ghost of miles Posted January 31, 2010 Report Share Posted January 31, 2010 I've read that in his later years Salinger was not particularly a jazz fan. But here's an uncollected story from 1948 that holds some interest--it was originally titled "Needle On a Scratchy Phonograph Record," until the editors at Cosmopolitan (much to Salinger's chagrin) changed it to "Blue Melody": Needle on a Scratchy Phonograph Record David, thanks for posting this. I have to confess that this is the first Salinger I've ever read. I thought it was terrific. Quirky, off plumb, whatever. The sort of piece where you can lose track of the narrative in deference to style and nuance. More than once, I laughed out loud, just like I used to when I'd read David Sedaris in the New Yorker. On the basis of this limited exposure, I must make it a point to do Catcher, and soon. Dave, glad you liked it--it's from the beginning of what many consider to be Salinger's classic period (1948-1955), but he chose not to include in NINE STORIES when that book came out in 1953. There's another story with a rather harrowing ending, "A Girl I Knew," that he also published in 1948 and didn't include either...it's floating around on the Internet, as are nearly all of his uncollected stories. The pre-1948 stuff generally doesn't hold up to his later work, but if you're a Salinger buff it's well worth checking out, especially some of the Gladwaller/Vincent Caulfield stories like "This Sandwich Has No Mayonnaise." (Salinger was experimenting with the Caulfield characters throughout the 1940s in various stories...Vincent is a forerunner of D.B.) Quote Link to comment Share on other sites More sharing options...
ghost of miles Posted February 1, 2010 Report Share Posted February 1, 2010 Tons of stuff about Salinger in the new New Yorker. Quote Link to comment Share on other sites More sharing options...
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