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Posted

Just got the Hat re-issue of the live '61 Giuffre/Bley/Swallow concerts. This topic may have come up before, but what precedents exist for unusual trio dates before, say, Rollins' live performances at the Vanguard in '57? I immediately thought of some of the Sidney Bechet Victor sides, as well as Goodman's 30's and late 40's dates--any others?

Posted

Are you including the Cole Trio format, and the many jumpers onto that bandwagon such as Tatum, Brown, Blazers, Ray Charles, many others?

Hmmm.... well, I guess anything but piano/bass/drums. Which would include Cole & Brown... but I'm particularly interested in early trio dates that included a horn, or wind instrument of some kind.

Posted

Okay, Tatum, Ray Charles and oh so many did the guitar/bass/piano thing, so that is not that unusual actually at all.

Stuff Smith did some interesting trio material as did Eddie South I believe.

Posted

Clarinet/piano/drums(or washboard, or banjo) trios were very common on record in the 20s. Many examples are available by Johnny Dodds, Jelly Roll Morton, Jimmy Blythe, Omer Simeon, Jimmy O'Bryant, etc. Pee Wee Russell made some dandy trio sides in the 40s and Bud Freeman substituted the tenor for clarinet in a famous series for Commodore. Bud also did tenor/piano/drums sides in the 50s for Grand Award and Dot. In the '60s Bud made a wonderful record for UA with two guitars (George Barnes and Carl Kress).

Posted

One of my favorite trios was Mary Lou Williams, Bill Coleman, and bassist Al Hall. This was a working band in 1944 and cut half a dozen sides for Asch records. Very fine little group with Mary Lou's arrangements and piano and Coleman's skipping trumpet solos. Unfortunately, the recorded sound wasn't anywhere near state-of-the-art.

Posted

Didn't Hot Lips Page record some trio sides with Teddy Bunn and Leonard Feather in the late 30's?

Though recorded in the early 1960's, this is rather much in the idiom Chuck mentions...

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Posted

In the 1930s Bill Coleman and Herman Chittison and a bass player made a few sides itogether in Paris. In my opinion such sides as "Georgia On My Mind" and "I'm in the Mood for Love" are masterpieces, but, then, I'm quite partial to Coleman's trumpet work, as perhaps some already know.

Posted

Unusual trios -

An early date: Joe Venuti-vln; Eddie Lang-gtr; Frank Signorelli-pno: Wild Cat (1928).

More contemporary recordings: Frank Lowe-ts; Carlos Ward-flt; Phillip Wilson-dms: "Inappropriate Choices" from the CD of the same name (ITM).

Fraser MacPherson-ts; Oliver Gannon-gtr; Wyatt Ruther-bs: Live at the Planetarium West End) and Someday You'll Be Sorry (DSM).

Charlie Kohlhase-as; Roswell Rudd-mellophone; John Turner-bs: "Siva & Sakti" from Eventuality (Nada).

Roswell Rudd-tbn; Sheila Jordan-vcl; Mike Kull-pno: "The Light" from Broad Strokes (Knitting Factory).

Roswell Rudd-tbn; Greg Millar-gtr; John Bacon, Jr.-dms, vbs: The Unheard Herbie Nichols Vols. 1&2 (CIMP).

Lucky Thompson-ts; Oscar Pettiford-bs; Skeeter Best-gtr: (ABC).

Russel Hisashi Baba- sop sax, as; Ray Cheng-vln; Heshima Mark Williams-bs: "Country Square" & "Spirit Shere" from Russel Hisashi Baba (Ruba).

Jimmy Lyons-as; Karen Borca-basoon; Paul Murphy-dms: disc 4A of the Jimmy Lyons Box Set (Ayler).

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