Larry Kart Posted October 25, 2010 Report Posted October 25, 2010 My antipathy for latter-day Phil Woods has denied me the chance to encounter much Crook before, but a few days ago I picked up a 1995 CD "Directions," led by Boston-based guitarist-composer Giovanni Moltani, a Berklee faculty guy, with Crook as the sole horn player, and I am very impressed. Agile as heck on the horn, Crook thinks just as swiftly, and his use on several tracks of something called a "Harmonizer," which divides, a la the old "Multivider perhaps, though the results sound different) Crook's single line into multiple lines (and which sounds from that description like it might be something from Hell), is instead fascinating. Quote
Larry Kart Posted October 25, 2010 Author Report Posted October 25, 2010 Bassist Paul Del Nero shines on that album, too: http://www.berklee.edu/faculty/detail/paul-del-nero Quote
sonnymax Posted October 25, 2010 Report Posted October 25, 2010 (edited) Bassist Paul Del Nero shines on that album, too Paul was my best friend growing up. I'd play guitar and he'd play Paul Sr.'s organ or the trombone, and later on, the double bass. Speaking of Hal Crook, I really like the date he co-led with Joe Diorio for Ram Records, called Narayani Edited October 25, 2010 by sonnymax Quote
Larry Kart Posted October 25, 2010 Author Report Posted October 25, 2010 Bassist Paul Del Nero shines on that album, too Paul was my best friend growing up. I'd play guitar and he'd play Paul Sr.'s organ or the trombone, and later on, the double bass. Speaking of Hal Crook, I really like the date he co-led with Joe Diorio for Ram Records, called Narayani Del Nero's harmonic grasp/imagination is something else. And I like his "bass-y" sound. Quote
John Tapscott Posted October 25, 2010 Report Posted October 25, 2010 (edited) Well, if you can take latter-day Phil Woods (I can and do very happily, no antipathy here), then you can hear Hal on most of Phil's Concord CD's between roughly '88 and '92. And yes, he's an excellent player. With Phil's group, Hal's playing reminds me a bit of Rosolino (high praise). The alto and the trombone in the front line is a very compatible and enjoyable sound. Edited October 25, 2010 by John Tapscott Quote
Chuck Nessa Posted October 25, 2010 Report Posted October 25, 2010 Phil (after the '50s) is a problem for me too. Very skillful but it gives me the heeby jeebies. Sorry. Quote
Free For All Posted October 25, 2010 Report Posted October 25, 2010 Hal Crook's a monster. I have a trio recording under his name called Only Human that is very good. He's written a couple excellent improvisation books too. Quote
bigtiny Posted November 5, 2010 Report Posted November 5, 2010 Hal's a great trombonist and musician. He's also a great arranger. When I was at Berklee, I would occasionally walk by a practice room and catch him 'practicing', which in those instance was him just improvising extemporaneously. He's a monster! =:-) He HAS written several books about improvisation, and in my opinion has the only viable approach out there for truly enabling the improvisor. He teaches in Mass. (besides his teaching at Berklee) and is very good at it. Very impressive guy. Quote
.:.impossible Posted November 5, 2010 Report Posted November 5, 2010 Saw him play many times at AS220 in Providence with various combinations of The Fringe. Garzone, Gulotti, Lockwood, but never all four at the same time. Usually under the name Um. I felt very fortunate to live in a town with that caliber of musicianship. I miss it. Quote
sidewinder Posted November 5, 2010 Report Posted November 5, 2010 I caught that Phil Woods band with Hal Crook back in 1989/90. Very good trombonist. That band had Jim McNeely just in as replacement for Hal Galper. Crook did quite a bit of arranging for the band, if I remember rightly. Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.