AllenLowe Posted May 28, 2010 Report Posted May 28, 2010 (edited) I met Stocker in Amsterdam in 1988 - nice guy, helluva saxophone player. As for the "learned to play" thing, I would look at the source - people evolve, technically and stylistically; Griffin was not a guy who would've understood Shepp, whereas I believe Stocker was telling me that early on Greene was more instinctual than learned as a player. Edited May 28, 2010 by AllenLowe Quote
JSngry Posted May 28, 2010 Report Posted May 28, 2010 Griffin was not a guy who would've understood Shepp I'm gonna have to cautiously but strongly disagree with this... I think Griffin probably understood where Shepp was coming from very well...but given his superior level of virtuosity and Shepp's relatively limited "conventional technical facility" in the '60s (and I say this as somebody who is a big fan of that work), I think Griff's response to earlier Shepp would likely be filed under "I really dig what you're trying to do..." But in terms of the emotional thrust of Shepp, and the vocalized/hollering/screaming tenor techniques, yeah I think Griff got it just fine. He was no stranger to such things himself, so whatever "problems" he might have had w/Shepp were just technical, nothing more. And from that POV, he was correct. Shepp did not have anywhere nearly as thorough a command of changes & rudiments then as he would develop later on. It's a credit to the strength of his voice, vision, and character that he was able to take what he had and use it as powerfully as he did. And count me among those who prefer that earlier work. There are some exceptions, though... Quote
AllenLowe Posted May 28, 2010 Report Posted May 28, 2010 well, I don't think Griffin could really accept the concept of free improvisation - like a lot of musicians of that generation he was grasping at straws to see where Shepp knew his history or his chords - so he could find a common ground which, in reality, did not exist. Quote
JSngry Posted May 28, 2010 Report Posted May 28, 2010 I'm sure he had difficulty with the "concept". But not with the "techniques". I mean, if you play the tenor long enough and/or well enough in a certain "environment", you figure out how to make the horn do certain things, as well as what those things can get across message-wise. Griffin knew those things quite well, as did/does Shepp. Quote
brownie Posted May 31, 2010 Report Posted May 31, 2010 A personal note. When I first traveled to New York in 1965 one of the friendliest musicians I met was Burton Greene. He gave me the invaluable advice to stay away from various hard substances that were easily available on the scene. Of course I had to try some and did. One experience was so unsettling that I decided to stick to Burton's recommendation and lived happily ever after! Quote
clifford_thornton Posted May 31, 2010 Report Posted May 31, 2010 (edited) A personal note. When I first traveled to New York in 1965 one of the friendliest musicians I met was Burton Greene. He gave me the invaluable advice to stay away from various hard substances that were easily available on the scene. Of course I had to try some and did. One experience was so unsettling that I decided to stick to Burton's recommendation and lived happily ever after! Ted Curson: "LSD Takes a Holiday." Edited May 31, 2010 by clifford_thornton Quote
AllenLowe Posted June 1, 2010 Report Posted June 1, 2010 wait - I'm having a flashback - is this the Art Linkletter thread? Quote
clifford_thornton Posted June 1, 2010 Report Posted June 1, 2010 Burton had some interesting stories about LSD and the music scene published in his book of memoirs, Meditations of a Musical Pesty-Mystic (Cadence Jazz Books). It's a fun read. Quote
jostber Posted March 20, 2013 Author Report Posted March 20, 2013 (edited) Anyone checked out this album from last year: "Live At Kerrytown House"? http://www.freejazzblog.org/2012/06/narada-burton-greene-live-at-kerrytown.html Edited March 20, 2013 by jostber Quote
Clunky Posted March 20, 2013 Report Posted March 20, 2013 Anyone checked out this album from last year: "Live At Kerrytown House"? http://www.freejazzblog.org/2012/06/narada-burton-greene-live-at-kerrytown.html Yes it's excellent . Liner notes by someone well known here. Quote
clifford_thornton Posted March 20, 2013 Report Posted March 20, 2013 Just FYI, the LP is limited to 300 but the CD is much more available. He'll be playing the US coasts in April and May - West first, then East. More details soon. Quote
jostber Posted March 21, 2013 Author Report Posted March 21, 2013 Anyone checked out this album from last year: "Live At Kerrytown House"? http://www.freejazzblog.org/2012/06/narada-burton-greene-live-at-kerrytown.html Yes it's excellent . Liner notes by someone well known here. Thanks! Must check this one out. Quote
Clunky Posted July 4, 2014 Report Posted July 4, 2014 Recently picked up Burton Greene Quartet feat. Paul Stocker-------Valencia Chocolate-------(Cat) Pretty good record. I can't find much about it but it's a decent freeish/hardbop date. Stocker plays very well .Anyone else come across it. Quote
clifford_thornton Posted July 4, 2014 Report Posted July 4, 2014 Yeah, there are a couple of Greene LPs on that label if I recall correctly. Dutch label that also issued records by Fred Leeflang and Herbert Noord. Solid stuff. Quote
clifford_thornton Posted July 4, 2014 Report Posted July 4, 2014 New Burton Greene disc on CIMP with Michael Attias, Reut Regev, Adam Lane and Igal Foni "Burton's Time" is quite good. Recorded in 2011 but it seems to have just arrived on the market. Quote
Leeway Posted July 5, 2014 Report Posted July 5, 2014 I saw Regev, Lane, and Foni together backing Avram Fefer about a 6 or 7 months ago; a pretty good ensemble. Lane is always so intense. Regev is a remarkable trombonist, fluid and witty. She is married to Foni. I can see Greene fitting into that ensemble. Quote
Late Posted July 7, 2022 Report Posted July 7, 2022 This album is being reissued in Japan this August. I was totally unaware of it. A good listen. Quote
Д.Д. Posted September 25, 2022 Report Posted September 25, 2022 Just released - the first-time CD reissue of this album: https://www.discogs.com/release/24627866-Burton-Greene-Quartet-One-World-Musichttps://www.discogs.com/release/24627866-Burton-Greene-Quartet-One-World-Music And CD reissue of Lady Bug Dance is coming in November. Quote
felser Posted September 25, 2022 Report Posted September 25, 2022 On 7/7/2022 at 1:37 AM, Late said: This album is being reissued in Japan this August. I was totally unaware of it. A good listen. Video blocked. What is the album? Quote
JSngry Posted September 25, 2022 Report Posted September 25, 2022 https://www.cdjapan.co.jp/product/CDSOL-47430 Quote
Rooster_Ties Posted September 25, 2022 Report Posted September 25, 2022 1 hour ago, felser said: Video blocked. What is the album? Here’s one cut from that same album, that doesn’t seem to be blocked —not sure though if it’s the same one as was posted (the one that won’t play). Quote
Gheorghe Posted September 26, 2022 Report Posted September 26, 2022 Burton Green was also on some ESP things right ? He really was something and had a lot of eastern european roots which I like. And the highlight here was when he performed with first rate austrian avantgarde musicians like the late great Fritz Novotny (Reform Art Unit) and Fritz showed him his then latest composition "Pannonian Flower" which Mr. Green liked and performed with them, and later at Green´s suggestion they concluded the concert with some Monk tunes, I remember "Crepuscule with Nellie" was on the set !!!!! Green loved Monk. Quote
clifford_thornton Posted September 26, 2022 Report Posted September 26, 2022 Yes, two as a leader for ESP and sideman appearances with Patty Waters. Wonder what the licensing is on those Cat Jazz albums and whether anybody is getting paid (if they did the first time). Good stuff at least! Quote
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