T.D. Posted June 2, 2022 Report Posted June 2, 2022 38 minutes ago, Rabshakeh said: Good sleuthing. Did Ferrara study with Tristano too? Yes. https://www.allmusic.com/artist/don-ferrara-mn0000642029/biography Quote
Larry Kart Posted June 4, 2022 Report Posted June 4, 2022 4 hours ago, adh1907 said: On the subject of the Tristano school, can anyone explain Warne Marsh’s bubblegum embouchure in the 50s? So weird, I would love to emulate it, if someone could explain the theory and practice?? Not being a saxophonist myself, what do you mean by bubblegum embouchure? I vaguely recall once speculating that Warne liked to his use mouth/throat as a resonating chamber as much as possible -- Is that something like it? Quote
JSngry Posted June 4, 2022 Report Posted June 4, 2022 Check out that lateral/diagonal jaw movement. It violates damn near ever "rule". I don't know that it was a permanent thing with him, though? Some singers would do that on occasion, there's a clip or two of Herb Jeffries that are insane with that. Go to "Baby Won't You Please Come Home" here Quote
Larry Kart Posted June 4, 2022 Report Posted June 4, 2022 18 minutes ago, JSngry said: Check out that lateral/diagonal jaw movement. It violates damn near ever "rule". I don't know that it was a permanent thing with him, though? Some singers would do that on occasion, there's a clip or two of Herb Jeffries that are insane with that. Go to "Baby Won't You Please Come Home" here I think this may fit my previous speculation. Isn't Warne, like Jeffries, out to spontaneously alter/adjust the acoustic properties of his mouth/throat combo -- the resulting alterations/adjustments, in Warne's case, emerging from his horn? Quote
JSngry Posted June 4, 2022 Report Posted June 4, 2022 I know nothing about singing, but it seems, in both cases, that there is no audible correlation between the physical actions and the audible outcomes. Especially in Warne's case. Quote
JSngry Posted June 4, 2022 Report Posted June 4, 2022 Not a lot of footage to determine one way or the other... Quote
Larry Kart Posted June 4, 2022 Report Posted June 4, 2022 Isn't there possible parallel between what Warne is doing and the extremely oblique way Pres often held his horn, the latter approach leading to/enabling audible shifts in timbre/sonic density? Albeit with Warne those shifts are more on a micro level. Quote
clifford_thornton Posted June 10, 2022 Report Posted June 10, 2022 reading this thread is interesting. I never completely connected with Crothers though I never had such a strong negative reaction to the music, either. Glad she was here to do what she did for sure. And Yoko is great. Quote
Quasimado Posted June 11, 2022 Report Posted June 11, 2022 Gotta love it - from Warne to Herb Jeffries to Arthur Prysock! Only on Organissimo! Quote
Chuck Nessa Posted June 11, 2022 Report Posted June 11, 2022 24 minutes ago, Quasimado said: Gotta love it - from Warne to Herb Jeffries to Arthur Prysock! Only on Organissimo! LOL! Quote
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