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Guest Chaney

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Ear Mix (Sketch)

Daniel Humair (drums), Marvin Stamm (trumpet & flugelhorn), David Friedman (vibraphone) and Sebastien Boisseau (double bass).

Well, I'm not at all certain as to how a disk earns disaster status but (gOd help me :whimper:), this one really is... is... well, it's really not very good.

Marvin Stamm. Who is this man? From AMG:

An excellent bop-based trumpeter and a busy session player during much of his career, Marvin Stamm has long been a flexible player. He started on trumpet when he was 12 and later studied at North Texas State University. Stamm was with Stan Kenton's Mellophonium Orchestra during 1961-1963 (getting occasional solos) and played with Woody Herman during 1965-1966. He gained some recognition for his playing with the Thad Jones/Mel Lewis Orchestra (1966-1972), but spent much of his time during the next two decades in the studios. Stamm, who performed with Benny Goodman during 1974-1975 and toured with George Gruntz's Concert Jazz Band in 1987, has since concentrated much more on jazz playing, and his Music Masters releases are good examples of his talents.

The word 'dull' comes to mind. Check out the sound samples available on HIS SITE. No, wait. Allow me: Judy, By Myself, Lament... You get the idea.

When Stamm isn't playing -- which isn't often enough -- the band actually seems to soar. True, mostly ineffectually, but still...!

Having a better idea of what Humair is capable of, listening to him perform amongst these lesser talents -- at least as the LTs play on this particular disk -- is nearly painful. (No, it is painful.) What is his role? Too often, simply to politely tap tap tap on his cymbals while his bandmates noodle along.

Recommended only if you crave sadness.

:tdown

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Need to do more listenng, but the intial impression is that other than Lasse Marhaug (which I thought was very interesting)

I just read that Lasse Marhaug has replaced Kevin Drumm in Ken Vandermark's Territory Band. That should be interesting. I'd be interested in hearing that band with Lasse.

His album Lesbian Brunch, with Carlos Griffoni is fantastic, although most definitely not to all tastes. Harsh electronics segueing into heavy metal samples. Bliss for some, hell for others.

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I just read elsewhere that the Clusone Trio is planning on reforming to play a European festival followed (hopefully) by a U.S. tour.  I don't know how much stock to put in the comment I read, but that would be great news

Hmmm... Wonder what the chances are that they'll come to my area. :huh:

hysterical.gif

Let's hope someone will be rolling tape.

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Friends, I would like to recommend highly the follwoing record:

Gray Ghost - "How to Create Words" (482 Music, 2003)

Hard-to-describe music. A lot of things are mixed together - some John Butcher, some Evan Parker, some E :rfr IA (I think), some fairly traditional "free jazz"... All sounds very creative, enjoyable and relevant.

Sound samples at CD Baby. Available at indiejazz, CD Baby or directly at 482 Music.

--------------------------------

Also, have been listening to some Erstwhile treasures that landed at my door.

Keith Rowe/Günter Müller/Taku Sugimoto - "The World Turned Upside Down"

Pure gentle beauty. Fairly quiet, but with its own logics, developmentand a lot of clever interaction. The best one of 4 records with Keith Rowe I have so far ("Weather Sky" and "Live at Lu" - both on Erstwhile, I found extremely boring, and "Grain" on Zarek is very good, but probably sllightly less interesting than "The World...")

Thomas Lehn / Marcus Schmickler - "Bart"

This one is a much more rambunctious affair, and I like it even more. The sounds that Messrs. Lehn and Schmickler emit are very pleasing to my ear (a lot of low-to-mid register, shall I say "farting" sounds - no sine waves), all quitre energetic (but not violent or noisy) with a lot of dynamic variation, exciting interplay and constant surprises. Interaction between musicians is truly fascinating - gentlemen obviously had fun playing with each other. Was going out tonigh, and just couldn't leave until the record was over - was really mesmerized by what I was hearing.

More Erstwhile stuff to explore in the next days.

Edited by Д.Д.
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OH BOY!

Always interested in new Rastascan.

David (and others): Ever get Kowald/Masaoka/Robair: Illuminations (Several Views) (Rastascan)?

brd049.jpg

Highly recommended!

~~~~~~~~~~~~~~

Six Fuchs is dedicated to Matthew Sperry (1968-2003): this was his last studio recording session.
Edited by Chaney
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shcd155.jpg

Looking at the cover, some of the less open-minded of you might gently enquire - what the fuck is that? is this some more of heavy metal "music" that John B and Д.Д. are pathologically partial to?

Well, it might be nearly as good as that.

Personnel:

Billy Bang - violin

Charles Gayle - alto & tenor saxophones

Sirone - bass

Tyshawn Sorey - drums

A new release on Silkheart records.

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OH BOY!

Always interested in new Rastascan.

David (and others): Ever get Kowald/Masaoka/Robair: Illuminations (Several Views) (Rastascan)?

Tony, I don't have it, but's its on THE LIST. Love Masaoka! -I mean not in the ubu-Ibarra type of way, but love her playing!

------------------

As for Sperry, I plan to get at least on of his solo records on Limited Sedition.

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Listening to Humair / Urtreger / Michelot: HUM ~~ 1960.

A live set, noisy crowd, playing a bunch of standards, swingin' nicely... yadda yadda.

Tasty, although nothing very special, IMHO.

~~~~~~~~

1979: Rather short (36:26) studio set. The lads have come a long way in the preceeding 19 years; less bopish and much more lyrical playing ala Bill Evans trio. Mix of original compositions and standards (Brubeck's The Duke, Van Heusen's It Could Happen To You, etc). Can't really think of much to say. Really well done but unlikely I'd feel the need to revisit this disk very often. (Be mindful that I'm feeling more in a Funny Rat mood so...)

~~~~~~~~

1999: :wub: Good, better, best. Sheesh! Three codgers, totally secure in their skins, and sounding wonderful. 12 tunes, 48 minutes, mix of standards and originals, recorded in the studio. Not a whole lot of improvising goin' on, not a whole lot of time within each track to do so! Tasty in the extreme. (BOY this is a nice sounding disk. Humair's percussion is alive, Michelot's bass is in the room and Urtreger's piano has a nice tang.)

Worth $21 for the 3 CDs? Certainly. As I understand this set is quite expensive in Europe, second thoughts might be called for. (Brownie and Lon are fans of this set so you might want to note their praise.)

More listening ahead.

John: Have you had a listen to any of this set yet?

Edited by Chaney
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Me fan of HUM, too, Garth another... I enjoy the live set that starts things off a lot more than you do, it seems, but I'll have to give those discs another spin soon.

I think there was a thread dedicated to it some time back, do a search if you're interested. I might have posted some thoughts there (or not).

ubu

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Me fan of HUM, too, Garth another... I enjoy the live set that starts things off a lot more than you do, it seems, but I'll have to give those discs another spin soon.

I think there was a thread dedicated to it some time back, do a search if you're interested. I might have posted some thoughts there (or not).

ubu

Looks like there was a seperate thread for HUM:

Humair-Urtreger-Michelot Set

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Jazzmatazz lists the following March 1 releases:

NEW Alessio Riccio/Ellery Eskelin/David Shea - Drawing - Opus 2: Paul Klee (Unorthodox 005) Mar 1

— Ellery Eskelin (tenor sax), David Shea (samples & other keyboards) and Alessio (drums, loops, verious percussion and tapes)

NEW Alessio Riccio with Tim Berne, Elliott Sharp - Hallucinated Memories (Unorthodox 008) Mar 1

— Alessio Riccio, drums, percussion; with Elliott Sharp, pedal steel and electric guitar; Tim Berne, Achille Succi & Renato Cordovani, saxes; Stefano Battaglia, piano; Giacomo Castellano, el. guitar; Nuccio D'Angelo, classical guitar; Guido Melis, bass; Francesco Simionato, keyboards programming; Luca Marianini, flugelhorn; Marco Ortolani, clarinets; Rossela Ruini and Diana Torto, vocals

Q: Anyone familiar with either (percussionist) Riccio or the Unorthodox label?

Please tell me Riccio hasn't tattooed himself in this way...

riccio1.jpg

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Recently got a copy of this 2CD set from a very kind board member:

36029.jpg

This Steeplechase set contains two Debut albums (not of the foot-patting kind Universal is now reissuing...). Very nice stuff! Disc 1 is Ornette kind of music, but more fragmented, more, shall I say, cerebral (you know, 12 tone things etc, getting rid of melody bla bla bla). Sunny Murray is the drummer on that first album, in addition to Danish trumpet, alto and bass player.

Disc two is quite different, and, I think, even better. Danish drummer here, tenor added, both saxophonists playing electric saxes, bass electric, too, and musically this is somewhere between typical power music of the sixties - which the first album somehow succeeds in not getting too close, by being what I called cerebral - and and the stuff Miles' band did a couple of years later. Very interesting!

Cerebral may be the wrong word for what I want to say. I don't mean "intellectual" or "cold" or "depressing", none of that. Just that Ornette is a blues player and has that gutsy thing going on, and these Danes certainly don't have that... don't need it either, as they have their own thing going on.

******************

Now spinning the most recent addition to my CD collection:

B00006FR6C.03.LZZZZZZZ.jpg

Was interrupted while posting, have now finished listening to the Rivers, and love it! A very joyful set, upbeat feeling, great playing by Rivers (tenor, soprano, flute).

ubu

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Recently got a copy of this 2CD set from a very kind board member:

Contemporary Jazz Quartet /Quintet - "The Original Debut Recordings - 1964/1967" (SteepleChase)

Sounds interesting!

Gotta start catching up with SteepleChase catalog.

Edited by Д.Д.
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Started giving disc 1 (the studio half) of this 2CD set a listen:

080.jpg

Sounds great so far! I wonder how the live recording on disc 2 will compare!

ubu

Definitely a good one! The live disc, I think, is even better! Much good tenor by Parker, and as far as I can tell (I don't know him really), not only his typical circular soprano. Great recording, too (Peter Pfister)! I guess I should've been there when they did the live disc in Zürich, back in 2001...

I'm not sure about Guy here. I mean he is good, they play together etc, but I didn't listen close/concentrated enough to really hear all that's going on. However, Guy seemed a bit, say, less virtuosic, more "normal" bass player, than he was on two recent occasions when I saw him live. That's not a bad thing, but still, he's able to create marvellous landscapes on his bass (partially with help of some effects, which is ok with me, his sound can't be killed by any effect, it's so beautiful), and he obviously chose not to do this in this duo. Will have to dig out the trio recording I have from the trio with Lytton (a live recording from Germany, the exact date of which I don't have, but it's recent).

ubu

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Ubu - I got that set not too long ago (at Perspective 2004 from Patrik) and I, too, like it quite a bit. I now feel like giving it another listen sometime tonight. The engineer, by the way, is Martin Pearson - they're both amazing, though. If any of you will be around Paris during March, the Banlieues Bleues festival is on and I will certainly be present for the pairs of concerts on the 15th, 30th, and 31st of March.

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Sorry I got the engineer wrong... I even prefer Pearson, usually, so...

No more ratty listening after that Guy/Parker set, but some early sixties Coltrane (with Dolphy - shoot, David!) live stuff. Need to return to Coltrane more often in the weeks to come!

Won't be even close to Paris, but I'll look for broadcasts on France Musiques (last year they had a few Banlieues Bleues concerts, but that festival is so big... we can only hope they pick some interesting ones).

ubu

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