjoyed hearing and seeing him live, but I have never quite thought of him in these terms. Hmmm... maybe I'll have to think about that a little more.

Posted

Looking forward to this disc. I've just booked to see him when he tours with US5 in March. I imagine he'll be featuring this album at the gigs,

Posted

I am going to see Lovano/Scofield on 1/28 at Strathmore. I doubt they will do the Bird material. I wonder who else is in this particular group.

Bertrand.

I will also be at that show. Do you think Joe and John will primarily play separately with their own ensembles?

Posted (edited)

I was assuming they are playing together as one group - that's what the listing seems to show.

Just found it:

NORTH BETHESDA, MD The John Scofield and Joe Lovano Quartet performs Friday, January 28, 2011, 8:00 p.m. in the Music Center at Strathmore. These two jazz legends collaborate with drummer Bill Stewart and bassist Matt Penman for an evening of forward-thinking jazz and improvisation.

Yes - one group. Bill Stewart is an added treat, and Penman is no slouch.

I hate that North Bethesda crap.

Bertrand.

Edited by bertrand
Posted

Donna Lee was almost completely disguised in rubato and improvisation -- the melody comes out near the end, but the piece is taken so slow compared to the usual.....

"Disguised" is the word! I thought the Amazon sample had been mis-labeled, as the tempo was very slow and I couldn't pick up a hint of "Donna Lee" or "Indiana" melody or changes. Still, there's no rule saying you can't do this and previous Parker tributes, such as Red Rodney's Then and Now, have re-interpreted the material in the light of current jazz developments. But I should reserve judgement until I've heard more than 30 second samples.

Posted (edited)

Downloaded it at the weekend and have listened twice.

Very enjoyable - contemporary mainstream (if you centre the mainstream on the Miles of around 1963) - clear changes, for example - but with imaginative reworkings of some well known Parker tunes. The use of the two drummers is very effective - they play off one another in a fascinating way.

I'm still a bit cool on Lovano himself - never seems to get too excited and doesn't have (for me) a voice I can immediately warm to. But maybe that's a deliberate attempt to be detached, disguising playing skills that I'm not musical enough to pick up on.

Edited by A Lark Ascending
  • 3 months later...

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