alocispepraluger102 Posted March 22, 2009 Report Posted March 22, 2009 (edited) sir michael tippett's 'a child of out time' in my opinion, is a masterpiece, for it's craftsmanship, taste, and above all, it's music. i have read criticism of the work that is scathing, and far more that extolls the work. have there been previous discussions on the subject? what are informed members opinions of the work? Edited March 22, 2009 by alocispepraluger102 Quote
A Lark Ascending Posted March 22, 2009 Report Posted March 22, 2009 Wonderful piece. I first heard it in a concert in Nottingham with Andre Previn in the mid to late 80s. The then apartheid government of South Africa had just imposed reporting restrictions that day to try and muffle the sound of unrest in the country; 'A Child of Our Time' seemed as relevant as when it was first performed. Quote
alocispepraluger102 Posted March 22, 2009 Author Report Posted March 22, 2009 i havent heard the previn yet , but was considering purchasing it. Quote
A Lark Ascending Posted March 22, 2009 Report Posted March 22, 2009 I got this version last year off e-music. Works for me: Replaced an earlier Davis version on LP. Quote
alocispepraluger102 Posted March 22, 2009 Author Report Posted March 22, 2009 I got this version last year off e-music. Works for me: Replaced an earlier Davis version on LP. that comes well recommended. thank you. Quote
Chuck Nessa Posted March 22, 2009 Report Posted March 22, 2009 Have to admit not listening since the early '70s. I believe I had it on Argo at the time. I went through a fairly long Tippett phase in the '70s and '80s but it faded away. Only have a few discs on cd and a favorite is a BBC mag issue of 2 symphonies conducted by the composer. He's not well respected as a conductor but I like these recordings a bunch. Also have at least one cd of his piano concerto - interesting work. Quote
Larry Kart Posted March 23, 2009 Report Posted March 23, 2009 I agree about that BBC Tippett-conducted disc, and the Piano Concerto is my favorite work of his. I have the old Colin Davis-John Ogdon recording on LP, plus the relatively recent Stephen Osborne-Martyn Brabbins Hyperion 2-CD set with the Concerto and the Piano Sonatas. I prefer the Ogdon-Davis for its air of intoxication and (so it seems to me) pastoral eroticism -- it occurred to me once that the marvelous piano-celeste dialogue passages were the sonic equivalent for Tippett of the sort of sexual romps he favored -- but the Osborne-Brabbins is very good too. Probably my preference for the Ogdon-Davis is mostly imprinting. Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.