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the Opeth corner


Shawn

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Thanks to this board and the constant talk about Porcupine Tree over the years, I've become a huge fan. Also, a side discovery during all this was Opeth. Opeth shattered pretty much every (mis)conception I had formed in my mind about what they would sound like. Their use of dynamics, light and dark, beauty and ugliness is really amazing...and it all comes off as effortless. In Mikael Arkefeldt they have a singer/guitarist of Steven Wilson's stature, a really singular voice. At this point I think I like both bands equally, for different reasons. Two of the most "complete" sounding groups on the planet I think.

As an introduction, here are two Lasse Holle directed videos from Opeth's Watershed album, which I think is one of the best rock albums of the past decade.

Burden:

Porcelain Heart:

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"Damnation" is a beautiful album, I really love it. Shawn got me started on Opeth with a viewing of "Lamentations" DVD and I went on to first assimilate "Damnation" and "Deliverance" and then collected the other albums.

I still am learning this music, and each play is a discovery. I'm still "learning" the earliest and the latest albums; I know the middle albums best.

I think they're amazing. I love the interplay between clean and dirty, light and dark, soft and smashing. A band to study and enjoy for years.

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I really like Damnation quite a bit also. Ghost Reveries and Watershed as well, though Damnation is the high point for me. Depending on my mood I either like or really dislike the cookie monster thing on the other albums though. I’ve still never heard Blackwater Park, so I guess I should check that one out soon.

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I think Still Life (1999) is nearly the equal of Blackwater Park (2001) in the songwriting, if not quite in production quality. Blackwater is a little more dynamic overall, but Still Life is the album that Steven Wilson heard that inspired him to contact Mikael in the first place about working together.

Still Life was the album where they went from being a death metal band with progressive tendencies...to a progressive rock band with occasional bursts of death metal. On both albums the clean vocals are split about evenly. Still Life & Blackwater Park are both concept albums, so they fit nicely together. The path of progression they've been on since the beginning is pretty staggering, especially when you consider they sounded like nobody but themselves from the first record.

Here's one of my favorite songs from Still Life, "Face Of Melinda".

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  • 11 months later...

US Fall Tour Dates Announced - lots of dates, they are taking good friends Katatonia as the opening act.

SEPTEMBER 2011

19th - The Palladium, Worcester, MA - USA

20th - Webster Theater, Hartford, CT - USA

21st - Webster Hall, New York, NY - USA

22nd - Webster Hall, New York, NY - USA

23rd - Trocadero, Philadelphia, PA - USA

26th - Newport Music Hall, Columbus, OH - USA

27th - Expo Five, Louisville, KY - USA

28th - Cannery Ballroom, Nashville, TN - USA

29th - Amos' Southend, Charlotte, NC - USA

30th - Center Stage, Atlanta, GA - USA

OCTOBER 2011

1st - House of Blues, Lake Buena Vista, FL - USA

3rd - Warehouse Live, Houston, TX - USA

4th - Stubb's Waller Creek Amphitheater, Austin, TX - USA

5th - Granada Theater, Dallas, TX - USA

6th - The Beaumont Club, Kansas City, MO - USA

7th - First Avenue, Minneapolis, MN - USA

14th - Knitting Factory Concert House, Spokane, WA - USA

15th - Showbox SoDo, Seattle, WA - USA

16th - Roseland Theatre, Portland, OR - USA

18th - The Warfield, San Francisco, CA - USA

19th - Mayan Theatre, Los Angeles, CA - USA

20th - House of Blues, San Diego, CA - USA

21st - The Fox Theater, Pomona, CA - USA

22nd - Marquee Theatre, Tempe, AZ - USA

24th - The Complex, Salt Lake City, UT - USA

25th - Ogden Theatre, Denver, CO - USA

27th - The Rave, Milwaukee, WI - USA

28th - Vic Theatre, Chicago, IL - USA

29th - St. Andrews Hall, Detroit, MI - USA

31st - Mr Smalls Theatre, Millvale, PA - USA

NOVEMBER 2011

1st - Rams Head Live!, Baltimore, MD - USA

Edited by Shawn
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Thanks for posting the list of tour dates. Been an Opeth fan for some time, though I feel they are starting to become less and less interesting. I think losing Martin Lopez really changed the chemistry of the instrumental aspects of the band. Also, way too many "clean" vocals. Some of the cuts on Watershed were an embarrassment in my opinion (the opening song was like some sort of awful Ozzy/Lita Ford duet). Then again, I am partial to tracks like "Wreath" and "Ghost Of Perdition" from the previous records.

On the other hand, bands like Enslaved really are keeping things interesting on the prog metal front (though, with Enslaved being more "Black" than "Death"). I have high hopes for Heritage, though the reference to Alice Cooper as being an influence could be very, very bad.

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I didn't discover them until Watershed came out, so I worked myself backwards. I love all the eras actually. Not a single album I don't like.

When Mikael refers to Alice Cooper I'm guessing he's speaking more in terms of the production style relationship between Cooper & Bob Ezrin on Welcome To My Nightmare, Billion Dollar Babies, etc. Since Heritage was mixed by Steven Wilson, he is basically is the "Bob Ezrin" in this scenario.

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I can't believe I"m saying this, but count me among the recent converts to Opeth. I'm not big on their death metal vocals, but there's a lot of other stuff going on that I find pretty interesting. They are certainly good musicians. My two favorites right now are probably Damnation and Watershed. I don't think they're getting less interesting as much as they're mellowing out a bit.

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Some items here of interest I believe (although Jay may not be happy by this news)

Heritage will signal a departure for Opeth from the musical style of their past albums; most notably, there will be no death growls, which have been present on every album except Damnation. Unlike Damnation, however, the music will have a prominent fusion influence.

I'm not surprised by them jettisoning the death metal vocal sections at this juncture, they've been moving progressively in that direction over several albums. I grew to enjoy the mixture of the light and dark, so it doesn't really change my enjoyment at all....but it could remove the the final sticking point for those that have issues with it.

The best news to me...the words "fusion influence" and the knowledge that Steven Wilson mixed the album, kind of tips the scales into the HOLY SHIT category as far as I'm concerned.

(sshhhh, don't tell anyone, but I actually like Opeth a "tad" better than Porcupine Tree, so this excites me to no end)

From the press release: The album will be released as a standard version; as a special edition loaded with extras; as a box set exclusive to the Roadrunner and the band's own official Omerch webstore; and as a double LP.

Commented Ã…kerfeldt, "It will be our 10th album/observation. I dig it; we all do. In fact, it feels like I've been building up to write for and participate on an album like this since I was 19."

Ã…kerfeldt went a little deeper and described the music contained within"Heritage", saying, "It's quite intense at times in some 'old' murky way, and quite beautiful and stark at times, if I may say so myself.

"It's obvious I'm going to say nice things about it since I wrote, basically, the whole piece, but I guess it will raise a few eyebrows and it certainly is an acquired taste.

"I think you'll need a slightly deeper understanding of our music as a whole to be able to appreciate this record.

"I've realized my influences for this album are so diverse that I can't really say what it sounds like.

"If I can compare it to any other band, it would have to be OPETH, but it's different from the stuff we've done before.

Full press release here: http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=158656

Edited by Shawn
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I can't believe I"m saying this, but count me among the recent converts to Opeth. I'm not big on their death metal vocals, but there's a lot of other stuff going on that I find pretty interesting.

I see the death metal growling is just another approach in creating a tonal character for the music--like another color in a painted image. Just another instrument, really.

When I first discovered Opeth, I was very alarmed by the growls, and felt that I maybe shouldn't be listening to this sort of stuff!! I remember even feeling guilty when I bought Blackwater Park, thinking I had done something irreverant (6 years of Catholic School will do that to you)! These days I welcome the dm growls, and I'm disappointed that the upcoming release will not contain this coloring.

Will definitely try to catch the Worcester, MA show, or one of the NY shows in September.

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Been an Opeth fan for some time, though I feel they are starting to become less and less interesting. I think losing Martin Lopez really changed the chemistry of the instrumental aspects of the band. Also, way too many "clean" vocals.

I feel this way to a certain extent also. Lopez was great, but I think Opeth's recent change in direction (since before Watershed) also followed Akerfeldt's whims at any given moment, maybe more than the absence of certain musicians in the band. I can appreciate that losing Lopez AND Peter had an impact, though.

I see the run of albums from My Arms, Your Hearse through Damnation to be the best the band has done. They're all just incredible from start to finish. Last year's live set at the Royal Albert Hall was fantastic also.

One think I'd LOVE to see is the fist two albums remixed. The music on Orchid and Morningrise is so powerful, but I can't listen to that bad guitar tone for an album's length of time---especially Morningrise. Beautiful, but not without pain to my ears (but maybe THAT'S the point? <_< ).

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Orchid and Morningrise were both very cheap digital recordings, mastered onto regular VHS tape because that's what the studio had to use.

I've created EQ curves for both of those albums, so I just listen via iTunes and the EQ settings are already applied via file tags. I could burn them again, but I don't really play any physical CDs anymore. They all go into the computer and are then accessed there.

It would be very cool to see the modern day version of the band, go back and maybe play the entire Orchid album in a set or something. But I don't think Mikeal bothers to check the review mirror very often, he's all about forward progression. That "one song off each album" set from the RAH date is probably as close to that as we'll get.

He's thrown curveballs before...just bring up the Damnation album with some of the more "death metal leaning" side of their audience and you'll find a lot of "sell out" being yelled. Totally illogical for a band this complex to be called a "sell out", but that section of the audience has a much narrower view generally.

The funny thing, is that those guys can never decide "which album" was the sellout, some say My Arms...some say Blackwater...some Damnation...some waited until Watershed. There are some very entertaining tunnel vision viewpoints to be found floating around the net when Opeth is mentioned.

I'd rather he keep trying new stuff and if he falls flat on his face at some point....I'm cool with that, because I'd rather see a band continue to progress and evolve and remain natural to themselves and explore those risky moves, because that's where the best albums usually spring from.

Playing it safe don't lead anywhere except obsolescence.

I'd buy a damn polka album if Mikael decided to perform and record it. laugh.gif

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Listening to Watershed, which is just about as "heavy" as you can get in a few different ways...God I love this album. Heir Apparent is one of the most badass tunes I have in my collection.

As long as the "heavy as fuck" guitars stay in place, I'm a happy camper.

Here is my list of favorite Opeth records in order of preference (today at least).

1. Ghost Reveries

2. Deliverance

3. Watershed

4. Still Life

5. Damnation

6. My Arms, Your Hearse

7. Blackwater Park (I much prefer the live version of this album on the RAH concert, so the studio release dropped a notch or two)

8. Orchid

9, Morningrise

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For me it's probably:

Deliverance

Blackwater Park

Still Life

My Arms, Your Hearse

Damnation

Morningrise

Orchid

Ghost Reveries

Watershed

Just because Ghost Reveries and Watershed are at the bottom of my list doesn't mean I dislike them. I actually like them both very much, just not as much as what came before. Ghost Reveries, in particular, is an eff-ing CRACKING album. I just don't get the same buzz off of that as I do the others, like Still Life, Blackwater and Deliverance.

In addition to the regular releases, I've picked up the deluxe editions of Blackwater Park, Still Life, Ghost Reveries and Watershed just for the 5.1 mixes. Blackwater Park KILLS in 5.1, but I haven't had the time to dedicate to the others yet.

(edit for sloppy spelling!)

Edited by jmjk
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  • 4 weeks later...

Just saw this info on the SH board, I guess from some early "listening party" or something:

*****

Some info about Opeth's new album:

-It was played in 5.1 surround system and according to the writer the mix was good although he's usually not a fan of playing rock in other than stereo format. Ã…kerfeldt himself said "I first heard the record today and I didn't know they were going to play it to the media in surround. I had my doubts, but the end-result made me have goose bumps"

-It's about 56 minutes long.

-Draws to mind Sabbath, Beatles, jazz, King Crimson, Cream, Rainbow, Floyd, funk, Purple, Piirpauke, classical, My Dying Bride, folk, Love, Jethro Tull, Maiden…

-No death metal parts or growling

-No modern style of "wall of guitar tracks".

-Lots of keys, piano and mellotron are featured. Some intros include clarinet and contrabass.

- "We aren't concerned about other people's opinions", Ã…kerfeldt stated. "If fans of death metal can't enjoy this, that's their problem"

The band leader also said that he had grown tired of extreme metal already in the 90s, but couldn't explain why the previous record still included death growls.

"I have wanted to make a record like this since I was 20", Ã…kerfeldt said and added that making it would not have been possible without the metal roots that brought them success.

The journalist also says: "In any case, some metal fans will have troule with Heritage, but if your hopes are more in the 70s, this album can only work. This is probably safe to assume after a single listen.

The first 7 songs are insanely good, the other 3 a bit less so."

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  • 3 weeks later...

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