AllenLowe Posted July 15, 2010 Report Share Posted July 15, 2010 (edited) I know this is old news. in terms of importance and influence; however, a lot of revisionist approaches to jazz history have downplayed the reality which the following statement, by BUSTER SMITH in an old Jazz Review interview, reflects (he has been asked about white influence): "There were three of us - Lester Young, Eddie Barefield, and myself - used to follow a white guy - Frankie Trumbauer. Yeah, we were crazy about him. And we lliked another guy very much, Dick Stabile. They were the ones we listened to, and a little later the boys tore out after Jimmy Dorsey." Edited July 15, 2010 by AllenLowe Quote Link to comment Share on other sites More sharing options...
Ted O'Reilly Posted July 15, 2010 Report Share Posted July 15, 2010 I know this is old news. in terms of importance and influence; however, a lot of revisionist approaches to jazz history have downplayed the reality which the following statement, by BUSTER SMITH in an old Jazz Review interview, reflects (he has been asked about white influence): "There were three of us - Lester Young, Eddie Barefield, and myself - used to follow a white guy - Frankie Trumbauer. Yeah, we were crazy about him. And we lliked another guy very much, Dick Stabile. They were the ones we listened to, and a little later the boys tore out after Jimmy Dorsey." Adds some more veracity to Randy (sorry: 'Randall') Sandke's interesting new book "Where The Dark And The Light Folks Meet". Quote Link to comment Share on other sites More sharing options...
AllenLowe Posted July 16, 2010 Author Report Share Posted July 16, 2010 gotta get hold of that - I spoke to Randy recently and the response is very interesting - I hope it gets some exposure. Quote Link to comment Share on other sites More sharing options...
John L Posted July 16, 2010 Report Share Posted July 16, 2010 That IS interesting. The strong influence of Trumbauer on Lester Young is well known. But I would have never guessed that Buster Smith was a Trumbauer disciple. Quote Link to comment Share on other sites More sharing options...
marcello Posted July 16, 2010 Report Share Posted July 16, 2010 Those Bix and Tram recording were widely distributed,no? Besides those recording and others under his own name, he also was on many recordings with Jean Goldkette, and Paul Whiteman. That may be a reason that so many site him as a influence. His recoding were out there for many to hear. Black or White. Quote Link to comment Share on other sites More sharing options...
Fer Urbina Posted July 16, 2010 Report Share Posted July 16, 2010 You can add Budd Johnson and Ben Webster to the list of budding saxophonists who learnt Trumbauer's solo on "Singin' The Blues" verbatim. The Webster I've known for a while, but the Budd Johnson I read recently and cannot remember where!!! F Quote Link to comment Share on other sites More sharing options...
AllenLowe Posted July 16, 2010 Author Report Share Posted July 16, 2010 Trumbauer's solos are really things of beauty, and it's easy, in hindsight, to see how any progressive jazz musician would see him as worthy of attention. While we're on the subject, I've long held the belief that the recording of Crazy Kat from that era inspired the tune Lester Leaps In. Quote Link to comment Share on other sites More sharing options...
jazztrain Posted July 16, 2010 Report Share Posted July 16, 2010 You mean Krazy Kat? Will have to give it a listen later. Or sooner if it's on my ipod. Trumbauer's solos are really things of beauty, and it's easy, in hindsight, to see how any progressive jazz musician would see him as worthy of attention. While we're on the subject, I've long held the belief that the recording of Crazy Kat from that era inspired the tune Lester Leaps In. Quote Link to comment Share on other sites More sharing options...
AllenLowe Posted July 16, 2010 Author Report Share Posted July 16, 2010 that's it - the opening melody is very Klose to Lester Leaps In. Quote Link to comment Share on other sites More sharing options...
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