mtodde Posted January 29, 2009 Report Posted January 29, 2009 (edited) I have the Classic Records 33 RPM LP of Somethin' Else but I'm without a turntable for a few more months and am wondering if there is a better sounding CD version than the RVG I have. Unfortunately I'm not set up for DVD-Audio anymore because that may well be the best sounding digital version. If anyone has any suggestions I'm open to them. I'm not sure when the SACD will come out from Acoustic Sounds/APO. Thanks Edited January 29, 2009 by mtodde Quote
Free For All Posted January 29, 2009 Report Posted January 29, 2009 Somethin' Else was my first RVG- when I compared it with the previous version I was impressed, especially with the sound of Blakey's cymbals. I'm very happy with the RVG! It's one of my favorite BNs. Quote
Big Al Posted January 29, 2009 Report Posted January 29, 2009 Somethin' Else was my first RVG- when I compared it with the previous version I was impressed, especially with the sound of Blakey's cymbals. I'm very happy with the RVG! It's one of my favorite BNs. Same here! Quote
RDK Posted January 29, 2009 Report Posted January 29, 2009 Didn't the old MFSL do a gold Somethin' Else? Or am I misremembering? Otherwise can't you just wait for the SACD and "suffer" for a few months with the RVG? It can't be that bad. Quote
Claude Posted January 29, 2009 Report Posted January 29, 2009 The RVG sounds compressed and almost mono. It's one of the more extreme RVG "mastering reinterpretations". The MFSL sounds much better. But it's OOP and expensive. I would indeed wait for the new Analogue Productions hybrid SACD, although this can take a while. I have the first 4 SACDs from the series (Whistle Stop, Leeway, Capuchin Swing, Blue Train), and they sound extremely fine. Quote
mtodde Posted January 29, 2009 Author Report Posted January 29, 2009 Didn't the old MFSL do a gold Somethin' Else? Or am I misremembering? Otherwise can't you just wait for the SACD and "suffer" for a few months with the RVG? It can't be that bad. One of the problems with a revealing high end system is that you get whatever is on the disc and compressed recordings are pretty much unlistenable...and this one sounds pretty bad. I can handle mono but there is very little dynamic range due to the compression. There was a MFSL but I'm not going to pay $300 for it...hopefully I'll run into an early issue CD. I do plan to buy the SACD but will probably have my vinyl rig up and running before then. Otherwise it may be a few months before I listen to this again. Quote
Ragu Posted January 29, 2009 Report Posted January 29, 2009 Well if you have a DVD player connected to your sound system you could play the DAD or HDAD at lower resoultion but still better than CD (I think!). I play the HDAD at 192 and it sounds great. Quote
Rosco Posted January 29, 2009 Report Posted January 29, 2009 I'd take the '86 McMaster over the RVG. Quote
AndrewHill Posted January 29, 2009 Report Posted January 29, 2009 Somethin' Else was my first RVG- when I compared it with the previous version I was impressed, especially with the sound of Blakey's cymbals. I'm very happy with the RVG! It's one of my favorite BNs. Same here! I'm in the RVG camp; a major improvement over the McMaster (which I compared when I upgraded nearly 10 years ago). Quote
J.A.W. Posted January 29, 2009 Report Posted January 29, 2009 The RVG sounds compressed and almost mono. It's one of the more extreme RVG "mastering reinterpretations". The MFSL sounds much better. But it's OOP and expensive. I would indeed wait for the new Analogue Productions hybrid SACD, although this can take a while. I have the first 4 SACDs from the series (Whistle Stop, Leeway, Capuchin Swing, Blue Train), and they sound extremely fine. I'm with Claude on this one. I had both the RVG and the MFSL and the latter won in a comparison, by an enormous margin. To my ears the RVG is a sonic disaster (added digital compression, almost mono, the highs don't sound good), while the MFSL sounds pretty smooth. I haven't heard any of the Analogue Productions hybrid SACDs so far, so I can't comment on those. Quote
Shrdlu Posted February 14, 2009 Report Posted February 14, 2009 But weren't the Hackensack stereos almost mono sounding anyway? Rudy has said that he didn't like those early stereos, and it's no surprise that his CD sounds close to mono. The RVG CD is the only version of this that I have ever heard, and it sounded fine as far as I remember. But no doubt the TOCJ is the best CD version. They almost always are. Quote
J.A.W. Posted February 14, 2009 Report Posted February 14, 2009 (edited) But weren't the Hackensack stereos almost mono sounding anyway? Not this one. The MFSL version has a wide stereo image. The RVG CD is the only version of this that I have ever heard, and it sounded fine as far as I remember. But no doubt the TOCJ is the best CD version. They almost always are. Bold thing to say that "no doubt the TOCJ is the best CD version" if the RVG CD is the only version you've ever heard ... I've heard the RVG, "Blue Note Works" TOCJ and MFSL and the MFSL won on all counts. Edited February 14, 2009 by J.A.W. Quote
Shrdlu Posted February 15, 2009 Report Posted February 15, 2009 Well, that statement is based on having heard dozens of the TOCJs, all of which are (for me) the best CD reissues of the album in particular. That series should be made available continually. Quote
mtodde Posted February 16, 2009 Author Report Posted February 16, 2009 I did manage to pick up the Ron McMaster CD for under $5 on eBay including shipping. It sounds more musical to me but hey all of our ears & stereos are different. This one will do me until I get a turntable again this spring. Quote
jazzbo Posted February 16, 2009 Report Posted February 16, 2009 There's a new edition from Jazz Beat. . . Quote
jazzbo Posted February 16, 2009 Report Posted February 16, 2009 (edited) There's a new edition from Jazz Track. . . Edited February 16, 2009 by jazzbo Quote
riverrat Posted February 21, 2009 Report Posted February 21, 2009 This is one of the RVGs for which the JRVG is a different and better sounding remaster. It is interesting to me how much time was spent comparing Japanese and US RVGs during my early days on the old BNBB group, whereas today most here seem to have forgotten that era, or even that the first several batches of RVGs were remastered separately for US and Japan markets. Quote
jazzbo Posted February 21, 2009 Report Posted February 21, 2009 I've never heard that JRVG. I do remember those days. Still. . .I'm glad Greg's not here. Quote
shaft Posted February 23, 2009 Report Posted February 23, 2009 (edited) Hi On a general level för Blue Notes I would normally rate the following editions (not just "Something else") 1. DCC jazz by Steve Hoffman - Simply stunning! It's all there Resolution, warmth, bass etc. Not very common on BN I think just Vinyl ;-) 2. TOCJ the old jewel 4000 series - Straight transfers. Godd bass, wide spread and not too much treble 3. MFSL - They are sounding a bit old (not so revealing) sometimes but always nice. 4. Newer RVG's - Generally not so bad. A tad bright though. 5. Ron Mcmasters (never sounded special and shy of bass) 6. Old RVG's and JRVG's Compressed and narrow stereo spread, LOTS of treble. Tiring sound. There are of course exceptions Shaft Edited February 23, 2009 by shaft Quote
Parkertown Posted February 26, 2009 Report Posted February 26, 2009 No Blue Notes were released by DCC... Analogue Productions has just released 4 Blue Note SACDs mastered by the mastering engineer of the former DCC... Quote
J.A.W. Posted February 26, 2009 Report Posted February 26, 2009 (edited) Hi On a general level för Blue Notes I would normally rate the following editions (not just "Something else") 1. DCC jazz by Steve Hoffman - Simply stunning! It's all there Resolution, warmth, bass etc. Not very common on BN I think just Vinyl ;-) 2. TOCJ the old jewel 4000 series - Straight transfers. Godd bass, wide spread and not too much treble 3. MFSL - They are sounding a bit old (not so revealing) sometimes but always nice. 4. Newer RVG's - Generally not so bad. A tad bright though. 5. Ron Mcmasters (never sounded special and shy of bass) 6. Old RVG's and JRVG's Compressed and narrow stereo spread, LOTS of treble. Tiring sound. There are of course exceptions Shaft DCC didn't release any Blue Notes on CD. (edit) Oops, just noticed Scott's post above mine... Edited February 26, 2009 by J.A.W. Quote
shaft Posted February 28, 2009 Report Posted February 28, 2009 Hi again, My mistake you guys are right. Just omit the number one then. I was thinking about the work Steve Hoffman did on Vinyl for musicmatters.com - it is really good sounding. /Shaft Quote
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