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Posted

i am listening to a rather good lp i just got today in the dollarbin, Art Blakey Drum Suite- and i actually dont know the story about the short relationship w. art blakey + his jazz messengers --&-- Columbia records

has this been talked about?

i wonder how he got hooked up with them, and if they planned to carry all his albums out all on columbia like miles davis or something, was columbia tryin to make art blakey into the drummer miles davis so thats why he split?

Posted

Looks like Art Blakey was not signed to any label in the mid-50s.

Albums under his name appeared on various labels (EmArcy, Columbia, Pacific Jazz, Elektra, Vik, Bethlehem, ...) at the time.

Posted

I thnk the deal was that Columbia signed the Jazz Messengers when they were still somewhat of a co-led venture. Then, when that blew up, there were Blakey & Silver albums in the wake, or something like that.

Posted

Didn't Mosaic reissue it as a single?

Yes! With bonus tracks:

Mosaic Hardbop

So there is! I have the Sony Japan edition, and always thought that there would be bonus material that a potential Legacy edition would augment to the originnal album, and as it turn out, there is. Thanks for bringing this to my attention John and Browniethumbs_up.gif

  • 1 year later...
Posted

This was released maybe ten years ago as a Japanese lp facsimile of the Phillips session. It's an interesting session, but far from essential for Jazz Messengers fans.

MI0000735938.jpg?partner=allrovi.com

Posted

One of the very first item I sold to Fred Cohen at his Jazz Record Center was a Dutch 45RPM EP that had the four tunes recorded by Rita Reys with the Jazz Messengers. This was after I found a very decent copy of the Columbia LP.

Posted (edited)

The Rita Reys LP has just been featured in a jazz blog. It's at a host site.

Rita Reys - The Cool Voice Of Rita Reys 1956

01 It's All Right With Me

02 Gone With The Wind

03 My Funny Valentine

04 But Not For Me

05 I Should Care

06 There Will Never Be Another You

07 I Cried For You

08 You'd Be So Nice To Come Home With Me

09 My One And Only Love

10 That Old Black Magic

11 Spring Will Be A Little Late This Year

12 Taking A Chance On Love

Vocals - Rita Reys (tracks: All)

Bass - Chris Bender (tracks: 03) , Dick Bezemer (tracks: 01, 02, 04, 05, 06)

Doug Watkins (tracks: 07, 08, 10, 12) , Wilbur Ware (tracks: 09, 11)

Drums - Art Blakey (tracks: 07, 08, 09, 10, 11, 12) , Wes Ilcken (tracks: 01, 02, 03, 04, 05, 06)

Piano - Horace Silver (tracks: 07, 08, 10, 12) , Jerry Van Rooyen (tracks: 03) , Kenny Drew (tracks: 09, 11)

Rob Madna (tracks: 01, 02, 04, 05, 06)

Tenor Sax - Hank Mobley (tracks: 07, 08, 10, 12) , Ira Sullivan (tracks: 09, 11) ,

Jerry Van Rooyen (tracks: 01, 02, 04) , Toon van Vliet (tracks: 03, 05, 06)

Trumpet - Donald Byrd (tracks: 07, 08, 09, 10, 11, 12) , Herman Schoonderwalt (tracks: 01, 02, 03, 04)

Jerry Van Rooyen (tracks: 05, 06)

Producer - George Avakian

Edited by flat5
Posted

My copy of Reys' 'Cool Voice' was in a batch of minty vocal LPs which Nic Barber had just brought in thru the rear door of his record shop in Marietta, GA (next to Rocco's Pub). Even though I'd never heard of her, the cover photo of Rita standing behind Blakey's drum cases was all it took.

"This Reys album goes for something...so I'll have to get $18 for it." From the same collection I got a Julie London ('Around Midnight' with her 'stems' as clock hands) and a Mel Torme on Bethlehem ('Sings Astaire').

Posted

I didn't think Silver was present on any records issued under the name "Art Blakey's Jazz Messengers". I thought that version of the Messengers was still a co-operative. I just noticed however that the cd release of the Columbia 1956 "Jazz Messengers" release labels it an Art Blakey record though the original Lp doesn't seem to have done so and the original liner notes refer to the band as a co-operative.

Posted

There's also one session by the Jazz Messengers (Byrd, Mobley, Silver, Watkins, Blakey) with Dutch singer Rita Reys

l.jpg

Funny. The stuff you can learn from this board! :tup

In 2004 George Avakian spoke with jazz journalist Bert Vuijsje, author of Rita Reys: 'Lady Jazz', about the recording sessions with Rita and The Jazz Messengers, and told him: "Rita could really swing. It was the swinging quality of her phrasing that persuaded me, and which also impressed the musicians. They recognized right away that she could stay right with them. That is exactly what happened on that record, and everybody can still hear it today".

http://www.youtube.com/watch?v=5P8nDV-Pum0

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