AllenLowe Posted March 2, 2012 Report Posted March 2, 2012 (edited) this from the man, BTW, who slept in the bed that King Oliver slept in (though not at the same time). I am in awe. Edited March 2, 2012 by AllenLowe Quote
Neal Pomea Posted March 2, 2012 Report Posted March 2, 2012 (edited) I hope you're right, Neal! And I hope Frog will issue a set of Oliver's sideman appearances on Columbia, like they did for Okeh. Yes! this is the one! from the credits and notes by John Capes "Sara Martin accompanied by Clarence Williams & His Orchestra: Joe "King" Oliver (cornet) Ed Allen (cornet) Ed Cuffee (trombone) Arville Harris (clarinet) Clarence Williams (piano) Cyrus St. Clair (brass bass) Long Island City, NY circa November 1928 Hole in the Wall (test) Hole in the Wall QRS R-7035 Don't You Turn Your Back on Me QRS R-7035 Death Sting Me Blues QRS R-7042 Sara Martin accompanied by Clarence Williams & His Orchestra: Joe "King" Oliver (cornet) Ed Cuffee (trombone) Clarence Williams (piano) Cyrus St. Clair (brass bass) Long Island City, NY circa December 1928 Mean Tight Mama QRS R-7043 Mistreating Man Blues QRS R-7042 Kitchen Man Blues QRS R-7043 Clarence Williams and His Orchestra Joe "King" Oliver (cornet) Ed Allen (cornet) Ed Cuffee (trombone) Arville Harris (clarinet) Benny Waters (clarinet, tenor sax) Clarence Williams (piano) Cyrus St. Clair (brass bass) Long Island City, NY circa December 1928 Beau-Koo-Jack QRS R-7044 Sister Kate QRS R-7044 Pane in the Glass test Pane in the Glass PM (Paramount? 12870) Singer Sara Martin (1884-1955) was a star performer in stage shows and a mainstay of the catalogue of Okeh records for whom she recorded over 120 titles between 1922 and 1927....Death Sting Me Blues, written by the singer herself, is a splendid if theatrical number in which King Oliver's plaintive responses provide a second voice.... Sara Martin was not to record again and in 1931 she turned her back on the blues and devoted her life to the church. At the time she recorded these numbers she was a fully mature artist and had she recorded nothing else would have been regarded as a major talent on the basis of these (QRS) recordings alone." Edited March 3, 2012 by Neal Pomea Quote
colinmce Posted March 6, 2012 Report Posted March 6, 2012 Well, my copy of THE COMPLETE SET on Retrieval was just melted to shit by some fool at my job (along with some Warne, Ornette and Braxton ... > ). Anyways, is there something better I could buy to replace it that might give me more bang? I can live without alternates if I get some of the later stuff in return. Quote
jeffcrom Posted March 6, 2012 Author Report Posted March 6, 2012 Well, my copy of THE COMPLETE SET on Retrieval was just melted to shit by some fool at my job (along with some Warne, Ornette and Braxton ... > ). Anyways, is there something better I could buy to replace it that might give me more bang? I can live without alternates if I get some of the later stuff in return. Dang! That's tough. But as Homer Simpson said, look on this as a crisi-tunity. The Off the Record collection of the Creole Jazz Band sides blows away every previous issue in terms of sound - even the Retrieval and the French Musica Memoria, which I thought was pretty good at the time. Get it and don't look back. Quote
paul secor Posted March 6, 2012 Report Posted March 6, 2012 That "fool at your job" probably did you a favor as far as the Retrieval Oliver went. Can't say the same about Warne, Ornette, and Braxton. Quote
AllenLowe Posted March 6, 2012 Report Posted March 6, 2012 the old Columbia LPs of Oliver's Okeh recordings are state of the art. IMHO. Quote
Neal Pomea Posted March 8, 2012 Report Posted March 8, 2012 Let me also recommend a Frog disc called "Blues Singers and Hot Bands on Okeh" for a collection of fine sideman recordings by Mr Oliver. Got it in the mail today and I'm listening right now. Nice remastering! Some fine Eddie Lang with Texas Alexander and Clarence Williams & His Novelty Four. Big fan of Butterbeans and Susie here! Quote
MomsMobley Posted February 25, 2017 Report Posted February 25, 2017 a GREAT "St. James Infirmary"-- if only Frankie Marvin broke into the yodel he hints at! illuminating accordian? Â Quote
MomsMobley Posted February 25, 2017 Report Posted February 25, 2017 (edited) On 3/2/2012 at 11:15 PM, jeffcrom said: Almost three years later, I thought it was time to revisit this thread and talk about Oliver's Victor recordings. There are plenty of lame tunes among the Victor recordings - "Everybody Does It In Hawaii" is about as bad as it sounds, and there are some that are even worse, like "What's the Use of Living Without Your Love?" That one's painful.  respectfully as I consider Jeffcrom a great New Orleans listener and explicator, "Everybody Does It In Hawaii" KILLS but sweetly, sweetly-- I used to be a 20s / 30s 'hot jazz' diehard but folk / pop jazz and even just "jazzy" dance bands are also great, if you immerse yourself in the period, it's easier to discern the aesthetic virtues of these overlapping forms.  before well looky here! Frankie Marvin from Oliver's "St James Infirmary" with Roy Smeck 1929  Edited February 26, 2017 by MomsMobley Quote
Chuck Nessa Posted February 25, 2017 Report Posted February 25, 2017 Don't know anything about "Early Frankie Marvin" but he looks like a grifter. Quote
medjuck Posted February 25, 2017 Report Posted February 25, 2017 Who's Joe Primrose?  I thought that Irving Mills had somehow claimed authorship of St. James Infirmary. Quote
Chuck Nessa Posted February 26, 2017 Report Posted February 26, 2017 1 hour ago, medjuck said: Who's Joe Primrose?  I thought that Irving Mills had somehow claimed authorship of St. James Infirmary. It's undoubtedly one huge vacuum of money at this point. Quote
lipi Posted February 26, 2017 Report Posted February 26, 2017 1 hour ago, medjuck said: Who's Joe Primrose?  I thought that Irving Mills had somehow claimed authorship of St. James Infirmary. It's a pseudonym of Mills's. Quote
jeffcrom Posted July 21, 2017 Author Report Posted July 21, 2017 I don't know how many years I've been listening to the 1923 Creole Jazz Band recordings - 40 years, I guess - but it's a deep well. They reveal something different every time I listen. Listen to the interplay of Oliver and Armstrong's cornets in "Krooked Blues." Amazing. Quote
jlhoots Posted July 21, 2017 Report Posted July 21, 2017 At least peripherally related, there's a recent Ted Daniel CD called Zulu's Ball of King Oliver material. I think it's nice!! Quote
jeffcrom Posted July 21, 2017 Author Report Posted July 21, 2017 1 hour ago, jlhoots said: At least peripherally related, there's a recent Ted Daniel CD called Zulu's Ball of King Oliver material. I think it's nice!! Oh wow - I need to check that out. Quote
jlhoots Posted July 21, 2017 Report Posted July 21, 2017 3 hours ago, jeffcrom said: Oh wow - I need to check that out. I got my copy from Dusty Groove which now shows it as out of stock. DMG might have it, but I never buy from them. Â Quote
jazztrain Posted July 21, 2017 Report Posted July 21, 2017 5 hours ago, jeffcrom said: I don't know how many years I've been listening to the 1923 Creole Jazz Band recordings - 40 years, I guess - but it's a deep well. They reveal something different every time I listen. Listen to the interplay of Oliver and Armstrong's cornets in "Krooked Blues." Amazing. A deep well indeed!  For those interested, the "Off the Record" issue appears to be back in print (although their other releases are not available).  See here: Off The Record  Quote
paul secor Posted July 21, 2017 Report Posted July 21, 2017 4 hours ago, jlhoots said: At least peripherally related, there's a recent Ted Daniel CD called Zulu's Ball of King Oliver material. I think it's nice!! Â 4 hours ago, jeffcrom said: Oh wow - I need to check that out. Here's a YouTube clip that may pique someone's interest: Â Quote
paul secor Posted July 21, 2017 Report Posted July 21, 2017 I had forgotten about this thread. Thanks to Jeff for starting it and reviving it. Quote
jeffcrom Posted September 21, 2018 Author Report Posted September 21, 2018 I spun a couple of the original 78s by Oliver's Creole Jazz Band tonight, and wanted to repeat something I said in an early post in this old thread - listen for the moments when Oliver drops out and young Louis Armstrong plays lead cornet. Those moments happen more frequently than you would think. Quote
jeffcrom Posted January 11, 2019 Author Report Posted January 11, 2019 So I've got four 78s / six sides (two of the records have other bands on the flip) by the 1923 King Oliver Creole Jazz Band. For the first time tonight, I did an A/B toggle-back-and-forth test between each 78 and the Off the Record CD set. I love that CD set, but now I want to invite you all over to my house to hear the 78s. It's another level. Quote
danasgoodstuff Posted January 11, 2019 Report Posted January 11, 2019 12 hours ago, jeffcrom said: So I've got four 78s / six sides (two of the records have other bands on the flip) by the 1923 King Oliver Creole Jazz Band. For the first time tonight, I did an A/B toggle-back-and-forth test between each 78 and the Off the Record CD set. I love that CD set, but now I want to invite you all over to my house to hear the 78s. It's another level. 1923 is PD now, you could put out your own set on 78s for Record Store Day! Package deal with bathtub gin! Quote
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