Soulstation1 Posted January 28, 2008 Report Posted January 28, 2008 Andrew Hill All sessions took place at the Van Gelder Studio in Englewood Cliffs, New Jersey. Only the original U.S. issue numbers are included here. (A) Joe Henderson (ts), Andrew Hill (p), Richard Davis (b), Roy Haynes (d). November 8, 1963 tk 3 Land Of Nod tk 7 Black Fire (alt tk) tk 9 Cantarnos tk 15 McNeil Island (omit d) tk 17 Tired Trade (omit ts) tk 20 Pumpkin tk 22 Pumpkin (alt tk) tk 23 Subterfuge (omit ts) tk 27 Black Fire All master takes issued on Black Fire (BST 84151). All takes issued on the CD reissue of this album (B2-84151). ________________________________________________________________ (B) Andrew Hill (p), Richard Davis, Eddie Khan (b), Roy Haynes (d). December 13, 1963 tk 4 Smokestack (alt tk) previously unissued tk 6 Smokestack tk 9 Wailing Wall tk 11 Ode To Von tk 15 Ode To Von (alt tk) previously unissued tk 16 The Day After tk 17 The Day After (alt tk) previously unissued tk 21 Verne tk 22 Not So (alt tk) previously unissued tk 23 Not So tk 24 30 Pier Avenue All master takes issued on Smokestack (BST 84160). All takes soon to be issued on the CD reissue of this album (B2-32097). _________________________________________________________________ © Bobby Hutcherson (vbs), Andrew Hill (p), Richard Davis (b), Elvin Jones (d). January 8, 1964 tk 3 Judgement tk 8 Flea Flop tk 13 Siete Ocho tk 15 Alfred tk 20 Yokada, Yokada (alt tk) tk 21 Yokada, Yokada tk 26 Reconciliation All master takes issued on Judgment (BST 84159). All takes issued on the CD reissue of this album (B2-28981). _________________________________________________________________ (D) Kenny Dorham (tp), Eric Dolphy (as-1, b cl-2, fl-3), Joe Henderson (ts, fl-3), Andrew Hill (p), Richard Davis (b), Tony Williams (d). March 21, 1964 tk 6 Refuge -1 tk 7 Dedication (alt tk) -2 tk 8 Dedication -2 tk 10 New Monastery -1 tk 13 New Monastery (alt tk) -1 previously unissued tk 18 Flight 19 (alt tk) -2 tk 19 Flight 19 -2 tk 24 Spectrum -1,2,3 All master takes issued on Point Of Departure (BST 84167). All takes, except take 13, issued on the CD reissue of this album (B2-84167). ________________________________________________________________ (E) John Gilmore (ts), Bobby Hutcherson (vbs), Andrew Hill (p), Richard Davis (b), Joe Chambers (d). June 25, 1964 tk 6 Black Monday tk 12 Symmetry tk 14 Symmetry (alt tk) previously unissued tk 17 The Groits (omit ts) tk 18 The Groits (alt tk) (omit ts) previously unissued tk 20 Duplicity tk 31 Le Serpent Qui Danse tk 33 No Doubt All master takes issued on Andrew! (BST-84203). ________________________________________________________________ (F) Freddie Hubbard (cor), Joe Henderson (ts), Andrew Hill (p), Richard Davis (b), Joe Chambers (d). February 10, 1965 tk 2 Euterpe tk 4 Euterpe (alt tk) previously unissued tk 6 Calliope tk 7 Pax tk 8 Eris tk 10 Erato (omit horns) tk 11 Roots 'N Herbs (omit horns) previously unissued All takes except 4 and 11 previously issued in the mid seventies on the double album One For One (BNLA 459-2). _________________________________________________________________ (G) Freddie Hubbard (tp, flg-1), John Gilmore (ts, b cl-1), Cecil McBee (b), Joe Chambers (d), Nadi Qamar (African drums, African thumb piano-1, percussion), Renaud Simmons (cga, percussion). October 8, 1965 tk 3 Compulsion tk 6 Limbo tk 10 Legacy (omit horns) tk 14 Premonition -1 -1 add Richard Davis (arco b) All takes issued on Compulsion (BST 84217). _________________________________________________________________ (H) Sam Rivers (ts), Andrew Hill (p), Walter Booker (b), J.C. Moses (d). March 7, 1966 tk 1 Violence -1 tk 3 Violence (alt tk) -1 previously unissued tk 5 Hope -1 tk 7 Illusion tk 10 Pain (no ts) tk 16 Desire tk 18 Desire (alt tk) previously unissued tk 19 Lust (no ts) -1 Hill plays harpsichord under the bass solos All master takes were intended for release as BST 84233 in 1967, but were first issued as half of a Sam Rivers double album in the mid seventies entitled Involution (BNLA 453-2). _________________________________________________________________ Original sessions produced by Alfred Lion Produced for release by Michael Cuscuna Executive producer: Charlie Lourie Recording engineer: Rudy Van Gelder Transfers: Odea Murphy and Malcolm Addey All photographs by Francis Wolff Design direction: Richard Mantel Design production: InkWell, Inc. Masters courtesy of Blue Note Records, a division of Capitol Records, Inc under license from CEMA Special Markets. (p)1995 CEMA Special Markets. Product of CEMA Special Markets, a subsidiary of Capitol-EMI Music Inc. All rights reserved. Unauthorized duplication is a violation of applicable laws. ©1995 Mosaic Records, Inc. All rights reserved. Quote
EKE BBB Posted June 8, 2008 Report Posted June 8, 2008 Could anybody post the discographical information for the Bunny Berigan set? Thanks in advance! Quote
Chas Posted June 9, 2008 Report Posted June 9, 2008 (edited) Could anybody post the discographical information for the Bunny Berigan set? Thanks in advance! The Brunswick, Parlophone & Vocalion Bunny Berigan (#219) Limited Edition: 5000 copies 7 CDs - $119.00 DISCOGRAPHY DISC I: 1. When I Take My Sugar To Tea (A) 3:12 (Fain-Kahal-Norman) 2. Rockin' Chair (A) 3:00 (Hoagy Carmichael) 3. Building A Home For You (B) 2:56 (G. Kahn-J. Santly) 4. At Your Command © 3:12 (Barris-Crosby-Tobias) 5. Pardon Me, Pretty Baby © 3:03 (Rose-Klages-Meskill) 6. On The Beach With You (D) 3:01 (J. Greer-T. Seymour) 7. Love Letters In The Sand (E) 1:57 (Coots-N. Kenny-C. Kenny) 8. I Thank You, Mister Moon (take A) (F) 2:42 (Dave Oppenheim) 9. I Thank You, Mister Moon (take B) (F) 2:43 (Dave Oppenheim) 10. By The Sycamore Tree (G) 3:34 (H. Gillespie-P. Wendling) 11. Why Did It Have To Be Me? (G) 3:20 (Stept-Lombardo-Green) 12. How Long Will It Last (H) 3:16 (J. Meyer-M. Lief) 13. (We've Got To) Put That Sun Back In The Sky (mtx.11240) (I) 3:16 (I. Kahal-J. Meyer) 14. (We've Got To) Put That Sun Back In The Sky (mtx.11321) (J) 3:00 (I. Kahal-J. Meyer) 15. Too Many Tears (K) 3:12 (A. Dubin-H. Warren) 16. Everybody Loves My Baby (L) 2:17 (J. Palmer-S. Williams) 17. Stop The Sun, Stop The Moon (M) 3:19 (H. Cook-Robinson-M. Cook) 18. What Would You Do? (take 1) (N) 2:53 (L. Robin-R. Whiting) 19. What Would You Do? (take A) (N) 2:54 (L. Robin-R. Whiting) 20. "Face The Music" Medley (Pt .2) (O) 4:11 (Irving Berlin) 21. Sing A New Song (P) 2:49 (M. Ager-N. Wever) 22. I'm So In Love (P) 2:55 (Walter Donaldson) 23. Gosh Darn ! (Q) 2:43 (J. Coots-J. Young) 24. Crazy People (Q) 2:55 (E. Leslie-J. Monaco) DISC II 1. If I Had My Way �Bout My Sweetie ® 3:01 (J. Palmer-S. Williams) 2. Dream Sweetheart (S) 2:36 (Bud Green) 3. Lawd, You Made The Night Too Long (S) 2:51 (V. Young-S. Lewis) 4. My Lips Want Kisses (T) 2:39 (Oppenheim-Fisher-Baer) 5. Doggone, I've Done It (U) 3:03 (Dave Franklin) 6. How Do You Do It? (V) 3:11 (L. Gensler-E.Y. Harburg 7. Someone Stole Gabriel's Horn (W) 2:54 (Washington-Hayes-Mills) 8. Underneath The Harlem Moon (X) 2:51 (M. Gordon-H. Revel) 9. Mighty River (X) 2:52 (Billy Baskette) 10. All American Girl (Y) 2:47 (Al Lewis) 11. Underneath The Harlem Moon (Y) 3:01 (M. Gordon-H. Revel) 12. What Would Happen To Me If Something Happened To You? (Z) 2:53 (Harry Woods) 13. I'll Never Have To Dream Again (AA) 3:13 (I. Jones-C. Newman) 14. Me Minus You (AA) 2:58 (Abel Baer) 15. Sing (It's Good For You) (AA) 2:51 (Mooney-Prince-Robin) 16. You'll Get By (With A Twinkle In Your Eye) (BB) 2:50 (J. Coots-R. Turk) 17. Going! Going!! Gone!!! (CC) 2:58 (Phil Baxter) 18. Low Down Upon The Harlem River (CC) 3:05 (M. Gordon-H. Revel) 19. You've Got Me Crying Again (take 1) (CC) 3:06 (I. Jones-C. Newman) 20. You've Got Me Crying Again (take 2) (CC) 3:04 (I. Jones-C. Newman) 21. I Gotta Right To Sing The Blues (take 1) (CC) 2:46 (T. Koehler-H. Arlen) 22. I Gotta Right To Sing The Blues (take 2) (CC) 2:46 (T. Koehler-H. Arlen) DISC III 1. Mood Hollywood (take A) (DD) 2:58 (L. Hayton-J. Dorsey) 2. Mood Hollywood (take B) (DD) 2:58 (L. Hayton-J. Dorsey) 3. Someone Stole Gabriel's Horn (DD) 2:58 (Washington-Hayes-Mills) 4. Stay On The Right Side Of The Road (take A) (DD) 2:42 (R. Bloom-T. Koehler) 5. Stay On The Right Side Of The Road (take B) (DD) 2:43 (R. Bloom-T. Koehler) 6. Shim Sham Shimmy (take A) (DD) 3:17 (J. Dorsey-F. McGrath) 7. Shim Sham Shimmy (take B) (DD) 3:11 (J. Dorsey-F. McGrath) 8. Is That Religion? (take A) (EE) 3:00 (M. Parish-M. Pinkard) 9. Is That Religion? (take B) (EE) 3:06 (M. Parish-M. Pinkard) 10. You'll Never Get Up To Heaven That Way (take B) (FF) 3:20 (S. Lernertake A. Baer) 11. You'll Never Get Up To Heaven That Way (take A) (FF) 3:04 (S. Lerner-A. Baer) 12. In A Little Second Hand Store (FF) 3:14 (Dreyer-Nelson-Pease) 13. Keep Looking Forward (FF) 2:41 (Davis-Oakland) 14. You've Got Everything (GG) 2:55 (G. Kahn-W. Donaldson) 15. Sweet Madness (GG) 2:54 (N. Washington-V. Young) 16. Savage Serenade (GG) 2:57 (Herman Hupfeld) 17. She's Funny That Way (HH) 2:59 (R. Whiting-N. Moret) 18. Coffee In The Morning And Kisses In The Night (II) 2:48 (A. Dubin-H. Warren) 19. Sittin' On A Log (II) 2:40 (E. Confrey-B. Gay) 20. I Raised My Hat (II) 3:12 (E. Pola-F. Steininger) 21. She Reminds Me Of You (JJ) 2:58 (M. Gordon-H. Revel) 22. Judy (KK) 2:58 (H. Carmichael-S. Lerner) 23. On Account-a I Love You (LL) 2:38 (S. Stept-B. Green) DISC IV 1. Honeysuckle Rose (MM) 2:48 (Fats Waller) 2. With All My Heart And Soul (MM) 2:41 (Will Hudson) 3. Bughouse (MM) 2:48 (Wilson-Norvo-Mills) 4. Blues In E Flat (MM) 2:57 (Red Norvo) 5. A Blues Serenade (NN) 2:50 (Parish-Signorelli-Lytell) 6. Moonlight On The Ganges (NN) 2:42 (Wallace-Myers-Ewing) 7. In A Little Spanish Town (NN) 2:30 (Lewis-Young-Wayne) 8. Solo Hop (NN) 2:48 (Glenn Miller) 9. What's The Reason (OO) 3:05 (Poe-Grier-Tomlin-Hatch) 10 She's A Latin From Manhattan (OO) 3:00 (A. Dubin-H. Warren) 11. You've Been Taking Lessons In Love (OO) 3:01 (C. Tharp-G. Watts) 12. Indiana (OO) 2:43 (B. MacDonald-J. Hanley) 13. I'm Putting All My Eggs In One Basket (PP) 2:45 (Irving Berlin) 14. Sing An Old Fashioned Song (PP) 2:50 (J. Young-F. Ahlert) 15. I'm Gonna Sit Right Down And Write Myself A Letter (PP) 2:45 (J. Young-F. Ahlert) 16. It's Been So Long (QQ) 3:03 (H. Adamson-W. Donaldson) 17. I'd Rather Lead A Band (QQ) 2:48 (Irving Berlin) 18. Let Yourself Go (QQ) 2:47 (Irving Berlin) 19. Swing, Mister Charlie (QQ) 3:06 (Brooks-Robinson-Taylor) DISC V 1. A Melody From The Sky (RR) 2:47 (S. Mitchell-L. Alter) 2. I Can't Get Started (RR) 3:22 (I. Gershwin-V. Duke) 3. A Little Bit Later On (RR) 2:48 (J. Livingston-A. Neiburg) 4. Rhythm Saved The World (RR) 2:35 (S. Cahn-S. Chaplin) 5. Just To Be In Caroline (SS) 2:58 (Hines-Carpenter-Dunlap) 6. It Ain't Nobody's Biz'ness What I Do (SS) 2:30 (Browne-Sampsel-Markowitz) 7. And Still No Luck With You (TT) 2:44 (N. Simon-J. Redmond) 8. I'm An Old Cowhand (TT) 2:56 (Johnny Mercer) 9. I Nearly Let Love Go Slipping Through My Fingers (UU) 2:47 (Harry Woods) 10. But Definitely (UU) 2:58 (M. Gordon-H. Revel) 11. If I Had My Way (UU) 2:40 (L. Klein-J. Kendis) 12. When I'm With You (UU) 2:45 (M. Gordon-H. Revel) 13. Dear Old Southland (VV) 2:44 (H. Creamer-T. Layton) 14. Did I Remember ? (WW) 2:49 (H. Adamson-H. Donaldson) 15. No Regrets (take 2) (WW) 2:35 (H. Tobias-R. Ingraham) 16. No Regrets (take 1) (WW) 2:35 (H. Tobias-R. Ingraham) 17. Summertime (WW) 2:52 (D. Heyward-G. Gershwin) 18. Billie's Blues (WW) 2:30 (Billie Holiday) 19. Dardanella (take 1) (XX) 2:30 (Fisher-Bernard-Black) 20. Dardanella (take 2) (XX) 2:29 (Fisher-Bernard-Black) 21. It Ain't Right (XX) 2:36 (B. Rothberg-J. Meyer) 22. Between The Devil And The Deep Blue Sea (XX) 3:03 (T. Koehler-H. Arlen) 23. In A Sentimental Mood (XX) 3:13 (Ellington-Mills-Kurtz) DISC VI 1. Whatcha Gonna Do When There Ain't No Swing? (YY) 3:16 (J. Levinson-A. Neiburg) 2. Organ Grinder's Swing (YY) 3:06 (Parish-Mills-Hudson) 3. Rhythm Lullaby (YY) 2:58 (P. Denneker-A. Razaf) 4. It All Begins And Ends With You (YY) 3:10 (F. Froeba-J. Palmer) 5. I'm One Step Ahead Of My Shadow (ZZ) 2:55 (S. Cahn-S. Chaplin) 6. A Fine Romance (AAA) 2:50 (D. Fields-J. Kern) 7. I Can't Pretend (AAA) 3:03 (Tobias-Rusincky-Brouder) 8. One, Two, Button Your Shoe (AAA) 2:48 (A. Johnston-J. Burke) 9. Let's Call A Heart A Heart (AAA) 2:58 (A. Johnston-J. Burke) 10. That Foolish Feeling (BBB) 2:50 (H. Adamson-J. McHugh) 11. Where Are You? (BBB) 3:10 (H. Adamson-J. McHugh) 12. In A Little Spanish Town (take 1) (BBB) 2:51 (Lewis-Young-Wayne) 13. In A Little Spanish Town (take 2) (BBB) 2:50 (Lewis-Young-Wayne) 14. The Goona Goo (CCC) 2:51 (Young-Reser-Ahlert) 15. Who's Afraid Of Love? (CCC) 2:49 (S. Mitchell-L. Pollack) 16. One In A Million (CCC) 2:42 (S. Mitchell-L. Pollack) 17. Blue Lou (CCC) 2:50 (E. Sampson-I. Mills) 18. I'm Gonna Kiss Myself Goodbye (DDD) 2:27 (Gordon-Roberts-Kaufman) 19. Big Boy Blue (DDD) 2:14 (J. Lawrence-P. Tinturin) 20. Dixieland Shuffle (take 1) (DDD) 2:58 (G. Rodin-B. Haggart) 21. Dixieland Shuffle (take 2) (DDD) 2:55 (G. Rodin-B. Haggart) 22. Let's Do It (DDD) 3:11 (Cole Porter) DISC VII 1. What Is There To Say ? (EEE) 3:27 (V. Duke-E.Y.Harburg) 2. The Buzzard (take A) (EEE) 3:00 (Bud Freeman) 3. The Buzzard (take B) (EEE) 3:05 (Bud Freeman) 4. Tillie's Downtown Now (take A) (EEE) 3:22 (Bud Freeman) 5. Tillie's Downtown Now (take B) (EEE) 3:12 (Bud Freeman) 6. Keep Smilin' At Trouble (EEE) 3:07 (Jolson-DeSylva-Gensler) 7. Willow Tree (FFF) 3:21 (A. Razaf-F. Waller) 8. Honeysuckle Rose (take A) (FFF) 2:54 (A. Razaf-F. Waller) 9. Honeysuckle Rose (take B) (FFF) 2:57 (A. Razaf-F. Waller) 10. Squeeze Me (take A) (FFF) 3:03 (F. Waller-C. Williams) 11. Squeeze Me (take B) (FFF) 3:00 (F. Waller-C. Williams) 12. Down-Hearted Blues (take A) (FFF) 3:21 (L.Austin-A. Hunter) 13. Down-Hearted Blues (take B) (FFF) 3:26 (L.Austin-A. Hunter) 14. You Took Advantage Of Me (take A) (GGG) 3:24 (R. Rodgers-L. Hart) 15. You Took Advantage Of Me (take B) (GGG) 3:22 (R. Rodgers-L. Hart) 16. Chicken And Waffles (GGG) 3:00 (Bunny Berigan) 17. I'm Coming, Virginia (GGG) 2:41 (W.M.Cook-D. Heywood) 18. Blues (GGG) 3:12 (Bunny Berigan) ________________________________________________________________________ THE COMPLETE BRUNSWICK, PARLOPHONE AND VOCALION BUNNY BERIGAN SESSIONS DISCOGRAPHY For the purposes of this discography, only the first issue number of each matrix is listed unless contemporaneous issues exist. The personnel and instrumentation reflect only the titles represented in this set. 78 label abbreviations: ARC for American Record Corporation (from mid 1935 to early 1938, ARC masters were issued with the same catalog number on Banner, Melotone, Oriole, Perfect and Romeo and will be designated by ARC in each case), Ban for Banner, Br for Brunswick, Cl for Clarion, Col for Columbia, Cq for Conqueror, Dec for Decca, Dom for Domino, Har for Harmony, Od for Odeon, OK for OKeh, Mt for Melotone, Or for Oriole, Par for Parlophone, Per for Perfect, Ro for Romeo, SE for Special Editions, VT for Velvet Tone and Voc for Vocalion. Brunswick, Odeon, Parlophone, Rex and Vocalion issues with an (E) were originally pressed in England. Odeon and Parlophone issues with an ONY or PNY prefix are New York pressings.Brunswick, Melotone and Vocalion masters that were recorded prior to December 1, 1931 are not included since they are currently under license with Universal Music. In addition to the regular 78s released to the public, ARC also recorded background music for use in theaters only which were almost always instrumentals ranging from organ solos to dance band material. Pressed with the same matrix on both sides of a 10" 78 rpm recording ("F" series) as well as a 33 1/3 rpm recording ("E" series), these rare "Theater-Use" sides were cut as part of a regular ARC session. As with some previous Mosaic sets, we have enlisted a number of musicians and jazz scholars to participate in a round table discussion to ascertain, to the best of our knowledge, the personnel for these sessions. Unraveling who is present on these sessions is a daunting task, especially when it concerns the ARC Studio (or House) Band, and therefore we invited both Bozy White and Jeff Healey into the fray. Mr. Healey, who also assisted us with our Beiderbecke/Trumbauer/Teagarden and Venuti/Lang box sets, is a highly regarded musician and collector whose fine ear was of enormous help in determining the personnel and unearthing rare Berigana. Mr. White is the premier Berigan discographer for over 50 years and without his input this discography would have been riddled with errors and omissions. His long awaited Bunny Berigan discography (which will also devote an entire chapter to recordings previously thought to contain Berigan - some 600 titles!), is scheduled for publication in the year 2003, and will be offered privately through Bozy White, Box 10208, Oakland, Ca. 94610-0208. This germ of this discography stems from the following reference materials: Jazz Records 1897-1942 Fifth Edition by Brian Rust (Storyville), The Jazz Discography by Tom Lord (Cadence Jazz Books), Jimmy Dorsey: A Study In Contrasts by Robert L. Stockdale (Scarecrow Press), Bunny Berigan: The ARC Years 1931-1936 (IAJRC 1013 CD) discography by Bozy White, Artie Shaw: A Musical Biography and Discography by Vladimir Simosko (Scarecrow Press). The following is a collective personnel of those who were employed by the American Record Corporation during the 1930s and who could very well be the "unknowns" that are listed in this discography: Benny Baker, Jules Berkin, Stirling Bose, Mickey Bloom, Bob Effros, Hymie Farberman, Fred Farrar, Louis Garcia, Harry Gluck, Tommy Gott, Frank Guarente, Mannie Klein, Charlie Margulis, Bill Moore, Phil Napoleon, Tommy Thunen, Ruby Weinstein, Mannie Weinstock, Lloyd Williams (tp) (Sylvester Ahola is another trumpeter employed by ARC, but he wrote to Bozy White stating he never did get to record with Berigan), Larry Altpeter, Will Bradley, Charlie Butterfield, Chuck Campbell, Tommy Dorsey, Sammy Lewis, Carl Loeffler, Glenn Miller, Jack Teagarden, Lloyd Turner, Joe Yukl (tb), Larry Binyon, Lyle Bowen, Arnold Brilhart, Bob Chester, Wally Curtis, Jimmy Dorsey, Alfie Evans, Max Farley, Elmer Feldkamp, Fran Frey, Benny Goodman, Mutt Hayes, Chet Hazlett, Bennie Krueger, Tony Parenti, Pete Pumiglio, Arthur Rollini, Hank Ross, Babe Russin, Sid Stoneburn, Henry Wade, Larry Tice (reeds), Harry Bluestone, John Bowman, Nat Brusiloff, Al Duffy, Walter Edelstein, Bernard Hirsch, Harry Hoffman, Murray Kellner, Lou Kosloff, Lou Raderman, Joe Raymond, Joe Venuti (vln), Frank Banta, Rube Bloom, Irving Brodsky, Lew Cobey, Fulton McGrath, Joe Meresco, Milt Rattenberg, Justin Ring, Arthur Schutt, Frank Signorelli, Joe Sullivan, Bobby Van Eps, Phil Wall (p), Perry Botkin, Clay Bryson, John Cali, Tony Colucci, Tommy Fellini, Larry Hall, Carl Kress, Eddie Lang, Dick McDonough, Benny Mortell, Tony Sacco, Frank Sylvano, Roy Smeck, Frank Worrell (g, bjo), Artie Bernstein, Dick Cherwin, Ward Lay, Lou Shoobe, Sam Shoobe, Hank Stern, Joe Tarto (b, tu), Larry Gomar, George Hamilton Green, Joe Green, Stan King, Chauncey Morehouse, Johnny Morris, Sam Weiss, Johnny Williams (d). Although Victor Young was the house director from early 1931 to mid 1934, there were others who filled in as the occasion arose. They were Dick Cherwin, Lou Gold, Ed Kirkeby and Bennie Krueger. When Young left ARC in August of 1934 to join the newly formed (American) Decca company, trombonist, pianist and leader Russ Morgan and veteran bandleader Jack Shilkret were appointed house directors until the demise of ARC in 1938. Morgan brought to the studios, in addition to some of the above list of musicians, the following collective personnel: Russ Case, Pee Wee Erwin, Harry Shilkret, Dave Wade (tp), Mark Bennett, Jerry Colonna, Jack Jenney, Red Jessup, Jack Lacey, Russ Morgan, George Mazza, Al Philburn (tb), Rudy Adler, Dick Clark, Dave Harris, Johnny Ingram, Slats Long, Joe Marsala, Lou Martin, Reggie Merrill, Johnny Mince, Toots Mondello, George Napoleon, Gene Prendergast, Paul Ricci, Gil Rodin, Adrian Rollini, Sam Ruby, Andy Sannella, Artie Shaw, Sid Trucker, Milt Yaner (reeds), Mac Ceppos (vln), Frank Froeba, Harry Merker, Russ Morgan, Terry Shand, Jack Shilkret, Claude Thornhill (p), Dave Barbour, Carmen Mastren (g), Cozy Cole, Billy Gussak, Neil Marshall, Milt Schlesinger (d). There may very well be others who are excluded from these lists. ________________________________________________________________________ (A) FRANK AUBURN AND HIS ORCHESTRA (FRED RICH ORCHESTRA): poss. Bob Effros, Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), unknown (as), unknown (ts), 3 unknown (vln), poss. Sammy Prager, unknown (p), Eddie Lang (g), unknown (tu), unknown (d), Dick Robertson (as "Chester Leighton" or "Bobby Dix" on some issues) (vcl), Fred Rich (dir). NYC, March 18, 1931 404881-B When I Take My Sugar To Tea (DR-vcl) Cl 5277-C, Har 1307-H, Od ONY 36204, OK 41489, Par PNY 34197, VT 2343-V Note: The Clarion, Harmony and Velvet Tone releases carry a different matrix number (100501) but are identical to 404881. The Odeon release as "Rex King and his Sovereigns", the OKeh release as Fred Rich and his Orchestra, and the Parlophone release as "The Deauville Syncopators". 100502-1 Rockin� Chair (DR-vcl) Cl 5273-C, Har 1306-H, VT 2339-V Note: Other matrices from this session fall outside the scope of this set. Some issues of matrix 100502 show -4 but this is a dub of -1. ________________________________________________________________________ (B) BOB HARING AND HIS ORCHESTRA: Bunny Berigan, unknown (tp), poss. Tommy Dorsey (tb), Andy Sannella, unknown (reeds), unknown (vln), unknown (p), John Cali (bj), unknown (tu), unknown (d), Dick Robertson (vcl), Bob Haring (dir). NYC, May 15, 1931 10624- 3 Building A Home For You (DR-vcl) Ban 32189, Or 2272, Per 15471, Ro 1639 Note: Other matrices from this session fall outside the scope of this set. ________________________________________________________________________ © FRED RICH AND HIS ORCHESTRA: Bunny Berigan (tp, vcl), unknown (tp), Tommy Dorsey or Lloyd Turner (tb), Jimmy Dorsey, poss. Lyle Bowen (cl, as), unknown (ts), Joe Venuti, unknown (vln), Cornell Smelser (acc), Sammy Prager (p, cel), Eddie Lang (g), poss. Joe Tarto (tu), unknown (d), Scrappy Lambert (vcl), Fred Rich (dir). NYC, June 15, 1931 151604-1 At Your Command (BB-vcl) Col 2484-D 151606-1 Pardon Me, Pretty Baby (SL-vcl) - Note: Other matrices from this session fall outside the scope of this set. A second take of 151604, also with a Berigan vocal, was rejected and no longer exists in the Sony archives. A third take, this time with Scrappy Lambert as vocalist, was made and rejected as well. It is not known if this third take was made as protection in case the Berigan-vocal take was rejected by Columbia executives or because Lambert was late for the session and had originally been selected to be the vocalist for the tune. ________________________________________________________________________ (D) CHESTER LEIGHTON AND HIS SOPHOMORES (BEN SELVIN ORCHESTRA): Bunny Berigan, Ruby Weinstein (tp), Tommy Dorsey (tb), Benny Goodman (cl, as), Lou Martin (as), Hymie Wolfson (ts), Ben Pobersky (vln), Rube Bloom (p), Carl Kress (g), Hank Stern (tu), Milt Schlesinger (d, xyl), Milt Coleman (ukulele, vcl), Ben Selvin (dir). NYC, June 18, 1931 351042-2 On The Beach With You (MC-vcl) Cl 5351-C, Har 1340-H, VT 2415-V Note: Other matrices from this session fall outside the scope of this set. The personnel for this session came from Bozy White who through researcher Wally Fry, had access to the files for this session back in the 1940s. ________________________________________________________________________ (E) LLOYD KEATING AND HIS MUSIC (BEN SELVIN ORCHESTRA): Bunny Berigan, unknown (tp), poss. Tommy Dorsey (tb), 2 unknown (reeds), poss. Joe Venuti, unknown (vln), poss. Arthur Schutt (p), unknown (g), unknown (tu), unknown (d), Ben Selvin (dir). NYC, September 9, 1931 710008 Love Letters In The Sand Cl 11002-C, Har 6002-H, VT 10002-V Note: This was issued as a "Double Track" recording; one that has two separate grooves on each side. The "B" groove is without jazz content and is not included here. ________________________________________________________________________ (F) THE BOSWELL SISTERS ACCOMPANIED BY THE DORSEY BROTHERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Joe Venuti (vln), Martha Boswell (p), Eddie Lang (g), Joe Tarto (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl). NYC, December 4, 1931 37446-A I Thank You, Mister Moon (BS-vcl) Br 6231 37446-B I Thank You, Mister Moon (BS-vcl) Grannyphone(Du) 03318(LP) Note: Matrix 37445, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________ (G)DORSEY BROTHERS AND THEIR ORCHESTRA: Bunny Berigan, Mickey Bloom, unknown (tp), Tommy Dorsey, unknown (tb), Jimmy Dorsey, Foster Morehouse, unknown (reeds), Chummy MacGregor (p), Tony Sacco (g, vcl), Tex Hurst (tu), Stan King (d). NYC, December 9, 1931 152034-2 By The Sycamore Tree (TS-vcl) Col 2581-D 152035-2 Why Did It Have To Be Me? (TS-vcl) Col 2589-D Note: Other matrices from this session fall outside the scope of this set. This personnel consists of some members of the pit band led by the Dorsey Brothers for the show "Everybody's Welcome" which opened in October at the Schubert Theater, NYC. Glenn Miller (who played trombone in the pit band), Lou "King" Garcia (tp), Arnold Brilhart (reeds) and Arthur Schutt (p) have commonly been listed as being on this session. Discographies also list Wes Vaughan as the vocalist, however, Tony Sacco (who is sometimes listed as "Tony Starr") confirmed he was the only singer on this session. ________________________________________________________________________ (H) TED WALLACE AND HIS CAMPUS BOYS (ED KIRKEBY ORCHESTRA): J. Earle Isom, Bunny Berigan (tp), Carl Loeffler (tb), Bobby Davis (cl, as), Elmer Feldkamp (reeds, vcl), Paul Mason (reeds), Lew Cobey (p), Ed Sexton (g), Ward Lay (tu), Jack Powers (d, vib), Ed Kirkeby (dir). NYC, January 15, 1932 152064-2 How Long Will It Last (EF-vcl) Col 2601-D Note: Other matrices from this session fall outside the scope of this set. The personnel for this session comes from the Kirkeby files supplied to us by Bozy White. ________________________________________________________________________ (I) THE BOSWELL SISTERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Joe Venuti (vln), Martha Boswell or Arthur Schutt (p), Eddie Lang (g), Artie Bernstein (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl, arr). NYC, February 5, 1932 11240-A (We�ve Got To) Put That Sun Back In The Sky (BS-vcl, arr) Br © 6257 Note: Matrix 11241, also from this session, falls outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (J) THE BOSWELL SISTERS ACCOMPANIED BY THE DORSEY BROTHERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Harry Hoffman (vln), Sammy Prager (p), Dick McDonough (g), Joe Tarto (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl, arr). NYC, February 19, 1932 11321-A (We�ve Got To) Put That Sun Back In The Sky (BS-vcl, arr) Br 6257 Note: Matrix 11320, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________ (K) EDDIE KIRKEBY AND HIS ORCHESTRA: Ted Sandow, Bunny Berigan (tp), Carl Loeffler (tb), Bobby Davis (cl, as), Elmer Feldkamp (reeds, vcl), Paul Mason (reeds), William Ray Gold (p), Noel Kilgen (g), Ward Lay (tu), Jack Powers (d, vib), Ed Kirkeby (dir). NYC, February 24, 1932 11347-2 Too Many Tears (EF-vcl) Ban 32382, Mt M-12326, Or 2428, Per 15577 Note: Other matrices from this session fall outside the scope of this set. The Melotone release as "Ed Loyd and his Orchestra". The personnel for this session comes from the Kirkeby files supplied to us by Bozy White. ________________________________________________________________________ (L)THE BOSWELL SISTERS ACCOMPANIED BY THE DORSEY BROTHERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Joe Venuti (vln), Martha Boswell (p), Dick McDonough (g), Joe Tarto (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl). NYC, February 24, 1932 11354-A Everybody Loves My Baby (BS-vcl) Br 6271 Note: Matrix 11353, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________ (M) IMPERIAL DANCE ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, unknown (tp), poss. Tommy Dorsey (tb), Jimmy Dorsey (as, cl), unknown (as), unknown (ts), unknown (vln), poss. Joe Meresco (p), unknown (g), poss. Artie Bernstein (b), Stan King (d), Victor Young (dir). NYC, c. March 1932 E601-1 Stop The Sun, Stop The Moon ARC Theater F-167 (78), E-601 (33 1/3) Note: Numerically, this matrix falls within 14 "Theater-Use" sides dubbed March 19, 1932, from commercially issued ARC and Brunswick releases. ________________________________________________________________________ (N) BOB CAUSER & HIS CORNELLIANS -1 / ED LLOYD AND HIS ORCHESTRA -2 (ARC STUDIO BAND): Bunny Berigan, unknown (tp), Tommy Dorsey (tb), poss. Jimmy Dorsey (as), Bennie Krueger (as, c-mel), unknown (ts), 3 unknown (vln), unknown (p), poss. Eddie Lang (g), poss. Dick Cherwin (tu), Larry Gomar (d), Scrappy Lambert, Smith Ballew (vcl), Victor Young (dir). NYC, March 1, 1932 11381-1 What Would You Do? (SL-vcl) -1 Ban 32404, Or 2440, Per 15583, Ro 1812 11382-A What Would You Do? (SB-vcl) -2 Mt M-12335 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (O)VICTOR YOUNG AND THE BRUNSWICK ORCHESTRA (ARC STUDIO BAND): Frank Guarente or Mannie Klein, Bunny Berigan (tp), Tommy Dorsey (tb), Bennie Krueger, Jimmy Dorsey (as), Larry Binyon (ts), 6 unknown (vln), Charlie Magnante or Cornell Smelser (acc), Joe Meresco (p), unknown (g), unknown (tu), Larry Gomar (d), poss. Justin Ring (bells), Fran Frey (vcl), Victor Young (dir). NYC, March 8, 1932 11418-A "Face The Music" Medley (Pt .2): Manhattan Madness; Let's Have Another Cup Of Coffee (FF-vcl); I Say It's Spinach; Soft Lights And Sweet Music Br (12") 20106 Note: Other matrices from this session fall outside the scope of this set. The metal part for 11418-B is a dub of the -A take. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (P) BENNIE KRUEGER AND HIS ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, unknown (tp), unknown (tb), Jimmy Dorsey (cl, as), Bennie Krueger (as, c-mel, dir), Fran Frey (as, vcl), unknown (ts), 2 unknown (vln), Justin Ring (p), unknown (g), unknown (tu), poss. Larry Gomar (d), Phil Neely (vcl). NYC, March 9, 1932 11423-A-B Lovable (PN-vcl) unissued, master no longer exists 11424-A Sing A New Song (FF-vcl) Br 6280 11426-A I'm So In Love (FF-vcl) Br 6287 Note: Matrix 11423 was remade on March 18, 1932 without Berigan. Matrix 11425, also from this session, falls outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (Q) BENNIE KRUEGER AND HIS ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, poss. Mannie Klein (tp), poss. Tommy Dorsey (tb), Bennie Krueger (reeds, dir), 3 unknown (reeds), 3 unknown (vlns), poss. Arthur Schutt (p), Eddie Lang (g), unknown (tu), poss. Stan King (d), Dick Robertson (vcl). NYC, April 6, 1932 11652-A Gosh Darn ! (DR-vcl) Br 6296 11655-A Crazy People (DR-vcl) - Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ ® VIC IRWIN AND HIS ORCHESTRA (ARC STUDIO BAND): Bob Effros, Bunny Berigan (tp), Tommy Dorsey (tb), Bennie Krueger (as, c-mel), Jimmy Dorsey (cl, as), unknown (ts), 3 unknown (vln), unknown (p), Eddie Lang (g), unknown (tu), Larry Gomar (d), Les Reis (vcl), Victor Young (dir). NYC, April 8, 1932 11673-1 If I Had My Way 'Bout My Sweetie (LR-vcl) Ban 32454, Mt M-12363, Per 15608, Ro 1849 Note: The Melotone and Romeo releases as "Owen Fallon and his Californians". Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (S) IMPERIAL DANCE ORCHESTRA (ARC STUDIO BAND): Possibly the same session as matrix 11673. Definitely present are Bunny Berigan, Bennie Krueger, Jimmy Dorsey and Eddie Lang. NYC, April 8, 1932 E607 Dream Sweetheart ARC Theater F-173 (78), E-607 (33 1/3) E615 Lawd, You Made The Night Too Long ARC Theater F-180 (78), E-615 (33 1/3) Note: We have not been able to locate an issued version of E615 (our source was a vinyl master pressing) and therefore the artist credit on the label is unknown. Other matrices from this session fall outside the scope of this set. ________________________________________________________________________ (T) CONNIE BOSWELL: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), poss. Joe Venuti, poss. Harry Hoffman, unknown (vln), Harry Gray or Martha Boswell (p), Eddie Lang (g), Artie Bernstein (b), Stan King (d), Connie Boswell (vcl), Victor Young (dir). NYC, April 9, 1932 11683-A My Lips Want Kisses (CB-vcl) Br 6297 Note: Matrix 11682, also from this session, falls outside the scope of this set. Berigan does not appear on the remaining titles from this session (matrices 11684-5). Instrumentation confirmed by the Brunswick ledgers. _______________________________________________________________________ (U) THE BOSWELL SISTERS ACC. BY THE DORSEY BROTHERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Joe Venuti (vln), Martha Boswell (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl), Victor Young (dir). NYC, June 17, 1932 11948-A Doggone, I've Done It (BS-vcl) Br 6335 Note: Matrix 11949, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________________ ___ (V) ABE LYMAN & HIS CALIFORNIA ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, Mannie Klein (tp), Tommy Dorsey (tb), Bennie Krueger (as or c-mel), Jimmy Dorsey (as), unknown (ts), 4 unknown (vln), poss. Fulton McGrath (p), poss. Dick McDonough (g), Artie Bernstein (b), unknown (tu), Larry Gomar (d), Harlan Lattimore (vcl), Victor Young (dir). NYC, September 17, 1932 12310-A How Do You Do It? (HL-vcl) Br 6380 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (W) DORSEY BROTHERS ORCHESTRA: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (ts), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d, bells), Jean Bowes (vcl). NYC, September 24, 1932 12362-A Someone Stole Gabriel's Horn (JB-vcl) Br (E) 01386 Note: Matrix 12363, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________ (X) CHICK BULLOCK AND HIS LEVEE LOUNGERS (ARC STUDIO BAND): Bunny Berigan (tp), Jimmy Dorsey (cl), poss. Harry Hoffman (vln), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Chick Bullock (vcl), poss. Victor Young (dir). NYC, September 26, 1932 12364-1 Underneath The Harlem Moon (CB-vcl) Ban 32573, Cq 8015, Mt M- 12502, Or 2575, Per 15678, Ro 1941 12365-1 Mighty River (CB-vcl) Same issues as 12364. Note: Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (Y) ALL-STAR COLLEGIANS (ARC STUDIO BAND): Bunny Berigan, unknown (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), unknown (as), Larry Binyon (ts), poss. Harry Hoffman (vln), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Victor Young (dir). NYC, September 26, 1932 E685 All American Girl ARC Theater F-230 (78), E-685 (33 1/3) E687 Underneath The Harlem Moon ARC Theater F-232 (78), E-687 (33 1/3) Note: Other matrices from this session fall outside the scope of this set. ________________________________________________________________________ (Z) WILL OSBORNE AND HIS ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, unknown (tp), unknown (tb), poss. Bennie Krueger, 2 unknown (reeds), 3 unknown (vln), unknown (p), unknown (g), unknown (b), unknown (d), Will Osborne (vcl), poss. Victor Young (dir). NYC, September 27, 1932 12371-1 What Would Happen To Me If Something Happened To You? (WO-vcl) Ban 32576, Cq 8016, Mt M-12503, Or 2570, Per 15679, Ro 1942 Note: Other matrices from this session fall outside the scope of this set. The Melotone release as "Ed Lloyd and his Orchestra". Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________(AA) CONNIE BOSWELL �1 / DORSEY BROTHERS ORCHESTRA �2: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (ts, poss.oboe), Harry Hoffman, 2 unknown (vln), Martha Boswell or Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), poss. Stan King (d), Connie Boswell, Jean Bowes (vcl). NYC, September 27, 1932 12378-A I'll Never Have To Dream Again (CB-vcl) �1 Br 6405 omit violins. 12379-A Me Minus You (CB-vcl) �1 - 12380-A Sing (It's Good For You) (JB-vcl) �2 Br 6409 Note: Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (BB) BOB CAUSER AND HIS CORNELLIANS (ARC STUDIO BAND): Bunny Berigan, unknown (tp), Tommy Dorsey (tb), Bennie Krueger, Jimmy Dorsey, unknown (reeds), 3 unknown (vln), poss. Joe Meresco (p), poss. Dick McDonough (g), poss. Dick Cherwin (b), Larry Gomar (d, bells), Dick Robertson (vcl), Victor Young (dir). NYC, October 27, 1932 12509-1 You'll Get By (With A Twinkle In Your Eye) (DR-vcl) Ban 32602, Mt M-12532, Or 2589, Per 15692, Ro 1964 12516-1-2 Lonely Street (DR-vcl) unissued, master no longer exists Note: Other matrices from this session fall outside the scope of this set. Matrix 12510 thru 12515 are by other artists. The Melotone release as "Ed Lloyd and his Orchestra". Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (CC) CHICK BULLOCK AND HIS LEVEE LOUNGERS �1 / LEE WILEY �2: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (bsn. on matrix 13123), 3 unknown (vln), poss. Fulton McGrath (p), Eddie Lang (g), Artie Bernstein (b), Larry Gomar or Stan King (d, vib), Chick Bullock, Lee Wiley (vcl), Victor Young (dir). NYC, March 7, 1933 13120-1 Going! Going!! Gone!!! (CB-vcl) �1 Ban 32716, Cq 8111, Mt M- 12645, Or 2665, Per 15743, Ro 2038, Voc 15882 13121-1 Low Down Upon The Harlem River (CB-vcl) �1 Same issues as 13120 except Voc 15882. 13122-1 You've Got Me Crying Again (LW-vcl) �2 Epic BSN 159 (LP) 13122-2 You've Got Me Crying Again (LW-vcl) �2 Meritt 501 (LP) 13123-1 I Gotta Right To Sing The Blues (LW-vcl) �2 Jass 19 (LP) 13123-2 I Gotta Right To Sing The Blues (LW-vcl) �2 Epic L2N 6072 (LP) Note: Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (DD) DORSEY BROTHERS ORCHESTRA �1 / BING CROSBY WITH DORSEY BROTHERS ORCHESTRA �2: Bunny Berigan, unknown (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (ts), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d, bells), Bing Crosby (vcl). NYC, March 14, 1933 13148-A Mood Hollywood �1 Br 6537 13148-B Mood Hollywood �1 Col 36066 13149-A Someone Stole Gabriel's Horn (BC-vcl)-2 Br 6533 13150-A Stay On The Right Side Of The Road (BC-vcl) �2 - 13150-B Stay On The Right Side Of The Road (BC-vcl) �2 IAJRC 2 (LP) 13152-A Shim Sham Shimmy �1 Br 6537 13152-B Shim Sham Shimmy �1 Hep (E) 1005 (LP) Note: Matrix 13151, also from this session, falls outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________________ ______ (EE) MILDRED BAILEY WITH DORSEY BROTHERS ORCHESTRA: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), unknown (ts), Fulton McGrath (p), Carl Kress (g), Artie Bernstein (b), Stan King (d), Mildred Bailey (vcl), Glenn Miller (arr). NYC, April 8, 1933 13208-A Is That Religion? (MB-vcl) (GM-arr) Br 6558 13208-B Is That Religion? (MB-vcl) (GM-arr) (alt tk) Mosaic MD10-204 (CD) Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________________ ______ (FF) CONNIE BOSWELL -1 / ART KAHN AND HIS ORCHESTRA -2: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), 3 unknown (vln), Martha Boswell (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d, vib), Connie Boswell, Dick Robertson (vcl). NYC, April 11, 1933 13230-B You'll Never Get Up To Heaven That Way (CB-vcl) -1 previously unissued 13230-A You'll Never Get Up To Heaven That Way (CB-vcl) -1 Br 6552 13231-A In A Little Second Hand Store (CB-vcl) -1 - 13232-A Keep Looking Forward (DR-vcl) -2 ARC Theater F-267 (78) Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (GG) ADRIAN ROLLINI AND HIS ORCHESTRA: Bunny Berigan (tp), Al Philburn (tb), Benny Goodman (cl), Arthur Rollini (ts), Adrian Rollini (bass sax), Fulton McGrath (p, cel), Clay Bryson (g, vcl), poss. Artie Miller (b), Herb Weil (d, vcl). NYC, October 16, 1933 14147-1 You've Got Everything (HW-vcl) Ban 32873, Cq 8249, Dom 153, Mt M-12815, Or 2775, Per 15831, Ro 2148 14152-1 Sweet Madness (HW-vcl) Ban 32880, Mt M-12829, Or 2784, Per 15839, Ro 2157 14153-2 Savage Serenade (CB-vcl) Same issues as 14152 Note: Matrix 14148, also from this session, falls outside the scope of this set and 14149 thru 14151 were assigned to other artists. Some discographies list Dick McDonough (g) but musicians from this date confirmed that it was Bryson. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (HH) DORSEY BROTHERS ORCHESTRA: Mannie Klein, Bunny Berigan, unknown (tp), Tommy Dorsey, Lloyd Turner (tb), Jimmy Dorsey, Lyle Bowen, Larry Binyon, Jim Crossan (reeds), Joe Venuti (vln), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Jerry Cooper (voc). NYC, October 17, 1933 14156-A She's Funny That Way (JC-vcl) Br 7542 Note: Other matrices from this session fall outside the scope of this set. The Brunswick ledgers list four trumpets for this title, however, aural identification suggests the above instrumentation. ________________________________________________________________________ (II) ADRIAN ROLLINI AND HIS ORCHESTRA: Bunny Berigan (tp), Al Philburn (tb), Artie Shaw (cl), Arthur Rollini (ts), Adrian Rollini (bass sax, vib), Fulton McGrath (p, cel), Dick McDonough (g), poss. Artie Miller (b), Herb Weil (d, vcl), Jane Vance, Howard Phillips (vcl). NYC, November 24, 1933 14379-1 Coffee In The Morning And Kisses In The Night (HP-vcl) Ban 32923, Mt M-12866, Or 2811, Per 15861, Ro 2184 14380-1 Sittin' On A Log (JV-vcl) Ban 32912, Cq 8262, Mt M-12855, Or 2803, Per 15855, Ro 2176 14381-2 I Raised My Hat (HW-vcl) Same issues as 14380. Note: Matrix 14378, also from this session, falls outside the scope of this set. Some discographies incorrectly list Benny Goodman on this session. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________________ ______ (JJ) PAUL HAMILTON AND HIS ORCHESTRA (DORSEY BROTHERS ORCHESTRA): Bunny Berigan (tp), Tommy Dorsey, prob. Don Matteson (tb), Jimmy Dorsey (cl, as), Lyle Bowen (as), poss. Skeets Herfurt (ts), Fulton McGrath or Bobby Van Eps (p), Dick McDonough (g), Artie Bernstein (b), Ray McKinley (d), Don Matteson (vcl). NYC, March 14, 1934 14927-1 She Reminds Me Of You (DM-vcl) Voc 2662 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Vocalion ledgers. ________________________________________________________________________ (KK) DORSEY BROTHERS ORCHESTRA: Bunny Berigan (tp), Tommy Dorsey, Glenn Miller, Don Matteson (tb), Jimmy Dorsey (cl, as), Skeets Herfurt (cl, ts), Jack Stacy (ts), Bobby Van Eps (p), Roc Hillman (g), Delmar Kaplan (b), Ray McKinley (d), unknown (xyl, harpophone), Glenn Miller (arr). NYC, April 23, 1934 15091-A Judy (GM-arr) Br 6938 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (LL) SMITH BALLEW AND HIS ORCHESTRA (DORSEY BROTHERS ORCHESTRA): Bunny Berigan, Charlie Spivak (tp), Tommy Dorsey, Don Matteson or Glenn Miller (tb), Jimmy Dorsey (cl, as), Skeets Herfurt, Jack Stacy (ts), Bobby Van Eps (p), Roc Hillman (g), Delmar Kaplan (b), Ray McKinley (d), Chick Bullock (vcl). NYC, May 21, 1934 15246-1 On Account-a I Love You (CB-vcl) Ban 33078, Mt M-13042, Or 2912, Per 15945, Ro 2286 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (MM) RED NORVO AND HIS SWING OCTET: Bunny Berigan (tp), Jack Jenney (tb), Johnny Mince (cl), Chu Berry (ts), Teddy Wilson (p), George Van Eps (p), Artie Bernstein (b), Gene Krupa (d), Red Norvo (xyl). NYC, January 25, 1935 16703-2 Honeysuckle Rose Col 3059-D 16709-1 With All My Heart And Soul Col 3026-D 16710-1 Bughouse Col 3079-D 16711-1 Blues In E Flat - Note: Some discographies list 16703-1 appearing on a Japanese Sony LP release but it is actually -2. Matrix numbers 16704-16708 belong to a Leadbelly session recorded the day before. Personnel confirmed by the Columbia ledgers. ________________________________________________________________________________ ______ (NN) GLENN MILLER AND HIS ORCHESTRA: Bunny Berigan, Charlie Spivak (tp), Jack Jenney (tb), Johnny Mince (cl, as) Eddie Miller (cl, ts), Harry Bluestone, Vladimir Selinsky (vln), Harry Waller (vla), Bill Schuman (cello), Claude Thornhill (p), Larry Hall (g), Delmar Kaplan (b), Ray Bauduc (d), Smith Ballew (vcl), Matty Matlock (arr), Glenn Miller (arr, dir). NYC, April 25-26, 1935 (8:45 pm - 1:30 am) 17379-1 A Blues Serenade (SB-vcl) Col 3051-D 17380-1 Moonlight On The Ganges (SB-vcl) - omit Spivak. 17381-1 In A Little Spanish Town (GM-arr) Col 3058-D omit strings; Glenn Miller (tb) replaces Jenney. 17382-1 Solo Hop (MM-arr) - Note: Personnel confirmed by the Columbia ledgers. Glenn Miller has been listed in discographies as being the arranger on solo hop and as a trombonist for the entire session. However, since the ledgers state that Jack Jenney (along with the string section) left at 12:45 am (the 26th), Miller becomes a likely candidate as the trombonist heard in the ensemble for the final tune of the session. ________________________________________________________________________ (OO) MOUND CITY BLUE BLOWERS: Bunny Berigan (tp), unknown (tb), Eddie Miller (cl, ts), poss. Gil Bowers (p), unknown (g), poss. Harry Goodman (b), Ray Bauduc (d), Red McKenzie (comb, maracas, vcl). NYC, May 9, 1935 17515-1 What's The Reason (RM-vcl) Voc 2957 17516-1 She's A Latin From Manhattan (RM-vcl) - 17517-1 You've Been Taking Lessons In Love (RM-vcl) Voc 2973 17518-1 Indiana (RM-vcl) - Note: Instrumentation confirmed by the Vocalion ledgers. ________________________________________________________________________ (PP) CHICK BULLOCK AND HIS LEVEE LOUNGERS (ARC STUDIO BAND): Bunny Berigan (tp), poss. Jack Lacey (tb), unknown (cl, bari), unknown (ts), unknown (vln), unknown (p), poss. Dick McDonough (g), unknown (b), poss. Chauncey Morehouse (d, vib), Chick Bullock (vcl), Jack Shilkret (dir). NYC, January 18, 1936 18519-1 I'm Putting All My Eggs In One Basket (CB-vcl) ARC 6-04-01, Cq 8652 18521-1 Sing An Old Fashioned Song (CB-vcl) ARC 6-03-10, Cq 8624 18522-1 I'm Gonna Sit Right Down And Write Myself A Letter (CB-vcl) ARC 6-03-10, Cq 8623 Note: Matrix 18520, also from this session, falls outside the scope of this set. Instrumentation confirmed by the ARC ledgers. Some issues as just "Chick Bullock". ________________________________________________________________________ (QQ) BUNNY BERIGAN AND HIS BOYS: Bunny Berigan (tp, vcl), Bud Freeman (cl, ts), Forrest Crawford (ts), Joe Bushkin (p), Eddie Condon (g), Mort Stulmaker (b), Dave Tough (d), Chick Bullock (vcl). NYC, February 24, 1936 18717-1 It's Been So Long (BB-vcl) unissued, master no longer exists 18718-1 It's Been So Long (CB-vcl) Voc 3179 18719-1 I'd Rather Lead A Band (CB-vcl) Voc 3178 18720-1 Let Yourself Go (CB-vcl) - 18721-1 Swing, Mister Charlie (CB-vcl) Voc 3179 Note: Epic (LP) LG 3109 (Take It, Bunny!) as well as Classics (CD) 734 (Bunny Berigan and His Boys 1935-1936) has edited versions of matrices 18718, 18719 and 18720. Personnel confirmed by the Vocalion ledgers. Dave Barbour is commonly listed as guitarist. ________________________________________________________________________ (RR) BUNNY BERIGAN AND HIS BOYS: Bunny Berigan (tp, vcl), Artie Shaw (cl), Forrest Crawford (ts), Joe Bushkin (p), Tommy Felline (g), Mort Stulmaker (b), Stan King (d), Chick Bullock (vcl). NYC, April 13, 1936 19012-1 A Melody From The Sky (CB-vcl) Voc 3224 19013-1 I Can't Get Started (BB-vcl) Voc 3225 19014-1 A Little Bit Later On (CB-vcl) Voc 3224 19015-1 Rhythm Saved The World (CB-vcl) Voc 3225 Note: Epic LG 3109 (LP) and Classics 734 (CD) has edited versions of matrices 19012 and 19015. Personnel confirmed by the Vocalion ledgers. Discographies, record labels and liner notes incorrectly list Paul Ricci (cl), Eddie Condon (g), Cozy Cole or Dave Tough (d), and even Jack Teagarden (tb) as being present for this session. ________________________________________________________________________________ (SS) FRANK FROEBA AND HIS SWING BAND: Bunny Berigan (tp), Joe Marsala (cl), Herbie Haymer (ts), Frank Froeba (p), Clayton Duerr (g), Pete Peterson (b), Maurice Purtill (d), Tempo (as "Temple") King, Ted White (vcl). NYC, April 17, 1936 19057-1-2 Jes' Natch'ully Lazy (TW-vcl) unissued, master no longer exists 19058-1-2 Taggin' Along With You (TW-vcl) unissued, master no longer exists 19059-1 Just To Be In Caroline (TK-vcl) Col 3131-D 19060-1 It Ain't Nobody�s Biz'ness What I Do (TK-vcl) - Note: Personnel confirmed by the Columbia ledgers. ________________________________________________________________________ (TT) CHICK BULLOCK AND HIS LEVEE LOUNGERS -1 / CHICK BULLOCK AND HIS ORCHESTRA -2 (ARC STUDIO BAND): Bunny Berigan (tp), Will Bradley or Jack Jenney (tb), poss. Toots Mondello (as), Artie Shaw (cl, as), unknown (ts), unknown (p), unknown (g), poss. Artie Bernstein (b), Stan King or Sammy Weiss (d), Chick Bullock (vcl), poss. Jack Shilkret (dir). NYC, May 8, 1936 19209-1 And Still No Luck With You (CB-vcl) -1 ARC 6-07-07 19211-1 I'm An Old Cowhand (CB-vcl) -2 Rex (E) 8878 Note: Other matrices from this session fall outside the scope of this set. Matrix 19211-1 was not issued first in the U.S. on ARC 6-09-01 as is noted in some discographies. It was, however, remade (19211-3) on June 22, 1936 and issued on ARC 6-09-01 without Berigan. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (UU) BUNNY BERIGAN AND HIS BOYS: Bunny Berigan (tp), Jack Lacey (tb), Slats Long (cl), Joe Bushkin (p), Eddie Condon (g), Mort Stulmaker (b), Cozy Cole (d), Chick Bullock (vcl). NYC, June 9, 1936 19416-1 I Nearly Let Love Go Slipping Through My Fingers (CB-vcl) Voc 3254 19417-2 But Definitely (CB-vcl) Voc 3253 19418-1 If I Had My Way (CB-vcl) Voc 3254 19419-1 When I'm With You (CB-vcl) Voc 3253 Note: Discographies have listed Vocalion 3253 as being issued with take -1 for matrtix 19417, however, only -2 is known to exist. Epic LG 3109 (LP) and Classics 734 (CD) has edited versions of matrices 19416, 19417, and 19418. Personnel confirmed by the Vocalion ledgers. ________________________________________________________________________ (VV) DICK MCDONOUGH AND HIS ORCHESTRA: Bunny Berigan (tp), unknown (tb), Artie Shaw (cl), Larry Binyon (ts), Adrian Rollini (bass sax), Claude Thornhill (p), Dick McDonough (g), poss. Paul Prince (b), Chauncey Morehouse (d), Buddy Clark (vcl). NYC, June 23, 1936 19468-1 Dear Old Southland (BC-vcl) ARC 6-09-08 Note: Other matrices from this session fall outside the scope of this set. Although personnel has been confirmed by the ARC ledgers, the trombonist and bassist's names were omitted. ________________________________________________________________________ (WW) BILLIE HOLIDAY AND HER ORCHESTRA: Bunny Berigan (tp), Artie Shaw (cl), Joe Bushkin (p), Dick McDonough (g), Pete Peterson (b), Cozy Cole (d), Billie Holiday (vcl). NYC, July 10, 1936 19535-1 Did I Remember ? Voc 3276 19536-2 No Regrets Meritt 504 (LP) 19536-1 No Regrets Voc 3276 19537-1 Summertime Voc 3288 19538-2 Billie's Blues - Note: Holiday is the vocalist on all the titles from this session. Some discographies list -1 for matrix 19538. Personnel confirmed by the Vocalion ledgers. ________________________________________________________________________ (XX) DICK MCDONOUGH AND HIS ORCHESTRA: Bunny Berigan (tp), Lloyd Turner (tb), Toots Mondello (cl, as), Larry Binyon (ts), Adrian Rollini (bass sax, vib), Sammy Prager (p), Dick McDonough (g), Paul Prince (b), Cozy Cole (d), Buddy Clark (vcl). NYC, August 4, 1936 19649-1 Dardanella ARC 7-02-04 19649-2 Dardanella - 19650-1 It Ain't Right (BC-vcl) ARC 6-11-02 19651-1 Between The Devil And The Deep Blue Sea (BC-vcl) ARC 7-02-04 19652-1 In A Sentimental Mood ARC 6-11-02 Note: Both takes of matrix 19649 were issued on ARC 7-02-04. Personnel confirmed by the ARC ledgers. ________________________________________________________________________ (YY) FRANK FROEBA AND HIS SWING BAND: Bunny Berigan (tp), Joe Marsala (cl), Art Drelinger (ts), Frank Froeba (p), Bobby Bennett (g), Artie Shapiro (b), Cozy Cole (d), Midge Williams (vcl). NYC, August 27, 1936 19763-1 Whatcha Gonna Do When There Ain't No Swing? (MW-vcl) Col 3152-D 19764-1 Organ Grinder's Swing (MW-vcl) Col 3153-D 19765-1 Rhythm Lullaby (MW-vcl) - 19766-2 It All Begins And Ends With You (MW-vcl) Col 3152-D Note: Personnel confirmed by the Columbia ledgers. ________________________________________________________________________________ (ZZ) DICK MCDONOUGH AND HIS ORCHESTRA: Bunny Berigan, unknown (tp), poss. Lloyd Turner (tb), poss. Sid Stoneburn, poss. Artie Shaw or Toots Mondello (cl, as), Babe Russin or Larry Binyon (cl, ts), poss. Claude Thornhill (p), Dick McDonough (g), Artie Bernstein or Paul Prince (b), poss. Cozy Cole (d), Chick Bullock (vcl). NYC, September 17, 1936 19891-1 I'm One Step Ahead Of My Shadow (CB-vcl) ARC 6-12-02 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (AAA) BILLIE HOLIDAY AND HER ORCHESTRA: Bunny Berigan (tp), Irving Fazola (cl), Clyde Hart (p), Dick McDonough (g), Artie Bernstein (b), Cozy Cole (d, speech), Billie Holiday (vcl). NYC, September 29, 1936 19971-1 A Fine Romance Voc 3333 19972-1 I Can't Pretend - 19973-1 One, Two, Button Your Shoe (CC-speech) Voc 3334 19974-2 Let's Call A Heart A Heart - Note: Holiday is the vocalist on all the titles from this session. Personnel confirmed by the Vocalion ledgers. ________________________________________________________________________ (BBB) BUNNY BERIGAN AND HIS ORCHESTRA -1 / BUNNY BERIGAN AND HIS BOYS -2: Bunny Berigan (tp), Red Jessup (tb), Toots Mondello (cl, as), Babe Russin (ts), Joe Bushkin (p), Eddie Condon (g), Mort Stulmaker (b), George Wettling (d), Art Gentry (vcl). NYC, November 23, 1936 20315-2 That Foolish Feeling (AG-vcl) -1 Br 7784 20316-1 Where Are You? (AG-vcl) -1 - 20317-1 In A Little Spanish Town -2 previously unissued 20317-2 In A Little Spanish Town -2 SE 5004-S Note: Discographies list 20315-1 and 20316-2 for Br 7784, but they are dubs of the issued takes shown above. Some reissues list matrix 20317-1 but they are dubs of -2; this Mosaic set is the first to commercially release 20317-1. Personnel confirmed by the Brunswick ledgers. The Special Edition 78 was released on May 17, 1948. ________________________________________________________________________ (CCC) BUNNY BERIGAN AND HIS ORCHESTRA: Bunny Berigan, Harry Greenwald, Harry Brown (tp), Walter Burleson (tb), Matty Matlock (cl, as), Carl Swift (as), Art Drellinger (ts), Les Burness (p), Tom Morgan (g), Arnold Fishkind (b), Manny Berger (d), Art Gentry (vcl). NYC, January 22, 1937 20560-2 The Goona Goo (AG-vcl) Br 7832 20561-2 Who's Afraid Of Love? (AG-vcl) Br 7823 20562-2 One In A Million (AG-vcl) - 20563-1 Blue Lou Br 7832 Note: Classics (CD) 749 (Bunny Berigan Vol. 2 1936-1937) incorrectly lists -1 for matrix 20560. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (DDD) BUNNY BERIGAN AND HIS ORCHESTRA: Bunny Berigan, Harry Greenwald, Harry Brown (tp), Ford Leary (tb), Hymie Schertzer (cl, as), Matty Matlock (cl, as, arr), Art Drellinger (ts), Les Burness (p), Tom Morgan (g), Arnold Fishkind (b), Manny Berger (d), Johnny Hauser (vcl). NYC, February 17, 1937 20694-1 I'm Gonna Kiss Myself Goodbye (JH-vcl) Br 7847 20695-1 Big Boy Blue (JH-vcl) - 20696-1 Dixieland Shuffle (MM-arr) Voc (E) S-75 20696-2 Dixieland Shuffle (MM-arr) Br 7858 20697-2 Let's Do It - Note: Classics (CD) 749 incorrectly lists -1 for matrix 20696. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (EEE) BUD FREEMAN AND HIS WINDY CITY FIVE: Bunny Berigan (tp), Bud Freeman (cl, ts), Claude Thornhill (p), Eddie Condon (g), Grachan Moncur (b), Cozy Cole (d). Decca Studios, NYC, December 4, 1935 60190-A What Is There To Say ? Par (E) R-2285, Dec 18113 60191-A The Buzzard Par (E) R-2210, Dec 18112 60191-B The Buzzard Od (Arg) 286374, (G) 031810, Dec 18112 60192-A Tillie's Downtown Now Od (Arg) 286374, Dec 18112 60192-B Tillie's Downtown Now Par (E) R-2210 60193-A Keep Smilin' At Trouble Par (E) R-2285, Dec 18113 Note: In 1941, American Decca obtained the rights to issue all -A takes for their (78) album Gems of Jazz Vol. 1. When Decca reissued this album, both in 78 and 10" LP form, the -B take was used for matrix 60191. ________________________________________________________________________ (FFF) MILDRED BAILEY AND HER ALLEY CATS: Bunny Berigan (tp), Johnny Hodges (as), Teddy Wilson (p), Grachan Moncur (b), Mildred Bailey (vcl). Decca Studios, NYC, December 6, 1935 60201-A Willow Tree Par (E) R-2201, Dec 18108 60202-A Honeysuckle Rose - - 60202-B Honeysuckle Rose Par (E) R-2201 60203-A Squeeze Me Par (E) R-2257, Dec 18109 60203-B Squeeze Me previously unissued 60204-A Down-Hearted Blues Par (E) R-2257, Dec 18109 60204-B Down-Hearted Blues previously unissued Note: All -A takes are found in Decca (78) album Gems of Jazz Vol.1. ________________________________________________________________________ (GGG) BUNNY BERIGAN AND HIS BLUE BOYS: Bunny Berigan (tp), Edgar Sampson (cl, as), Eddie Miller (cl, ts), Cliff Jackson (b), Grachan Moncur (b), Ray Bauduc (d). Decca Studios, NYC, December 13, 1935 60229-A You Took Advantage Of Me Par (E) R-2327, Dec 18117 60229-B You Took Advantage Of Me previously unissued 60230-A Chicken And Waffles Par (E) R-2327, Dec 18117 60231-A I'm Coming, Virginia Par (E) R-2316, Dec 18116 60232-A Blues - - Note: All -A takes are found in Decca (78) album Gems of Jazz Vol.2. ________________________________________________________________________ Original sessions produced by Harry Grey, John Hammond, Bernie Hanighen, Justin Ring and Victor Young. Album index: LP Epic BSN 159 Various Artists - Those Wonderful Girls of Stage, Screen & Radio Epic L2N 6072 Various Artists - Encores From the 30's Vol. 1 Grannyphone (Du) 03318 Various Artists - Guitar Accompaniment by Eddie Lang Hep (E) 1005 The Dorsey Brothers Orchestra-Mood Hollywood IAJRC 2 Various Artists - Jazz Collection Vol. 2 Jass 19 Lee Wiley - A Got a Right to Sing the Blues Meritt 501 Bunny Berigan - The Unknown Band (1939) The Sideman (1931-1939) Meritt 504 Bunny Berigan - Leader & Sideman CD Mosaic MD10-204 Mildred Bailey - The Complete Columbia Recordings of Mildred Bailey Produced for release by Scott Wenzel Executive Producer: Michael Cuscuna Research: Michael Brooks, Jeff Healey, Dan Morgenstern, Vincent Pelote, Mike Peters, Randy Sandke, Richard M. Sudhalter, Scott Wenzel, Bozy White Audio Restoration: Vince Caro Disc Transfers: Vince Caro, John R.T. Davies, Andreas Meyer, Doug Pomeroy Mastered by Vince Caro Pitch Correction: Dan Levinson Original 78s: Michael Brooks, Tom Bumbera, John R.T. Davies, Jeff Healey, The Institute of Jazz Studies, David Jessup, Joe Lauro, John Leifert, Gene Miller, John Newton, Julian Vein, Bill Weicker and Scott Wenzel. Special thanks: Johnny Blowers, Michael Brooks (for the unissued Mildred Bailey Parlophone sides), Ruth Edge (EMI), The Institute of Jazz Studies, Dan Levinson, Dan Morgenstern, Joe Lauro (for the unissued Berigan Parlophone side), Gene Miller and John Newton (both supplied us with their enormous collection of ARC theater discs to audition and transfer), Vincent Pelote (who has made sure everything ran smoothly at all of our research symposiums at the IJS), Lloyd Rauch and Bozy White. Discs I through VI of this compilation (p) 2003 Sony Music Entertainment Inc./Manufactured by Sony Music Custom Marketing Group, 550 Madison Avenue, New York, NY 10022-3211/"Columbia" and "Sony" Reg. U.S. Patent & TM Office/Marca Registrada/WARNING All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Disc VII of this compilation appear courtesy of EMI Records, Ltd., (p) 2003 EMI Music Special Markets. Manufactured by EMI Music Special Markets, 1750 Vine Street, Hollywood, California 90028. All rights reserved. Unauthorized duplication is a violation of applicable laws. Printed in the U.S.A. 2002 Mosaic Records L.L.C., 35 Melrose Place, Stamford, CT 06902. All rights reserved. Phone: 203-327-7111/Fax 203-323-3526/ Website: www.mosaicrecords.com. Producer's Note: The selections presented here are all of Bunny Berigan's Brunswick, Parlophone and Vocalion sessions as a leader as well as the Mildred Bailey and Bud Freeman-led Parolophone dates in which he played a significant role. We have also included selected ARC sides where Berigan as a sideman, offers a significant solo passage or obbligato. We have not included a number of recordings where a short Berigan solo is strictly a paraphrase on the melody, regardless of whether it be from a commercial dance band arrangement or within a jazz context. Therefore you will not find in this collection such Berigan items as Let's Try Again by Smith Ballew or Was That the Human Thing To Do?by the Boswell Sisters. Although Love Letters in the Sand(session E) falls into this category, we have decided to include it for its rarity. Although the sound quality of these sessions will differ from track to track, we have made every effort to obtain the best possible source material, be it the original metal parts, test pressings or commercially released 78s. However, we would like to point out the following problems: Session (Y) Underneath the Harlem Moon was in very bad condition and search for a better copy proved fruitless; Session (DDD) had excessive echo in the metal parts possibly due to problems with the wax master. We commend all those listed above who worked so creatively Edited June 9, 2008 by Chas Quote
Brad Posted June 9, 2008 Report Posted June 9, 2008 I've posted some links to "hidden" Mosaic discographies (only the recent OOP sets) on the AAJ board: http://forums.allaboutjazz.com/showthread....mp;threadid=457 The Morgan discography can be found here: http://pllab.hyu.ac.kr/~doh/music/mosaic/162.html I know this is a pretty old post and it may have been mentioned recently, but the old links don't work anymore, presumably since Mosaic recenty changed their web site. Quote
Chas Posted June 9, 2008 Report Posted June 9, 2008 I've posted some links to "hidden" Mosaic discographies (only the recent OOP sets) on the AAJ board: http://forums.allaboutjazz.com/showthread....mp;threadid=457 The Morgan discography can be found here: http://pllab.hyu.ac.kr/~doh/music/mosaic/162.html I know this is a pretty old post and it may have been mentioned recently, but the old links don't work anymore, presumably since Mosaic recenty changed their web site. The Complete Blue Note Lee Morgan Fifties Sessions(#162) Limited Edition: 5000 copies 4 CDs - $64.00 (A) Morgan (tp), Clarence Sharpe (as), Horace Silver (p), Wilbur Ware (b), Philly Joe Jones (d). November 4, 1956 tk 3 Gaza Strip BLP 1538 tk 4 Reggie Of Chester - tk 6 Little T - tk 7 Little T (alt tk) previously unissued tk 9 Stand By BLP 1538 tk 11 Roccus - tk 14 The Lady - ___________________________________________________________ (B) Morgan (tp), Kenny Rogers (as), Hank Mobley (ts), Horace Silver (p), Paul Chambers (b), Charlie Persip (d). Arranged by Benny Golson -1, Owen Marshall -2. December 2, 1956 tk 2 Latin Hangover -1 BLP 1541 tk 5 Whisper Not -1 - tk 8 His Sister -2 - tk 9 D's Fink -2 - tk 11 Slightly Hep -1 - tk 13 Where Am I -1 - ______________________________________________________________ ( C ) Morgan (tp), Gigi Gryce (as, fl), Benny Golson (ts), Wynton Kelly (p), Paul Chambers (b), Charlie Persip (d). March 24, 1957 tk 3 Hasaan's Dream BLP 1557, B2-46817 tk 5 I Remember Clifford - - tk 7 Mesabi Chant - - tk 10 Tip Toeing (alt tk) - tk 11 Tip Toeing - - tk 13 Domingo - - _____________________________________________________________ (D) Morgan (tp), Curtis Fuller (tb), George Coleman (ts -1, as -2), Ray Bryant (p), Paul Chambers (b), Art Taylor (d). August 25, 1957 tk 1 Just By Myself -1 BLP 1575, BST 81575 tk 4 City Lights -1 - - tk 6 Tempo De Waltz -2 - - tk 9 You're Mine You -1 - - tk 10 Kin Folks -2 - - note: The stereo version of this LP (BST) was issued years after the initial mono release (BLP). ________________________________________________________________ (E) Morgan (tp), Pepper Adams (bari), Bobby Timmons (p), Paul Chambers (b), Philly Joe Jones (d). September 29, 1957 tk 3 Just One Of Those Things (alt tk) previously unissued tk 4 Just One Of Those Things BLP 1578, BST 81578 tk 6 Heavy Dipper - - tk 7 A Night In Tunisia - - tk 9 Lover Man - - tk 10 New-Ma - - note: The stereo version of this LP (BST) was issued years after the initial mono release (BLP). For the stereo master of A Night In Tunisia< on this album and on The Best Of Lee Morgan, the wrong outtheme insert ending was edited onto the master take. It has been corrected for this release. __________________________________________________________________ (F) Morgan (tp), Sonny Clark (p), Doug Watkins (b), Art Taylor (d). November 18, 1957 tk 4 Since I Fell For You BLP 1590, SUS 5263, B2-46508 tk 7 Personality - - - tk 14 All At Once, You Love Her - Who Do You Love, I Hope rejected same personnel. February 2, 1958 tk 5 Who Do You Love, I Hope BLP 1590, SUS 5263, B2-46508 tk 9 Candy - - - tk 12 C.T.A. - - - tk 14 All The Way - - - note: The first stereo release of this session appeared on Sunset SUS 5263 as All The Way. The wrong ending (actually the last three notes) was used for Candy. It has been corrected on all subsequent issues. ALBUM INDEX 1538 Indeed! ( Session (A) ) 1541 Volume Two ( Session (B) ) 1557 Volume Three ( Session ( C ) ) 46817 CD issue of above 1575/81575 City Lights ( Session (D) ) 1578/81578 The Cooker ( Session (E) ) 1590 Candy ( Session (F) ) 5263 All The Way (stereo issue of above) 46508 CD issue of Candy Original sessions produced by Alfred Lion Produced for release by Michael Cuscuna Executive producer: Charlie Lourie Recording engineer: Rudy Van Gelder Sessions A-C recorded in mono, sessions D-F recorded in stereo Transfers: Jeff Rach All photographs by Francis Wolff Design direction: Richard Mantel Design production: InkWell Inc. Masters courtesy of Blue Note Records, a division of Capitol Records, Inc. under license from CEMA Special Markets. (p)1995 CEMA Special Markets. Product of CEMA Special Markets, a division of Capitol Records, Inc, 1750 N. Vine St., Los Angeles, CA 90028. All rights reserved. Unauthorized duplication is a violation of applicable laws. ©1995 Mosaic Records, Inc. All rights reserved. Quote
Jay Posted June 15, 2008 Report Posted June 15, 2008 Anyone have the Prima/Manone Discography? I started tagging my lossless files when it was still available - now, getting back to it, it is nowhere to be found. Any help would be hugely appreciated. Cheers Quote
Swinging Swede Posted June 15, 2008 Report Posted June 15, 2008 From the Internet Archive: Prima/Manone Discography Quote
Jay Posted June 16, 2008 Report Posted June 16, 2008 From the Internet Archive: Prima/Manone Discography Thanks, SS! Quote
J.A.W. Posted June 18, 2008 Report Posted June 18, 2008 (edited) Could someone post the Mosaic Chico Hamilton set discography or a link. Thanks. The link that Claude posted earlier in this thread doesn't work anymore. Edited June 18, 2008 by J.A.W. Quote
Soulstation1 Posted June 18, 2008 Report Posted June 18, 2008 (A) Hamilton (d) live at Stockton High School, Stockton, CA November 12, 1954 Drums West Pacific Jazz PJ 1216 note: This drum solo was lifted from a performance of <SC>a bark for barksdale<XC> by the Gerry Mulligan Quartet, originally issued in full on World Pacific WP1247. (B) Buddy Collette (fl, cl, as, ts), Fred Katz (cello), Jim Hall (g), Carson Smith (b), Hamilton (d). Radio Recorders, LA August 23, 1955 A Nice Day Pacific Jazz PJ 1209 My Funny Valentine - Blue Sands - The Sage - The Morning After - © same live at The Strollers, Long Beach, CA August 4, 1955 I Want To Be Happy Pacific Jazz PJ 1209 Spectacular - Free Form - Walking Carson Blues - Buddy Boo - note: Walking Carson Blues on JWC 502 is a shortened version of the master take, not an alternate as some discographies have claimed. (D) same live at The Strollers, Long Beach, CA August 4 or November 11, 1955 Gone With The Wind 5:52 previously unissued Topsy 8:00 - Undecided 7:41 - My Old Flame 4:30 - The Saint 4:37 - It Don't Mean A Thing... 5:53 - Stella By Starlight (omit Collette & Hamilton) JWC-503 (E) same live at The Strollers, Long Beach, CA November 11, 1955 Caravan World Pacific WP 1287 Tea For Two - Fast Flute - Change It - Cute Little Deal - A Mood - This Is Your Day - I'll Keep Loving You - Crazy Rhythm - (F) same LA, January 4, 1956 Jonalah Pacific Jazz PJ 1216 Chrissie - The Wind - Gone Lover (When Your Lover Has Gone) - The Ghost - (G) same Music Box Theatre, LA, February 10 & 13, 1956 Sleepy Slept Here (aka Santa Monica) Pacific Jazz PJ 1216 Taking A Chance On Love - The Squimp - Topsy - Sleep - (H) Paul Horn (picc, fl, cl, as), Fred Katz (cello), John Pisano (g), Carson Smith (b), Hamilton (d). Forum Theatre, LA, October 21 & 24, 1956 I Know (theme) #1 Pacific Jazz PJ 1225 Chanel #5 - Beanstalk - September Song - Siete-Cuatro - Mr. Jo Jones - I Know (theme) #2 - Satin Doll - Lillian - Reflections - Soft Winds (omit Horn & Katz) - Caravan - I Know (theme) #3 - Mr. Smith Goes To Town Pacific Jazz JWC507 note: The mono version of Siete-Cuatro is included here because it is slightly longer than the stereo version of the same take. There are minor editing variations in the mono and stereo takes of Lillian and Caravan, but they are essentially the same, so the stereo master is used here. Mr. Jo Jones appeared only on the mono LP and is therefore in mono. (I) same LA, November, 1956 Lord Randall Pacific Jazz PJ 1231 Suite For Horn:-1 - a. Allegro b. Zen c. Science-Fiction Pluck It - Classical Katz (Horn and Katz only) - Loma - Granada - Katz-Up - Montuna - -1 add Dick Noel, Joe Howard, Herbie Harper (tb), Harry Klee (fl), Willy Schwartz (cl), Julie Jacobs (oboe), Marty Berman (bassoon). (J) same live at Town Hall, NYC May 26, 1957 Lord Randall previously unissued Walking Carson Blues JWC 513 Folk Lore previously unissued Lapis Lazuli (Hale Smith) - Concerto Petite -1 - -1 add Anahid Ajemian (violin) note: The cello solo and ending were edited out of the master tape of Walking Carson Blues for JWC 513 and cannot be reconstructed. (K) same LA August 12, 1957 Show Me World Pacific PJM 404 I'm A Funny Dame - (L) Paul Horn (fl, cl, as), Fred Katz (cello), John Pisano (g), Hal Gaylor (b), Hamilton (d). LA January 15, 24, 29, 30, 1958 Music To Eat By previously unissued Wonderful Guy Pacific Jazz PJ 1238 This Nearly Was Mine - Dites Moi - Some Enchanted Evening - Bali Ha'i - There Is Nothing Like A Dame - Younger Than Springtime - Happy Talk - A Cockeyed Optimist - Honey Bun - I'm Gonna Wash That Man Right Out Of My Hair - (M) Eric Dolphy (fl, as), Nate Gershman (cello), John Pisano (g), Hal Gaylor (b), Hamilton (d). LA, c. April, 1958 In A Sentimental Mood Pacific Jazz PJ 10108 I'm Beginning To See The Light - In A Mellow Tone Pacific Jazz SS 540 (DJ sampler) (N) Paul Horn (fl, cl, as), Buddy Collette ( fl, as, ts), Fred Katz (cello), Jim Hall (g), Carson Smith (b, arr), Hamilton (d). Sound Enterprises, LA January 9 & 12, 1959 Medley: Take The A Train/Perdido World Pacific 1258 Everything But You - I'm Just A Lucky So And So - Azure - I'm Beginning To See The Light - In A Mellow Tone - Just A-Sittin' And A-Rockin' (omit Collette) - In A Sentimental Mood - Day Dream - It Don't Mean A Thing - Album index: PJ 1209 The Chico Hamilton Quintet Featuring Buddy Collette PJ 1216 The Chico Hamilton Quintet In Hi-Fi PJ 1225 The Chico Hamilton Quintet PJ 1231 Zen - The Music Of Fred Katz PJ-1238 Plays South Pacific In Hi-Fi WP-1258 Ellington Suite WP-1287 The Original Chico Hamilton Quintet PJ-10108 Chico Hamilton-Jazz Milestone Series PJM-404 Jazz Swings Broadway JWC-502 The Blues JWC-503 Ballads For Backgrounds JWC-507 Jazz West Coast - volume three JWC 513 The Blues In Stereo Original session produced by Richard Bock, except (K) produced by Russ Freeman. Produced for release by Michael Cuscuna Executive producer: Charlie Lourie Tape transfers and CD mastering: Malcolm Addey LP mastering: Duncan Stanbury, The Master Cutting Room Sessions B, J, K, L N and most of H are in stereo. All others are mono. Special thanks to Robert Gordon, Jim Harrod and Gordon Jack for their invaluable research assistence. Design direction: Richard Mantel Design production: InkWell, Inc. Masters courtesy of Blue Note Records, a division of Capitol Records, Inc. (p) 1997 EMI-Capitol Music Special Markets. Product of EMI-Capitol Music Special Markets, 1750 N. Vine Street, Hollywood, CA 90028. All rights reserved. Unauthorized duplication is a violation of applicable laws. ©1997 Mosaic Records, Inc. All rights reserved. Quote
Swinging Swede Posted June 18, 2008 Report Posted June 18, 2008 Here we go: Chico Hamilton Discography Quote
J.A.W. Posted July 6, 2008 Report Posted July 6, 2008 Could someone please post the Mosaic Mildred Bailey discography or provide a link?'Thanks! Quote
king ubu Posted July 7, 2008 Report Posted July 7, 2008 Could someone please post the Mosaic Mildred Bailey discography or provide a link?'Thanks! I have it on my home computer, I think - in case no one comes through before tonight (or tomorrow). Quote
Swinging Swede Posted July 7, 2008 Report Posted July 7, 2008 The Wayback Machine seems to be down; otherwise it could probably be found there somewhere. Quote
jdw Posted July 7, 2008 Report Posted July 7, 2008 Could someone please post the Mosaic Mildred Bailey discography or provide a link?'Thanks! THE COMPLETE COLUMBIA RECORDINGS OF MILDRED BAILEY DISC I: 1. What Kind O’Man Is You? (A) 3:23 (Hoagy Carmichael) 2. What Kind O’Man Is You? (A) (alternate take) 3:24 (Hoagy Carmichael) 3. I Like To Do Things For You (B) 3:29 (M. Ager-J. Yellen) 4. Is That Religion? © (alternate take) 3:05 (M. Parish-M. Pinkard) 5. Is That Religion? © 3:00 (M. Parish-M. Pinkard) 6. Harlem Lullaby © 2:56 (M. Millham-W. Robison) 7. There’s A Cabin In The Pines (D) 2:56 (William Hill) 8. Lazy Bones (D) 3:03 (H. Carmichael-J. Mercer) 9. Shouting In That Amen Corner (E) 2:47 (Andy Razaf) 10. Snowball (E) 3:07 (Hoagy Carmichael) 11. But I Can’t Make A Man (F) 2:57 (R. Bloom-V. Young) 12. Give Me Liberty Or Give Me Love (F) 3:15 (L. Robin-R. Rainger) 13. Doin’ The Uptown Lowdown (F) 2:51 (M. Gordon-H. Revel) 14. Heat Wave (G) 2:44 (Irving Berlin) 15. Junk Man (H) (take 2) 3:02 (F. Loesser-J. Meyer) 16. Junk Man (H) (take 3) 3:01 (F. Loesser-J. Meyer) 17. Ol’ Pappy (H) 3:12 (Neiburg-Symes-Livingston) 18. Emaline (H) 3:24 (M. Parish-F. Perkins) 19. I’d Love To Take Orders From You (I) 2:40 (A. Dubin-H. Warren) 20. I’d Rather Listen To Your Eyes (I) 3:06 (A. Dubin-H. Warren) 21. Someday, Sweetheart (I) 3:28 (B & J Spikes) 22. When Day Is Done (I) 3:27 (B.G. DeSylva-R. Katscher) DISC II: 1. It All Begins And Ends With You (J) 2:59 (F. Froeba-J. Palmer) 2. A Porter’s Love Song To A Chambermaid (J) 3:12 (A. Razaf-J.P. Johnson) 3. Picture Me Without You (J) 3:14 (T. Koehler-J. McHugh) 4. It Can Happen To You (K) 3:07 (F. Ahlert-J. Young) 5. Now That Summer Is Gone (K) 2:54 (Seymour Simons) 6. Now That Summer Is Gone (K) (alternate take) 2:53 (Seymour Simons) 7. It’s Love I’m After (K) (take 1) 2:59 (S. Mitchell-L. Pollack) 8. Peter Piper (K) 3:05 (J. Mercer-R. Whiting) 9. For Sentimental Reasons (L) 3:08 (Silver-Sherman-Heyman) 10. It’s Love I’m After (L) 3:08 (S. Mitchell-L. Pollack) 11. ‘Long About Midnight (L) 2:57 (Hill-Mills) 12. More Than You Know (L) 3:14 (Rose-Eliscu-Youmans) 13. A Thousand Dreams Of You (M) 2:57 (L. Alter-P. Webster) 14. Smoke Dreams (M) 3:04 (N. Brown-A. Freed) 15. Slummin’ On Park Avenue (M) 2:39 (Irving Berlin) 16. I’ve Got My Love To Keep Me Warm (M) 2:54 (Irving Berlin) 17. My Last Affair (N) 3:01 (Haven Johnson) 18. Trust In Me (N) 3:01 (Wever-Schwartz-Ager) 19. Where Are You? (N) 3:14 (H. Adamson-J. McHugh) 20. You’re Laughing At Me (N) 2:46 (Irving Berlin) DISC III: 1. Never In A Million Years (O) 2:52 (M. Gordon-H. Revel) 2. There’s A Lull In My Life (O) 2:57 (M. Gordon-H. Revel) 3. Rockin’ Chair (O) (take 1) 3:12 (Hoagy Carmichael) 4. Rockin’ Chair (O) (take 2) 3:13 (Hoagy Carmichael) 5. Little Joe (O) 3:04 (N. Miller-J. Styne) 6. If You Ever Should Leave (P) 3:02 (S. Cahn-S. Chaplin) 7. The Moon Got In My Eyes (P) 2:34 (J. Burke-A. Johnston) 8. Heaven Help This Heart Of Mine (P) 2:41 (Samuels-Whitcup-Powell) 9. It’s The Natural Thing To Do (P) 3:00 (J. Burke-A. Johnston) 10. It’s The Natural Thing To Do (P) (alternate take) 3:01 (J. Burke-A. Johnston) 11. Everyone’s Wrong But Me (Q) 2:58 (S. Cahn-S. Chaplin) 12. Posin’ (Q) 2:27 (S. Cahn-S. Chaplin) 13. Posin’ (Q) (alternate take) 2:31 (S. Cahn-S. Chaplin) 14. The Morning After (Q) 3:21 (Dorsey-Jaffe-Boland) 15. Tears In My Heart ® 3:00 (Samuels-Whitcup-Powell) 16. Worried Over You ® 3:10 (Nelson-Nelson-Rose) 17. Bob White (S) 2:58 (J. Mercer-B. Hanighen) 18. Just A Stone’s Throw From Heaven (S) 3:00 (Plummer-Carpenter-Sacco) 19. Loving You (S) 3:04 (V. Schertzinger-Alderman) 20. Right Or Wrong (S) 3:04 (Victor Schertzinger) DISC IV: 1. I See Your Face Before Me (alternate take) (T) (H. Dietz-A. Schwartz) 2. I See Your Face Before Me (T) 3:00 (H. Dietz-A. Schwartz) 3. Thanks For The Memory (alternate take) (T) 2:37 (L. Robin-R. Rainger) 4. Thanks For The Memory (T) 2:34 (L. Robin-R. Rainger) 5. From The Land Of The Sky Blue Water (alternate take) (T) 2:45 (N. Eberhart-C. Cadman) 6. From The Land Of The Sky Blue Water (T) 2:46 (N. Eberhart-C. Cadman) 7. Lover Come Back To Me (T) 3:14 (O. Hammerstein II-S. Romberg) 8. Lover Come Back To Me (T) (alternate take) 3:05 (O. Hammerstein II-S. Romberg) 9. Always And Always (U) 2:34 (Wright-Forrest-Ward) 10. I Was Doing Alright (U) 2:58 (G & I. Gershwin) 11. I Was Doing Alright (alternate take) (U) 3:02 (G & I. Gershwin) 12. It’s Wonderful (U) 2:41 (Parish-Smith-Wells) 13. Our Love Is Here To Stay (U) 2:45 (G & I. Gershwin) 14. More Than Ever (V) 2:50 (I. Jones-B. Green) 15. The Weekend Of A Private Secretary (V) 2:46 (J. Mercer-B. Hanighen) 16. Please Be Kind (V) 2:34 (S. Cahn-S. Chaplin) 17. There’s A Boy In Harlem (W) 2:40 (R. Rodgers-L. Hart) 18. There’s A Boy In Harlem (W) (alternate take) 3:00 (R. Rodgers-L. Hart) 19. Bewildered (X) 2:58 (T. Powell-L. Whitcup) 20. I Can’t Face The Music (take 1) (X) 2:55 (T. Koehler-R. Bloom) 21. I Can’t Face The Music (take 2) (X) 2:55 (T. Koehler-R. Bloom) 22. Don’t Be That Way (take 1) (X) 2:59 (Goodman-Sampson-Parish) 23. Don’t Be That Way (take 3) (X) 3:00 (Goodman-Sampson-Parish) 24. At Your Beck And Call (X) 2:41 (E. DeLange-B. Ram) DISC V: 1. Says My Heart (Y) 2:54 (F. Loesser-B. Lane) 2. I Let A Song Go Out Of My Heart (take 1) (Y) 2:54 (Nemo-Mills-Ellington) 3. I Let A Song Go Out Of My Heart (take 2) (Y) 2:52 (Nemo-Mills-Ellington) 4. Moonshine Over Kentucky (take 1) (Z) 2:39 (S. Mitchell-L. Pollack) 5. Moonshine Over Kentucky (take 2) (Z) 2:41 (S. Mitchell-L. Pollack) 6. Rock It For Me (Z) 2:51 (K & S. Werner) 7. After Dinner Speech (take 1) (Z) 2:55 (S. Adams-O. Levant) 8. After Dinner Speech (take 2) (Z) 2:55 (S. Adams-O. Levant) 9. If You Were In My Place (Z) 3:08 (Nemo-Mills-Ellington) 10. Daydreamin’ (All Night Long) (AA) 2:23 (J. Mercer-H. Warren) 11. A Cigarette And A Silhouette (AA) 3:03 (DeLange-Van Heusen-Norvo) 12. (I’ve Been) Savin’ Myself ForYou (AA) 2:23 (S. Cahn-S. Chaplin) 13. You Leave Me Breathless (AA) 2:58 (R. Freed-F. Hollander) 14. Washboard Blues (BB) 2:55 (Carmichael-Callahan-Mills) 15. My Melancholy Baby (BB) 2:47 (G. Norton-E. Burnett) 16. My Melancholy Baby (BB) (alternate take) 2:45 (G. Norton-E. Burnett) 17. ‘Round My Old Deserted Farm (BB) 2:52 (Willard Robison) 18. The Lonesome Road (BB) 2:47 (G. Austin-N. Shilkret) 19. So Help Me (CC) 2:45 (E. DeLange-J. Van Heusen) 20. Small Fry (CC) 2:52 (H. Carmichael-F. Loesser) 21. As Long As You Live (rehearsal take) (CC) 3:00 (B. Hanighen-J. Mercer) 22. As Long As You Live (CC) 2:33 (B. Hanighen-J. Mercer) 23. Born To Swing (CC) 2:19 (H. Nemo-I. Mills) DISC VI: 1. Put Your Heart In A Song (DD) 2:48 (F. Churchill-P. Webster) 2. Wigwammin’ (DD) 2:37 (H. Nemo-I. Mills) 3. The Sunny Side Of Things (DD) 2:26 (F. Churchill-P. Webster) 4. How Can I Thank You ? (DD) 2:37 (W. Bullock-H. Spina) 5. Garden Of The Moon (EE) 2:53 (Dubin-Mercer-Warren) 6. Now It Can Be Told (FF) 2:49 (Irving Berlin) 7. Jump Jump’s Here (take 1) (FF) 2:47 (Bailey-Nemo-Norvo) 8. Jump Jump’s Here (take 2) (FF) 2:54 (Bailey-Nemo-Norvo) 9. I Haven’t Changed A Thing (take 1) (FF) 2:43 (Mills-Nemo-Goldsen) 10. I Haven’t Changed A Thing (take 2) (FF) 2:44 (Mills-Nemo-Goldsen) 11. Love Is Where You Find It (FF) 2:44 (Cole Porter) 12. I Used To Be Color Blind (FF) 2:53 (Irving Berlin) 13. A Tisket, A Tasket (take 1) (FF) 2:40 (E. Fitzgerald-V. Alexander) 14. A Tisket, A Tasket (take 2) (FF) 2:58 (E. Fitzgerald-V. Alexander) 15. This Is Madness (GG) 2:48 (E. DeLange-J. Van Heusen) 16. Who Blew Out The Flame? (GG) 2:42 (S. Fain-M. Parish) 17. With You On My Mind (HH) 2:44 (L. Brown-L. Pollack) 18. My Reverie (HH) 3:00 (C. Debussy-L. Clinton) 19. What Have You Got That Gets Me? (HH) 2:42 (L. Robin-R. Rainger) 20. Old Folks (HH) 2:58 (D. Hill-W. Robison) DISC VII: 1. St. Louis Blues (II) 2:19 (W. C. Handy) 2. You Must Have Been A Beautiful Baby (II) 2:53 (J. Mercer-H. Warren) 3. Have You Forgotten So Soon? (II) 2:46 (Heyman-Coslow-Silver) 4. Have You Forgotten So Soon? (alternate take) (II) 2:45 (Heyman-Coslow-Silver) 5. They Say (JJ) 2:43 (Heyman-Mann-Weiss) 6. Blame It On My Last Affair (JJ) 3:05 (H. Nemo-I. Mills) 7. I Go For That (JJ) 2:40 (F. Loesser-M. Malneck) 8. St. Louis Blues (KK) 2:33 (W. C. Handy) 9. St. Louis Blues (alternate take) (KK) 2:32 (W. C. Handy) 10. I Cried For You (KK) 2:47 (Freed-Arnheim-Lyman) 11. Begin The Beguine (KK) 2:47 (Cole Porter) 12. What Shall I Say? (KK) 2:57 (Peter Tinturin) 13. Cuckoo In The Clock (LL) 2:38 (W. Donaldson-J. Mercer) 14. There’ll Never Be Another You (MM) 2:27 (P. Tinturin-Jacobs) 15. It’s Slumbertime Along The Swanee (NN) 3:00 (Tinturin-Sacco-Smith) 16. ‘Taint What You Do (NN) 2:35 (S. Oliver-T. Young) 17. ‘Taint What You Do (alternate take) (NN) 2:38 (S. Oliver-T. Young) 18. Love Is A Necessary Thing (NN) 3:09 (T. Koehler-H. Arlen) 19. Love Is A Necessary Thing (alternate take) (NN) 3:05 (T. Koehler-H. Arlen) 20. Down Hearted Blues (NN) 2:59 (L. Austin-A. Hunter) 21. I Can Read Between The Lines (NN) 3:05 (R. Norvo-P. Tinturin) DISC VIII: 1. There’ll Be Some Changes Made (OO) 3:10 (B. Higgins-W. Overstreet) 2. Barrelhouse Music (OO) 2:57 (Willard Robison) 3. Arkansas Blues (OO) 3:00 (Lada- M. Williams) 4. Gulf Coast Blues (take 1) (OO) 2:57 (Clarence Williams) 5. Gulf Coast Blues (take 2) (OO) 2:57 (Clarence Williams) 6. You Don’t Know My Mind Blues (OO) 2:51 (Liston-Grey-Williams) 7. Prisoner Of Love (OO) 2:46 (Robin-Columbo-Gaskill) 8. Three Little Fishes (PP) 3:03 (Saxie Dowell) 9. That Sly Old Gentleman (QQ) 2:32 (J. Burke-J. Monaco) 10. Tit Willow (QQ) 2:37 (Gilbert-Sullivan) 11. The Lamp Is Low (QQ) 3:13 (Parish-DeRose-Shefter) 12. And The Angels Sing (QQ) 2:52 (Z. Elman-J. Mercer) 13. It Seems Like Old Times (RR) 2:40 (S. Stept-C. Tobias) 14. Guess I’ll Go Back Home (RR) 3:11 (W. Robison-R. Mayer) 15. Moon Love (RR) 2:52 (Tschaikowsky-David-Davis-Kostelanetz) 16. I’m Forever Blowing Bubbles (RR) 2:28 (Kenbrovin-Kellette-Vincent-Kendis-Brockman) 17. The Little Man Who Wasn’t There (SS) 2:29 (H. Adamson-B. Hanighen) 18. Ghost Of A Chance (SS) 3:08 (Crosby-Young-Washington) 19. You’re The Moment In My Life (SS) 2:32 (Henry Nemo) 20. You And Your Love (SS) 2:55 (J. Mercer-J. Green) DISC IX: 1. Don’t Dally With The Devil (TT) 3:15 (Willard Robison) 2. Ain’t That Good News (TT) 3:06 (William Johnson) 3. Sometimes I Feel Like A Motherless Child (TT) 3:03 (trad.) 4. Make With The Kisses (UU) 2:47 (J. Mercer-J. Van Heusen) 5. Make With The Kisses (UU) 3:00 (J. Mercer-J. Van Heusen) 6. Heaven In My Arms (UU) 2:52 (O. Hammerstein II-J. Kern) 7. I Thought About You (UU) 2:32 (J. Mercer-J. Van Heusen) 8. Faithful Forever (VV) 2:58 (L. Robin-R. Rainger) 9. That Lucky Fellow (VV) 2:23 (O. Hammerstein II-J. Kern) 10. Bluebirds In The Moonlight (VV) 3:14 (L. Robin-R. Rainger) 11. Blue Rain (WW) 2:50 (J. Mercer-J. Van Heusen) 12. I’ve Gone Off The Deep End (WW) 2:37 (l. Robin-R. Rainger) 13. I Shoulda Stood In Bed (WW) 2:28 (L. Robin-R. Rainger) 14. Darn That Dream (XX) 2:58 (E. DeLange-J. Van Heusen) 15. Darn That Dream (alternate take) (XX) 2:58 (E. DeLange-J. Van Heusen) 16. Peace, Brother (XX) 2:38 (E. DeLange-J. Van Heusen) 17. Peace, Brother (alternate take) (XX) 2:39 (E. DeLange-J. Van Heusen) 18. Nobody Knows The Trouble I've Seen (YY) 3:04 (trad.) 19. Swing Low Sweet Chariot (YY) 2:44 (trad.) 20. All The Things You Are (YY) 2:37 (J. Kern-O. Hammerstein II) 21. Hold On (YY) 2:47 (Hall Johnson) DISC X: 1. Wham (alternate take) (ZZ) 3:11 (T. Miller-E. Durham) 2. Wham (ZZ) 3:17 (T. Miller-E. Durham) 3. Little High Chairman (ZZ) 3:10 (Willard Robison) 4. Easy To Love (ZZ) 2:50 (Cole Porter) 5. Give Me Time (AAA) 3:16 (Alec Wilder) 6. They Can’t That Away From Me (AAA) 3:06 (G & I. Gershwin) 7. A Bee Gezindt (AAA) 2:57 (Henry Nemo) 8. After All I’ve Been To You (AAA) 3:09 (O’Flynn-Redmond-David) 9. Don’t Take Your Love From Me (alternate take) (AAA) 3:09 (Henry Nemo) 10. Don’t Take Your Love From Me (AAA) 3:10 (Henry Nemo) 11. Fools Rush In (BBB) 3:16 (J. Mercer-R. Bloom) 12. From Another World (BBB) 2:41 (R. Rodgers-L. Hart) 13. I’m Nobody’s Baby (BBB) 2:56 (Davis-Ager-Santly) 14. Give Me Time (BBB) 3:05 (Alec Wilder) 15. How Can I Ever Be Alone? (CCC) 2:38 (O. Hammerstein II-A. Schwartz) 16. Tennessee Fish Fry (CCC) 2:36 (O. Hammerstein II-A. Schwartz) 17. I’ll Pray For You (CCC) 3:01 (R. King-S. Hill) 18. Blue (And Broken Hearted) (CCC) 3:00 (Clark-Leslie-Handman) 19. Arthur Murray Taught Me Dancin’ In A Hurry (alternate take) (DDD) 3:00 (J. Mercer-V. Schertzinger) 20. Arthur Murray Taught Me Dancin’ In A Hurry (DDD) 3:03 (J. Mercer-V. Schertzinger) 21. I’ll Be Around (alternate take) (DDD) 3:22 (Alec Wilder) 22. I’ll Be Around (DDD) 3:20 (Alec Wilder) 23. My Little Cousin (DDD) 3:06 (Schwartz-Prizant-Lewis-Braverman-Cohen) DISCOGRAPHY For the purposes of this discography, only the first issue number of each master is listed. The 78 label abbreviations are: Br for Brunswick, Col for Columbia, OK for Okeh, Par for Parlophone (England) and Voc for Vocalion. (A) EDDIE LANG AND HIS ORCHESTRA: Andy Secrest (cor), Charlie Margulis (tp), Bill Rank (tb), Bernard Daly, Charles Strickfaden (as), Izzy Friedman (cl, ts), Henry Whiteman (vln), Hoagy Carmichael (p), Eddie Lang (g), Mike Trafficante (b), George Marsh (d), Mildred Bailey (voc). NYC, October 5, 1929 403031-A What Kind O’ Man Is You? Par (E) R840 403031- What Kind O’ Man Is You? previously unissued Note: Matrix 403032 and 403033 do not include Bailey. ________________________________________________________________________ (B) FRANK TRUMBAUER AND HIS ORCHESTRA: Andy Secrest (cor), Harry Goldfield (tp), Bill Rank (tb), Charles Strickfaden (as), Izzy Friedman (cl, ts), Frank Trumbauer (C-melody, as), Min Leibrook (bass s), Joe Venuti (vln), Roy Bargy (p), Eddie Lang (g), George Marsh (d), Mildred Bailey (voc). NYC, May 8, 1930 404008-A I Like To Do Things For You OK 41421 Note: Discographies list Jeannie Lang as the vocalist. Matrix 404007 does not include Bailey. ________________________________________________________________________ © MILDRED BAILEY acc. by DORSEY BROTHERS ORCHESTRA: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), unknown (ts), Fulton McGrath (p), Carl Kress (g), Artie Bernstein (b), Stan King (d), Mildred Bailey (voc), Glenn Miller, Herb Spencer (arr). NYC, April 8, 1933 13208-B Is That Religion? (GM-arr) previously unissued 13208-A Is That Religion? (GM-arr) Br 6558 13209-A Harlem Lullaby (HS-arr) Br 6558 Note: Matrix 13207 does not include Bailey. Although discographies have listed Larry Binyon (ts) and Dick McDonough (g) for this session, both were playing a job in New England. Carl Kress is our choice as guitarist since he is the voice on the underground recording of “Manure Is On The Air” which the Columbia files show as being recorded as a tag to this Dorsey Brothers session. ________________________________________________________________________ (D) MILDRED BAILEY acc. by DORSEY BROTHERS ORCHESTRA: Manny Klein (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (cl, ts), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Mildred Bailey (voc). NYC, June 6, 1933 13427-A There’s A Cabin In The Pines Br 6587 13428-A Lazy Bones - Note: Matrix 13426 does not include Bailey. Discographies list Berigan but he was on tour with the Paul Whiteman Orchestra during the date of this session. ________________________________________________________________________ (E) MILDRED BAILEY acc. by DORSEY BROTHERS ORCHESTRA: Same as (D) except Bunny Berigan (tp) replaces Klein. NYC, September 5, 1933 13955-A Shouting In That Amen Corner Br 6655 13956-A Snowball - ________________________________________________________________________ (F) DORSEY BROTHERS ORCHESTRA: Bunny Berigan, Mannie Klein (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (cl, ts), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Mildred Bailey (voc). NYC, October 17, 1933 14157-A But I Can’t Make A Man Br 7542 14159-A Give Me Liberty Or Give Me Love Br 6680 14160-A Doin’ The Uptown Lowdown -1 - -1 add Chick Condon (voc). Note: Matrix 14154, 14155, 14156 and 14158 do not include Bailey. The Columbia files show that 14 men were used on matrix 14157. Aural evidence, however, suggests the above personnel with a possible inclusion of another reed (either Lyle Bowen or Jim Crossan). The personnel for 14159 and 14160 are as above. ________________________________________________________________________ (G) CASA LOMA ORCHESTRA: Sonny Dunham, Grady Watts, Bobby Jones (tp), Pee Wee Hunt, Billy Rauch (tb), Clarence Hutchinrider (cl, as), Glen Gray (as, ldr), Kenny Sargeant (as), Pat Davis (ts), Mel Jenssen (vln), Joe Hall (p), Gene Gifford (g, arr), Stanley Dennis (b), Tony Briglia (d), Mildred Bailey (voc). NYC, October 28, 1933 B-14199-A Heat Wave (prob. GG-arr) Br 6679 Note: Matrix B-14200 does not include Bailey. ________________________________________________________________________ (H) BENNY GOODMAN AND HIS ORCHESTRA: Mannie Klein, Charlie Margulis (tp), Sonny Lee (tb), Benny Goodman (cl), Coleman Hawkins (ts), Arthur Schutt (p), Dick McDonough (g), Artie Bernstein (b), Gene Krupa (d), Mildred Bailey (voc), George Bassman (arr). NYC, February 2, 1934 W152702-2 Junk Man Col 2892-D W152702-3 Junk Man - W152703-2 Ol’ Pappy (GB-arr) - W152704-2 Emaline Col 2907-D Note: Both takes of W152702 appeared at different times on Col 2892-D. Matrix W152701 does not include Bailey. ________________________________________________________________________ (I) MILDRED BAILEY AND HER SWING BAND: Chris Griffin (tp), Chu Berry (ts), Teddy Wilson (p), Dick McDonough (g), Artie Bernstein (b), Eddie Dougherty (d), Red Norvo (xyl) –1, Mildred Bailey (voc). NYC, September 20, 1935 18090-1 I’d Love To Take Orders From You Voc 3056 18091-1 I’d Rather Listen To Your Eyes - 18092-1 Someday, Sweetheart Voc 3057 18093-1 When Day Is Done –1 - ________________________________________________________________________ (J) RED NORVO AND HIS ORCHESTRA: Bill Hyland, Stew Pletcher, Eddie Meyers (tp), Leo Moran (tb), Frank Simeone, Slats Long (as, cl), Herbie Haymer (ts, cl), Joe Liss (p), Dave Barbour (g), Pete Peterson (b), Maurice Purtill (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, August 26, 1936 19749-1 It All Begins And Ends With You Br 7732 19750-1 A Porter’s Love Song To A Chambermaid Br 7744 19752-1 Picture Me Without You Br 7732 Note: Matrix 19751 does not include Bailey. The Columbia files show that Simeone handled the 1st alto book while Long played 3rd alto and solo clarinet. With this session or any other subsequent Norvo / Bailey session we have not assigned an arranger credit after each title since it is a safe to assume that Eddie Sauter is the arranger (unless noted otherwise). ________________________________________________________________________ (K) RED NORVO AND HIS ORCHESTRA: Same as (J) except Al Mastren (tb) replaces Moran, Hank D'Amico (cl, as) replaces Long and possibly Louis Mucci (tp) replaces Sauter. NYC, October 19, 1936 20092-1 It Can Happen To You Br 7761 20093-1 Now That Summer Is Gone Br 7767 20093-2 Now That Summer Is Gone previously unissued 20094-1 It’s Love I’m After Hep (E) 1019 (CD) 20095-1 Peter Piper Br 7767 Note: Matrix 20096 does not include Bailey. _______________________________________________________________________ (L) MILDRED BAILEY AND HER ORCHESTRA: Ziggy Elman (tp), Artie Shaw (cl), Ben Webster (as "Francis Love") (ts), Teddy Wilson (p), Dave Barbour (g), John Kirby (b), Cozy Cole (d), Mildred Bailey (voc), Eddie Sauter (arr). NYC, November 9, 1936 20217-1 For Sentimental Reasons Voc 3367 20218-1 It’s Love I’m After - 20219-1 ‘Long About Midnight Voc 3378 20220-1 More Than You Know -1 - -1 omit Shaw. Note: Some discographies have listed Johnny Hodges as being present on matrix 20218 probably because of the sax break after Bailey’s first chorus. ________________________________________________________________________ (M) RED NORVO AND HIS ORCHESTRA: Bill Hyland, Louis Mucci, Stew Pletcher (tp), Al Mastren (tb), Frank Simeone, Hank D'Amico (cl, as), Herbie Haymer (ts, cl), Bill Miller (p), Dave Barbour (g), Pete Peterson (b), Maurice Purtill (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). Chicago, January 8, 1937 C-1733-2 A Thousand Dreams Of You Br 7815 C-1734-2 Smoke Dreams - C-1735-2 Slummin’ On Park Avenue Br 7813 C-1736-2 I’ve Got My Love To Keep Me Warm - Note: Col C3L 22 (LP) incorrectly lists C-1736-1. ________________________________________________________________________ (N) MILDRED BAILEY AND HER ORCHESTRA: Roy Eldridge (tp), Scoops Carry (as), Herbie Haymer (ts), Teddy Cole (p), John Collins (g), Truck Parham (b), Zutty Singleton (d), Mildred Bailey (voc). Chicago, January 19, 1937 C-1751-2 My Last Affair Voc 3449 C-1752-1 Trust In Me - C-1753-1 Where Are You? Voc 3456 C-1754-2 You’re Laughing At Me - _______________________________________________________________________ (O) MILDRED BAILEY AND HER ORCHESTRA: Same as (M) except add Charles Lamphere (as, cl). Chicago, March 23, 1937 C-1857-1 Never In A Million Years Voc 3508 C-1858-2 There’s A Lull In My Life - C-1859-1 Rockin’ Chair Voc 3553 C-1859-2 Rockin’ Chair Voc 3553 C-1860-1 Little Joe Voc 3553 Note: Both takes of matrix C-1859 appeared at different times on Voc 3553. ________________________________________________________________________ (P) MILDRED BAILEY AND HER ORCHESTRA: Buck Clayton (tp), Edmond Hall (cl), Herschel Evans (ts), James Sherman (p), Freddie Green (g), Walter Page (b), Jo Jones (d), Mildred Bailey (voc). NYC, June 29, 1937 21332-1 If You Ever Should Leave Voc 3615 21333-1 The Moon Got In My Eyes Voc 3626 21334-2 Heaven Help This Heart Of Mine Voc 3615 21335-1 It’s The Natural Thing To Do Voc 3626 21335-2 It’s The Natural Thing To Do previously unissued Note: Col C3L 22 (LP) incorrectly lists 21334-1. ________________________________________________________________________ (Q) RED NORVO AND HIS ORCHESTRA: George Wendt, Louis Mucci, Stew Pletcher (tp), Al Mastren (tb), Charles Lamphere, Hank D’Amico (cl, as), Leonard Goldstein (cl, as, bari, b-cl), Herbie Haymer (ts, cl), Bill Miller (p, arr), Red McGarvey (g), Pete Peterson (b), Maurice Purtill (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, July 9, 1937 21374-2 Everyone’s Wrong But Me Br 7928 21375-1 Posin’ - 21375-2 Posin’ previously unissued 21376-2 The Morning After Br 7932 Note: Matrix 21377 does not include Bailey. Hep 1019 (CD) incorrectly lists 21374-1. The July 1937 issue of Metronome mentions that Lee Castle had replaced Stew Pletcher sometime during the spring or summer. Pletcher is definitely back in the band, replacing Castle, for the next session. ________________________________________________________________________ ® RED NORVO AND HIS ORCHESTRA: Same as (Q). LA, September 22, 1937 LA-1440-A Tears In My Heart Br 7970 LA-1441-A Worried Over You - Note: Matrix LA-1442 and LA-1443 do not include Bailey. ________________________________________________________________________ (S) MILDRED BAILEY AND HER ORCHESTRA: Same as (Q). LA, September 27, 1937 LA-1444-A Bob White -1 Voc 3712 LA-1445-A Just A Stone’s Throw From Heaven - LA-1446-A Loving You Voc 3758 LA-1447-A Right Or Wrong - -1 Johnny Mercer is the whistler. ________________________________________________________________________ (T) MILDRED BAILEY AND HER ORCHESTRA: Jimmy Blake (tp), Hank D'Amico (cl), Chu Berry (ts), Teddy Wilson (p), Allen Reuss (g), Pete Peterson (b), Dave Tough (d), Mildred Bailey (voc). NYC, January 10, 1938 22265-1 I See Your Face Before Me Col C2K 52943 (CD) 22265-2 I See Your Face Before Me Voc 3931 22266-1 Thanks For The Memory Meritt 12 (LP) 22266-2 Thanks For The Memory Voc 3931 22267-1 From The Land Of The Sky Blue Water previously unissued 22267-2 From The Land Of The Sky Blue Water Voc 3982 22268-1 Lover Come Back To Me - 22268-2 Lover Come Back To Me Meritt 12 (LP) ________________________________________________________________________ (U) RED NORVO AND HIS ORCHESTRA: Zeke Zarchy, Barney Zudecoff, Jimmy Blake (tp), Wes Hein (tb), Hank D’Amico (cl, as), Leonard Goldstein (cl, as, bari, b-cl), Charles Lamphere, Jerry Jerome (ts, cl), Bill Miller (p, arr), Alan Hanlon (g), Pete Peterson (b), George Wettling (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, January 21, 1938 22322-1 Always And Always Br 8069 22323-1 I Was Doing All Right Br 8068 22323-2 I Was Doing All Right previously unissued 22324-2 It’s Wonderful Br 8069 22325-1 Love Is Here To Stay Br 8068 Note: Discographies and even the Columbia files list 2 trombones present, but aural evidence supports both Leonard Goldstein and Jerry Jeromes' claim that only Wes Hein was used for this date. To complicate matters further, the original charts are scored for 2 trombones on all but the last title. Hep 1040 (CD) incorrectly lists 22324-1. ________________________________________________________________________ (V) RED NORVO AND HIS ORCHESTRA: Same as (U). NYC, February 10, 1938 22406-2 More Than Ever Br 8085 22407-2 The Weekend Of A Private Secretary Br 8088 22408-1 Please Be Kind - Note: Hep 1040 (CD) incorrectly lists 22406-1 and 22407-1. Matrix 22405 does not include Bailey. ________________________________________________________________________ (W) RED NORVO AND HIS ORCHESTRA: Same as (U). NYC, February 23, 1938 22460-1 There’s A Boy In Harlem previously unissued 22460-2 There’s A Boy In Harlem Br 8089 Note: Matrix 22457, 22458 and 22459 do not include Bailey. ________________________________________________________________________ (X) MILDRED BAILEY AND HER ORCHESTRA: Same as (U). NYC, March 14, 1938 22564-1 Bewildered Voc 4036 22565-1 I Can’t Face The Music Voc 4016 22565-2 I Can’t Face The Music - 22566-1 Don’t Be That Way - 22566-3 Don’t Be That Way - 22567-1 At Your Beck And Call Voc 4036 Note: Both takes of matrix 22565 and 22566 appeared at different times on Voc 4016. ________________________________________________________________________ (Y) RED NORVO AND HIS ORCHESTRA –1 / MILDRED BAILEY AND HER ORCHESTRA –2: Same as (U) except unknown (poss. Joe Allard) replaces Goldstein. NYC, April 19, 1938 22754-1 Says My Heart –1 Br 8135 22755-1 I Let A Song Go Out Of My Heart –2 Voc 4083 22755-2 I Let A Song Go Out Of My Heart –2 - Note: Matrix 22753 and 22756 do not include Bailey. Both takes of matrix 22755 appeared at different times on Voc 4083. ________________________________________________________________________ (Z) MILDRED BAILEY AND HER ORCHESTRA –1 / RED NORVO AND HIS ORCHESTRA –2: Same as (Y). NYC, April 21, 1938 22767-1 Moonshine Over Kentucky –1 Voc 4109 22767-2 Moonshine Over Kentucky –1 - 22768-1 Rock It For Me –1 Voc 4083 22769-1 After Dinner Speech –2 Br 8171 22769-2 After Dinner Speech –2 - 22770-1 If You Were In My Place –1 Voc 4109 Note: Both takes of matrix 22767 appeared at different times on Voc 4109 and both takes of matrix 22769 appeared at different times on Br 8171. ________________________________________________________________________ (AA) RED NORVO AND HIS ORCHESTRA: Same as (Y). NYC, May 2, 1938 22840-2 Daydreaming (All Night Long) Br 8145 22841-2 A Cigarette And A Silhouette Br 8171 22842-2 (I’ve Been) Savin’ Myself For You Br 8145 22843-1 You Leave Me Breathless Br 8135 ________________________________________________________________________ (BB) MILDRED BAILEY AND HER ORCHESTRA: Same as (Y). NYC, May 9, 1938 22905-1 Washboard Blues Voc 4139 22906-1 My Melancholy Baby (BM-arr) Voc 4474 22906-2 My Melancholy Baby (BM-arr) previously unissued 22907-1 ‘Round My Old Deserted Farm Voc 4139 22908-1 The Lonesome Road Voc 4474 ________________________________________________________________________ (CC) MILDRED BAILEY AND HER ORCHESTRA: Jack Owens, Jack Palmer, Barney Zudecoff (tp), Andy Russo, Al George (tb), Hank D’Amico, Frank Simeone (as, cl), Maurice Kogan, George Berg (ts, cl), Bill Miller (p), Alan Hanlon (g), Pete Peterson (b), George Wettling (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). Liederkranz Hall, NYC, June 29, 1938 23178-1 So Help Me Voc 4253 23179-2 Small Fry Voc 4224 TO 1707-1 As Long As You Live (You’ll Be Dead If You Die) (rehearsal take) previously unissued 23180-1 As Long As You Live (You’ll Be Dead If You Die) Voc 4253 23181-1 Born To Swing Voc 4224 Note: The “TO” prefix on matrix 1707-1 refers to “test only”. ________________________________________________________________________ (DD) RED NORVO AND HIS ORCHESTRA: Same as (CC) except add Buck Ram (arr). NYC, June 30, 1938 23182-2 Put Your Heart In A Song Br 8182 23183-1 Wigwammin’ Br 8194 23184-1 The Sunny Side Of Things (BR-arr) Br 8182 23185-1 How Can I Thank You ? Br 8194 Note: The conductor’s score and Br 8182 are the same, confirming the arranger credit. ________________________________________________________________________ (EE) RED NORVO AND HIS ORCHESTRA: Same as (CC). NYC, July 26, 1938 23293-2 Garden Of The Moon Br 8202 Note: Matrix 23294 does not include Bailey. ________________________________________________________________________ (FF) MILDRED BAILEY AND HER ORCHESTRA –1 / RED NORVO AND HIS ORCHESTRA –2: Same as (CC). Liederkranz Hall, NYC, July 28, 1938 23299-1 Now It Can Be Told –1 Voc 4282 23300-1 Jump Jump’s Here –2 Br 8202 23300-2 Jump Jump’s Here –2 - 23301-1 I Haven’t Changed A Thing –1 Voc 4282 23301-2 I Haven’t Changed A Thing –1 - 23302-2 Love Is Where You Find It –1 Voc 4345 23303-2 I Used To Be Color Blind –1 - 23304-1 A Tisket, A Tasket –2 Hep (E) 1050 (CD) 23304-2 A Tisket, A Tasket –2 Col CK 53424 (CD) Note: Both takes of matrix 23300 appeared at different times on Br 8202 and both takes of matrix 23301 appeared at different times on Voc 4282. ________________________________________________________________________ (GG) RED NORVO AND HIS ORCHESTRA: Same as (CC). NYC, September 12, 1938 23454-1 This Is Madness Br 8230 23455-1 Who Blew Out The Flame? - Note: Matrix 23456 and 23457 do not include Bailey. ________________________________________________________________________ (HH) MILDRED BAILEY AND HER ORCHESTRA: Same as (CC). NYC, September 14, 1938 23463-2 With You On My Mind previously unissued 23464-1 My Reverie Voc 4406 23465-1 What Have You Got That Gets Me? - 23466-1 Old Folks Voc 4432 ________________________________________________________________________ (II) RED NORVO AND HIS ORCHESTRA –1 / MILDRED BAILEY AND HER ORCHESTRA –2: Same as (CC) except add The Three Ickeys (Terry Allen, Mildred Bailey, Red Norvo) (voc). NYC, September 29, 1938 23516-1 St. Louis Blues –1 previously unissued 23517-2 You Must Have Been A Beautiful Baby –1 (TTI - voc) Br 8240 23519-1 Have You Forgotten So Soon? –2 Voc 4432 23519-2 Have You Forgotten So Soon? –2 Col P3 13618 (LP) Note: Matrix 23518 does not include Bailey. Matrix 23516 was remade with Bailey and the John Kirby band at the January 18, 1939 session. ________________________________________________________________________ (JJ) MILDRED BAILEY AND HER ORCHESTRA –1 / RED NORVO AND HIS ORCHESTRA –2: Same as (CC) except unknown (ts, cl) replaces Kogan. Liederkranz Hall, NYC, December 8, 1938 23810-1 They Say –1 Voc 4548 23811-2 Blame It On My Last Affair –1 Voc 4632 23812-1 I Go For That –1 Voc 4548 23813 Funny Little Snowman –2 unissued, master no longer exists Note: Matrix 23809 and 23814 do not include Bailey. ________________________________________________________________________ (KK) MILDRED BAILEY AND HER ORCHESTRA: Charlie Shavers (tp), Buster Bailey (cl), Russell Procope (as), Billy Kyle (p), John Kirby (b), O'Neil Spencer (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, January 18, 1939 23516-3 St. Louis Blues Voc 4801 23516-4 St. Louis Blues Col CG 33557 (LP) 23986-2 I Cried For You Voc 4619 23987-2 Begin The Beguine -1 - 23988-1 What Shall I Say? -1 Voc 4632 -1 omit Norvo. Note: Col C3L 22 (LP) lists matrix 23516 with take 1 but it is actually take 3. In the summer 1999 issue of the International Association Of Jazz Record Collectors journal it is noted that Eddie Sauter is the arranger on all of the Bailey / Kirby sessions. ________________________________________________________________________ (LL) RED NORVO AND HIS ORCHESTRA: 3 unknown (tp), Wes Hein, poss. Andy Russo (tb), George Koenig (cl, as), Leonard Goldstein (cl, as, bari, b-cl), Stuart MacKay, Stew Anderson (ts, cl), Les Burness (p), Alan Hanlon (g), Pete Peterson (b), Buddy Christian (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, February 20, 1939 24093-2 Cuckoo In The Clock Voc 4698 Note: Matrix 24091 and 24092 do not include Bailey. ________________________________________________________________________ (MM) RED NORVO AND HIS ORCHESTRA: Same as (LL). NYC, February 27, 1939 24177-1 There’ll Never Be Another You Voc 4738 Note: Matrix 24173 through 24176 do not include Bailey. ________________________________________________________________________ (NN) MILDRED BAILEY AND HER ORCHESTRA: Same as (KK). NYC, February 28, 1939 24178-1 It’s Slumbertime Along The Swanee Voc 4708 24179-1 ‘Taint What You Do - 24179-2 ‘Taint What You Do previously unissued 24180-1 Love Is A Necessary Thing -1 Voc 4749 24180-2 Love Is A Necessary Thing -1 previously unissued 24181-1 Down Hearted Blues -1 Voc 4800 24182-1 I Can Read Between The Lines -1 Voc 4749 -1 omit Norvo. ________________________________________________________________________ (OO) MILDRED BAILEY AND HER OXFORD GREYS: Mary Lou Williams (p), Floyd Smith (g), John Williams (b), Eddie Dougherty (d), Mildred Bailey (voc). Liederkranz Hall, NYC, March 16, 1939 24228-1 There’ll Be Some Changes Made Voc 5268 24229-1 Barrelhouse Music Voc 4802 24230-1 Arkansas Blues Voc 4801 24231-1 Gulf Coast Blues Voc 4800 24231-2 Gulf Coast Blues - 24232-1 You Don’t Know My Mind Blues Voc 4802 24233-1 Prisoner Of Love Voc 5268 Note: Both takes of matrix 24231 appeared at different times on Voc 4800. ________________________________________________________________________ (PP) RED NORVO AND HIS ORCHESTRA: Same as (LL) except unknown replaces Goldstein. NYC, April 11, 1939 24345-C Three Little Fishes Voc 4785 Note: Matrix 24342, 24343 and 24344 do not include Bailey. Although discographies list this session as April 6th, the metal part dates it as the 11th. ________________________________________________________________________ (QQ) MILDRED BAILEY AND HER ORCHESTRA: Same as (KK). Liederkranz Hall, NYC, April 24, 1939 24427-A That Sly Old Gentleman Voc 4815 24428-A Tit Willow -1 Voc 4845 24429-A The Lamp Is Low - 24430-A And The Angels Sing -2 Voc 4815 -1 The Columbia files list this as a “modern rhythm adaptation by Charles Cooke”. -2 omit Norvo. ________________________________________________________________________ (RR) MILDRED BAILEY AND HER ORCHESTRA: Same as (KK) except Cozy Cole (d) replaces Spencer. NYC, June 14, 1939 24763-A It Seems Like Old Times Voc 4939 24764-A Guess I’ll Go Back Home Voc 4966 24765-A Moon Love Voc 4939 24766-A I’m Forever Blowing Bubbles -1 Voc 5086 -1 omit Norvo. ________________________________________________________________________ (SS) MILDRED BAILEY AND HER ORCHESTRA: Same as (KK). NYC, June 27, 1939 24820-A The Little Man Who Wasn’t There -1 Voc 4966 24821-A Ghost Of A Chance Voc 5086 24822-A You’re The Moment In My Life -2 Voc 5006 24823-A You And Your Love -2 - -1 the spooky voice heard is that of Buster Bailey. -2 omit Norvo. ________________________________________________________________________ (TT) MILDRED BAILEY acc. by ORCHESTRA AND THE CHARIOTEERS: Melvin Solomon (tp), Mitch Miller (oboe / eng-horn), Robert Burns, Jimmy Carroll (cl), Carl Prager (b-cl), Eddie Powell (fl), Ray Barr (p), Frank Worrell (g), Lou Shoobe (b), William Gussak (d), Mildred Bailey, The Charioteers (voc), Eddie Sauter (arr), Alec Wilder (arr, dir). Liederkranz Hall, NYC, September 21, 1939 25372-1 Don’t Dally With The Devil Voc 5209 25373-1 Ain’t That Good News previously unissued 25374-1 Sometimes I Feel Like A Motherless Child Voc 5209 Note: The Columbia files show that there were only 3 rhythm used on this date. ________________________________________________________________________ (UU) BENNY GOODMAN AND HIS ORCHESTRA: Ziggy Elman, Jimmy Maxwell, Johnny Martell (tp), Red Ballard, Vernon Brown, Ted Veseley (tb), Benny Goodman (cl), Toots Mondello, Buff Estes (as), Jerry Jerome, Bus Bassey (ts), Fletcher Henderson (p, arr), Arnold Covey (g), Artie Bernstein (b), Nick Fatool (d), Mildred Bailey (voc), Eddie Sauter (arr). NYC, October 20, 1939 26194-A Make With The Kisses (FH-arr) Col 35313 26194-B Make With The Kisses (FH-arr) Phon (Swd) Nost 7610 (LP) 26195-A Heaven In My Arms Col 35308 26196-A I Thought About You (ES-arr) Col 35313 Note: Matrix 26197 does not include Bailey. A third take of “Make With The Kisses” and a second take of “I Thought About You” is known to exist but they are no longer in the physical possession of Columbia Records and were not made available for us to transfer. ________________________________________________________________________ (VV) BENNY GOODMAN AND HIS ORCHESTRA: Same as (UU). NYC, October 24, 1939 26201-A Faithful Forever (ES-arr) Col 35289 26203-A That Lucky Fellow (FH-arr) Col 35308 26204-A Bluebirds In The Moonlight (FH-arr) Col 35289 Note: Matrix 26202 does not include Bailey. A second take of both “That Lucky Fellow” and “Bluebirds in The Moonlight” are known to exist but are no longer in the physical possession of Columbia Records and were not made available for us to transfer. __________________________________ Quote
jdw Posted July 7, 2008 Report Posted July 7, 2008 Initial post was cut off. Here's the rest: Mildred Bailey continued (XX) BENNY GOODMAN AND HIS ORCHESTRA: Same as (UU). NYC, November 22, 1939 26287-A Darn That Dream (ES-arr) Col 35331 26287-B Darn That Dream (ES-arr) Phon (Swd) Nost 7610 (LP) 26288-A Peace, Brother (ES-arr) Col 35331 26288-B Peace, Brother (ES-arr) Col 66198 (CD) Note: Matrix 26289 and 26290 does not include Bailey. ________________________________________________________________________ (YY) MILDRED BAILEY acc. by ORCHESTRA UNDER THE DIRECTION OF ALEC WILDER / with ORCHESTRA –1: Melvin Solomon (tp), Robert Burns, Jimmy Carroll (cl), Carl Prager (b-cl), Eddie Powell (fl), Mitch Miller (oboe / eng. horn), Ray Barr (p), Frank Worrell (g), Lou Shoobe (b), William Gussak (d), Mildred Bailey (voc), Eddie Sauter (arr), Alec Wilder (dir, arr). Liederkranz Hall, NYC, November 30, 1939 25710-1 Nobody Knows The Trouble I've Seen (AW-arr) Col 35348 25711-1 Swing Low Sweet Chariot previously unissued 25712-1 All The Things You Are –1 Voc 5277 25713-1 Hold On Col 35348 Note: This and other Columbia sessions in the 25700 block by other artists are out of chronological sequence. ________________________________________________________________________ (ZZ) MILDRED BAILEY acc. by ORCHESTRA: Roy Eldridge (tp, voc), Robert Burns, Jimmy Carroll (cl, as), Carl Prager (b-cl), Eddie Powell (fl), Mitch Miller (oboe / eng. horn), Teddy Wilson (p), John Collins (g), Ted Sturgis (b), Bill Beason (d), Mildred Bailey (voc), Eddie Sauter (arr). NYC, January 15, 1940 26413-B Wham (ES-arr) Col CJ/CK 45275 26413-A Wham (ES-arr) Col 35370 26414-A Little High Chairman (ES-arr) -1 Col 35370 26415-A Easy To Love (ES-arr) Col 35921 -1 omit Eldridge. Note: Bassist Pete Peterson was hired for this session and his name was entered in the Columbia files. However, Peterson failed to make the date and Roy Eldridge called his bassist Ted Sturgis as a last minute substitution. ________________________________________________________________________ (AAA) MILDRED BAILEY acc. by ORCHESTRA: Roy Eldridge (tp), Robert Burns, Reggie Merrill (cl, as), Carl Prager (b-cl), Eddie Powell (fl), Mitch Miller (oboe / eng. horn), Teddy Wilson (p), John Collins (g), Pete Peterson (b), Bill Beason (d), Mildred Bailey (voc), Eddie Sauter, Alec Wilder (dir, arr). NYC, January 25, 1940 26460-A Give Me Time (AW-arr) Col 80-G 26461-A They Can’t That Away From Me (ES-arr) Col CK 65501 (CD) 26462-A A Bee Gezindt Col 35409 26463-A After All I’ve Been To You - 26464-A Don’t Take Your Love From Me (ES or AW-arr) -1 previously unissued ? 26464-B Don’t Take Your Love From Me (ES or AW-arr) -1 Col 35921 -1 omit Eldridge. Note: Discographies list Col 35921 as the commercial release for matrix 26464-A and the Australian Columbia 78 single (DO-2226) as the original issued B take. At the time of the printing of this booklet only the B take has surfaced on Col 35921 and DO-2226. Col 80-G (matrix 26460-A) is a Columbia DJ copy, however the black labeled commercial release is the rarer of the two. ________________________________________________________________________ (BBB) MILDRED BAILEY acc. by ORCHESTRA: Same as (AAA) except Jimmy Carroll (cl, as) replaces Merrill. NYC, April 2, 1940 26696-A Fools Rush In (ES-arr) Col 35463 26697-A From Another World (ES-arr) -1 - 26698-A I’m Nobody’s Baby (ES-arr) -2 Col 35626 26460-B Give Me Time (AW-arr) - -1 omit Eldridge. -2 omit Miller. Note: The Columbia file, which bears matrix 26699, was initially crossed out so that matrix 26460 could be remade. ________________________________________________________________________ (CCC) MILDRED BAILEY acc. by ORCHESTRA: Roy Eldridge (tp) -1, Robert Burns, Jimmy Carroll (cl), Irving Horowitz (b-cl), Mitch Miller (oboe / eng. horn), Eddie Powell (fl), Teddy Wilson (p), John Collins (g), Pete Peterson (b), Kenny Clarke (d), Mildred Bailey (voc), Eddie Sauter (arr), Alec Wilder (dir, arr). Liederkranz Hall, NYC, May 15, 1940 27302-1 How Can I Ever Be Alone? Col 35532 27303-1 Tennessee Fish Fry -1 - 27304-1 I’ll Pray For You (ES-arr) Col 35589 27305-1 Blue (And Broken Hearted) (ES-arr) - ________________________________________________________________________ (DDD) RED NORVO AND HIS ORCHESTRA: Jimmy Salko, Jack King, Bob Kennedy (tp), Abe Nole, Eddie Bert, Leo Connors (tb), Freddy Artzburger, Sal Datore (as), Mickey Folus (ts), Sam Spumberg (ts, oboe), Jimmy Gemus (bari, fl, poss. b-cl), Bob Kitsis (p), Freddy Sharp (g), Joe Kauchek (b), Frank Vesely (d), Red Norvo (xyl), Mildred Bailey (voc), Johnny Thompson (arr). Liederkranz Hall, NYC, March 5, 1942 32565-1 Arthur Murray Taught Me Dancin’ In A Hurry Col C3L 22 (LP) 32565-2 Arthur Murray Taught Me Dancin’ In A Hurry Col 36557 32566-1 I’ll Be Around (JT-arr) previously unissued 32566- 2 I’ll Be Around (JT-arr) Col CL 6094 (LP) 32567- My Little Cousin Col P6 14538 (LP) Note: Matrix 32564 does not include Bailey. ________________________________________________________________________ ALBUM INDEX 10” LP: Columbia CL 6094 – A Mildred Bailey Serenade 12” LP: Columbia C3L 22 – Mildred Bailey – Her Greatest Performances 1929-1946 Columbia CG 33557 – John Kirby – Boss Of The Bass Columbia CJ 45275 – Roy Eldridge – Little Jazz Columbia P3 13618 – Various Artists – Rare Big Band Gems Columbia P6 14538 – Various Artists – Great Vocalists Of The Big Band Era Meritt 12 – Chu Berry – Leon “Chu” Berry Phontastic (Sweden) 7610 – Benny Goodman – The Alternate Goodman Vol. 2 CD: Columbia CK 45275 – Roy Eldridge – Little Jazz Columbia C2K 52943 – Various Artists – Art Deco/Sophisticated Ladies Columbia CK 53424–Best Of The Big Bands–Red Norvo Featuring Mildred Bailey Columbia CK 65501–Various Artists–The Great Songs Of George Gershwin Columbia CK 66198–Best Of The Big Bands–Benny Goodman And His Great Vocalists Hep (England) 1019 – Red Norvo – Jivin’ The Jeep Hep (England) 1050 – Red Norvo – Wigwammin’ Original sessions produced by John Hammond, Bernie Hanighen, Jack Kapp and Morty Palitz. Produced for release by Scott Wenzel. Executive producers: Charlie Lourie and Michael Cuscuna. Research: Will Friedwald, Lloyd Rauch and Scott Wenzel. Disc/tape transfers: John R.T.Davies, Dawn Frank, Debra Parkinson and Doug Pomeroy. Mastered by Doug Pomeroy. Original 78s provided by Michael Brooks, Bill Damm, Indiana University, The Institute Of Jazz Studies, Lloyd Rauch, Dave Weiner and Scott Wenzel. Special thanks to Eddie Bert, Stacey Boyle, Michael Brooks, Buddy Christian, Russ Connor, Leonard Goldstein, Jerry Jerome, Dan Morgenstern, Mitch Miller, Ted (Takashi) Ono, Lloyd Rauch, Alastair Robertson, Ken Robertson, Phil Schaap, Loren Schoenberg, Robert Stockdale, Richard Sudhalter. ©2000 Sony Music Entertainment Inc./(p)2000 Sony Music Entertainment Inc./ Manufactured by Sony Music Special Products., 550 Madison Avenue, New York, NY 122-3211/"Columbia" and "Sony" Reg. U.S. Patent & TM Office/Marca Registrada/WARNING All Rights Reserved. Unauthorized duplication is a violation of applicable laws. ©2000 Mosaic Records L.L.C., 35 Melrose Place, Stamford, CT 06902. All rights reserved. Phone: 203-327-7111/Fax 203-323-3526/ Web site: www.mosaicrecords.com. Producer’s Note: Both the Norvo and Bailey discographies have been riddled with errors and omissions throughout the years. However, with this set the personnel and instrumentation was obtained by the original job sheets and AFM cards at Sony as well as from ex-Norvo sidemen Eddie Bert, Buddy Christian, Leonard Goldstein and Jerry Jerome. Arranger credits were taken from Down Beat and Metronome magazines as well as the Benny Goodman, Red Norvo and Eddie Sauter archives which reside at the Yale Music Library. Although intense effort was made to obtain the best source possible, the sound quality will differ from track to track. Years ago, the norm in re-issuing 78s was to take out as much of the surface noise as possible which, although at times made for a very clean sound, lost most of the music. Our engineer Doug Pomeroy, who is generally thought of as one of the premier 78 transfer wizards (hats off of course to John R.T.Davies and Jack Towers) has brought to the forefront practically ALL of the music and eliminated to the best one can do much of the surface noise. In most cases we used the original metal parts or a clean 78 copy for transfer unless a tape, CD, or LP reissue source had better sound. However, the only source we had on “My Little Cousin” (session DDD) was taken from a simulated stereo tape. In the September 15, 1940 issue of Down Beat, a news item appears about an upcoming release of “Frankie & Johnny” with Mildred backed by Teddy Wilson and Roy Eldridge. There is no mention of this session in any file at Sony and there is no further evidence that this session ever took place. ------------------------------------------------------------------------ Quote
blajay Posted July 11, 2008 Report Posted July 11, 2008 A few questions for you ever-informative sources of knowledge: My father gave me this Monk 10cd box set a few months ago. It's a good deal with a lot of music, but not the best sound, but hey I can't complain about a gift. Does anyone know the lineups, what these recordings were for, or any of that information? I think at least a lot of it in the beginning is from his blue note recordings because I have that box, and there is definitely some overlapping. Here is the tracklisting: CD 1 Recollections (W. Thomas) 2:41 Flyin’ Hawk (W. Thomas) 2:49 Drifting On A Reed (W. Thomas) 3:04 On The Bean (W. Thomas) 2:53 Thelonious (Monk) 3:01 Evonce (Quebec) 3:05 Monk’s Mood (Monk) 3:08 Humph (Monk) 2:55 Who Knows (Monk) 2:42 April In Paris (Duke – Harburg) 3:22 Introspection (Monk) 3:14 Evidence (Monk) 2:35 Total Time: 35:34 CD 2 Mysterioso (Monk) 2:45 Off Minor (Monk) 3:01 Epistrophy (Monk – Clarke) 3:07 Ruby My Dear (Monk - Swisher) 3:09 Nice Work If You Can Get It (I.Gershwin – G. Gershwin) 3:03 Well, You Needn’t (Monk) 3:00 Who Knows (Monk) 2:41 In Walked Bud (Monk) 2:58 Nice Work If You Can Get It (I.Gershwin – G. Gershwin) 3:01 Round Midnight (Monk – Williams – Hanighen) 3:10 Suburban Eyes (Quebec) 3:01 All The Things You Are (Hammerstein – Kern) 2:59 Total Time: 36:03 CD 3 I Should Care (Cahn – Stordhal – Weston) 3:02 Evidence (T. Monk) 2:35 Misterioso (T. Monk) 3:22 Epistrophy (T. Monk) 3:08 I Mean You (T. Monk) 2:47 Leap Frog (C. Parker) 2:30 Bloomdido (C. Parker) 3:26 An Oscar For Treadwell (C. Parker) 3:24 My Melancholy Baby (E. M. Burnett – Norton) 3:25 Mohawk (C. Parker) 3:36 Relaxin’ With Lee (C. Parker) 3:57 Ask Me Now (Alternate Take) (Monk) 4:27 Total Time: 39:43 CD 4 Four In One (Alternate Take) (Monk) 3:28 Ask Me Now (Monk) 3:17 Criss Cross (Monk) 2:57 Criss Cross (Alternate Take) (Monk) 2:49 Eronel (Monk) 3:03 Four In One (Monk) 3:29 Straight No Chaser (Monk) 2:27 Willow Weep For Me (Ronell) 3:02 Hornin’ In (Monk) 3:08 Let’s Cool One (Monk) 3:47 Skippy (Alternate Take) (Monk) 3:09 Total Time: 35:09 CD 5 Skippy (Monk) 3:00 Sixteen (Monk) 3:29 Carolina Moon (Davis – Burke) 3:27 I’ll Follow You (Turk – Ahlert) 3:46 Sixteen (First Take) (Monk) 3:30 Sixteen (Second Take) (Monk) 3:38 Little Rootie Tootie (Monk) 3:06 Monk’s Dream (Monk) 3:06 Bemesha Swing (Monk) 3:11 Reflections (Monk) 2:48 Total Time: 33:05 CD 6 We See (Monk) 5:15 Smoke Gets In Your Eyes (Harbach – Kern) 4:30 Let’s Call This (Monk) 5:07 Think Of One (Take 1) (Monk) 5:38 Think Of One (Take 2) (Monk) 5:44 Friday The 13th (Monk) 10:34 Locomotive (Monk) 6:22 Total Time: 43:15 CD 7 Hackensack (Monk) 5:10 Think Of One (Take 1) (Monk) 5:39 Think Of One (Take 1) (Monk) 5:44 Eronel (Monk) 2:33 Evidence (Monk) 3:06 Hackensack (Monk) 3:03 Off Minor (Monk) 2:34 Round About Midnight (Monk) 5:15 Smoke Gets In Your Eyes (Monk) 3:26 Well You Needn’t (Monk) 3:27 Total Time: 40:01 CD 8 Wee See (Monk) 2:36 Nutty (Monk) 5:15 Work (Monk) 5:17 I Want To Be Happy (Caesar – Youmans – Harbach) 7:42 The Way You Look Tonight (Fields – Kern) 5:11 More Than You Know (Youmans – Rose) 6:25 There Are Such Things (S. Rollins) 9:29 Total Time: 41:49 CD 9 Bag’s Groove (Jackson) 9:21 Bemsha Swing (Monk – Best) 9:28 Swing Spring (Davis) 9:06 The Man I Love (Gershwin – Gershwin) 7:57 Bags’ Groove (Jackson) 11:13 Total Time: 47:07 CD 10 Friends play Monk Round About Midnight (Monk) 2:56 Rhythm - N - Ning (Monk) 3:50 (Monk)’s Dream (Monk) 6:06 Well You Needn‘t (Monk) 5:22 52nd Street Theme (Monk) 3:07 Hornin’ In (Monk) 7:16 `Round Midnight (Monk – Williams – Hanighen) 7:05 Total Time: 35:45 Quote
blajay Posted July 11, 2008 Report Posted July 11, 2008 A few questions for you ever-informative sources of knowledge: Does anyone have the discography for the Monk Black Lion/Vogue Mosaic? Or any of the rest of the information provided with the set? I have the LP set but lack the booklet. Thanks, Jay Quote
blajay Posted July 11, 2008 Report Posted July 11, 2008 A few questions for you ever-informative sources of knowledge: Does anyone have the discography for the Monk Black Lion/Vogue Mosaic? Or any of the rest of the information provided with the set? I have the LP set but lack the booklet. Thanks, Jay Same goes for Jimmy Smith February 1957 Sessions Mosaic Quote
blajay Posted July 11, 2008 Report Posted July 11, 2008 More questions for you ever-informative sources of knowledge: Any difference between these and their previously issued Mosaics? Quote
blajay Posted July 11, 2008 Report Posted July 11, 2008 (edited) RE: Any difference between these and their previously issued Mosaics? I just noticed this thread: http://www.organissimo.org/forum/index.php?showtopic=21646 I understand now--duh, The Complete Quartets with Sonny Clark obviously does not include the quintets or sextets of March 1, 1962, June 18, 1962, or September 7, 1962. Edit: Although, it does seem to include the quintet date of December 23, 1961 but not the quartet date of October 27, 1961 with different bass and drums. Hmmn. Clearly, the Mosaic is more comprehensive, as is usually the case. Edited July 11, 2008 by zanonesdelpueblo Quote
Soulstation1 Posted July 11, 2008 Report Posted July 11, 2008 JOS Discography All sessions were recorded at Manhattan Towers in New York City using remote recording equipment brought in by Rudy Van Gelder. Only U.S. issue numbers are used in this discography. ______________________________________________________ (A) Donald Byrd (tp), Lou Donaldson (as), Hank Mobley (ts), Jimmy Smith (org), Eddie McFadden (g), Art Blakey (d). February 11, 1957 tk.3 Falling In Love With Love BLP-1547 tk.4 First Night Blues (omit horns) unissued tk.5 Funk's Oats 45-1677, BLP 1547 tk.6 Zing Went The Strings Of My Heart (omit horns) BLP 1556 tk.8 Groovy Date BLP 1548 tk.9 I Let A Song Go Out OF My Heart BLP 1548 _____________________________________________________________ (B) Lou Donaldson (as), Jimmy Smith (org). February 12, 1957 tk.1 I'm Getting Sentimental Over You 45-1668, BLP 1548 tk.2 Summertime 45-1667, BLP 1551 same session, add Eddie McFadden (g), Donald Bailey (d). tk.3 Somebody Loves Me (omit as) BLP 1556 tk.5 Plum Nellie BLP 1552 tk.6 Plum Nellie (alternate take) 45-1668 same session, but Kenny Burrell (g), Art Blakey (d) replace McFadden and Bailey. tk.8 Billie's Bounce BLP 1552 tk.10 Yardbird Suite BLP 1551, BST 89903 BNLA 159-2 tk.11 There's A Small Hotel (no as) BLP 1551 tk.12 All Day Long 45-1676, BLP 1551, BST 89901 _______________________________________________________ © Jimmy Smith (org), Eddie McFadden (g), Donald Bailey (d). February 13, 1957 tk.3 The Third Day unissued tk.4 All The Things You Are (omit g,d) BLP 1556 tk.6 The Fight (omit g,d) BLP 1556 tk.7 There Will Never Be Another You 45-1686, BLP 1556 tk.8 How High The Moon 45-1667, BLP 1547 tk.9 Buns A Plenty BLP 1552 tk.10 The Duel -1 BLP 1552 tk.11 Blue Moon 45-1685, BLP 1556 BNLA 400-2 tk.12 Cherokee unissued -1 omit McFadden, Art Blakey replaces Bailey (d). _____________________________________________________ ALBUM INDEX BLP 1547 A Date With Jimmy Smith - volume one BLP 1548 A Date With Jimmy Smith - volume two BLP 1551 Jimmy Smith At The Organ - volume one BLP 1552 Jimmy Smith At The Organ - volume two BLP 1556 The Sounds Of Jimmy Smith BST 89901 Jimmy Smith's Greatest Hits (double LP) BST 89903 Blue Note's Three Decades Of Jazz 1949-1959 (double LP) BNLA 159-2 reissue of above BNLA 400-2 Jimmy Smith (double LP) Original sessions produced by Alfred Lion Reissue produced by Michael Cuscuna Executive producer: Charlie Lourie Recording engineer: Rudy Van Gelder Recorded in mono All photographs by Francis Wolff Design direction: Richard Mantel Design production: InkWell Inc. Masters courtesy of Blue Note Records, a division of Capitol Records, Inc under license from CEMA Special Markets. (p)1994 CEMA Special Markets. Product of CEMA Special Markets, a subsidiary of Capitol-EMI Music Inc. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. ©1994 Mosaic Records, Inc. All Rights Reserved. Producer's note: The wealth of material that Jimmy Smith recorded for Blue Note from 1956 to 1962 could generate a dozen boxed sets. We've selected this three-day run in the studio not only because of the exceptional quality of the music, but also because it is a wonderful microcosm of his output. There are sextet jams, Jimmy's own trio with and without a soloist added and an all-star trio with Art Blakey and Kenny Burrell, as well as some experimental solos and duets. These three days set the pattern for the various contexts in which Smith would record throughout his Blue Note career. Because of the extremes in tune length, we have had to stray farther than usual from chronological order in order to fit this material into the LP and CD formats. Since we have had to break the mold in this regard, we've tried to make the LP sequencing as musically sensible as possible. The first selection on Discs Two and Three are out of chronological sequence. Unfortuately, no Francis Wolff photos exist from these three sessions. For the booklet, we have selected other session shots by the participants from the period of 1956-58. Quote
_forumlogo.png.a607ef20a6e0c299ab2aa6443aa1f32e.png)
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.