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Bill was nuts, in the nicest possible way, and in my opinion one of the two or three best bebop pianists of his generation (had a very interesting style that seemed to combine Al Haig/Bud Powell/Hank Jones). Also had a lot of private tapes he made on a good reel-to-reel, only a few which have been issued (he was house pianist for a time at Birdland and apparently had some great stuff with Sonny Rollins). He survived a terrible kamikazee attack on his ship during World War II (I always though part of his nuttyness was PTSD), can be heard to perhaps best advantage on the Mingus/Debut thing with Knepper and Joe Maini (he's also on the Schildkraut CD I put out; plays great, though he had lost some depth through his years of lounge work). I have an interview of him which I may, if I have enought time, transcribe. He remembered everyone and everything (never touched alcohol or dope) and his memories were regularly confirmed by third parties. Played with Lester Young, too - and had an INCREDIBLE story about working an Orthodox Jewish wedding where Bird showed up (the bass player was Wilbur Ware!) and played.

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