7/4 Posted December 1, 2008 Report Posted December 1, 2008 Listening to this now: David Reeves - Otras 2 bubbly low filters, some beats, but nothing that gonna wake me up. Quote
rockefeller center Posted December 9, 2008 Report Posted December 9, 2008 (edited) ChucK (at 13:00 there's some sort of a ChucK "hello world!" equivalent) November 16, 2007 lecture by Ge Wang for the Stanford University Human-Computer Interaction Seminar (CS 547). In the first part of this talk, Ge presents the design, philosophy, and development of ChucK, a computer music programming language intending to provide a different approach, expressiveness, and thinking with respect to time and parallelism in audio programming - as well as a platform for precise and rapid experimentation. In the second part of this presentation, Ge describes his adventures with the "laptop orchestra": a new type of large-scale, computer-mediated music ensemble. ChucK is free open source and available for Linux, MacOS X and Windows. http://chuck.cs.princeton.edu/ Edited December 9, 2008 by rockefeller center Quote
7/4 Posted January 29, 2009 Report Posted January 29, 2009 (edited) Atom Heart - Live at sel i/s/c - PS 08/41 endless drones with twittering high note melodies. Edited January 29, 2009 by 7/4 Quote
rockefeller center Posted January 30, 2009 Report Posted January 30, 2009 Found on dimeadozen: Warp & London Sinfonietta (featuring Jamie Lidell and Plaid) Auditorium Parco della Musica, Rome May 4 2005 Music of Aphex Twin, Steve Reich, John Cage, George Antheil, Edgar Varese, Plaid, Jamie Lidell Personnel: *London Sinfonietta directed by Julien Hempel Plaid (Ed Handley and Andy Turner) Jamie Lidell disc 1: 1. Aphex Twin - "Jynweythek & hy a Scullyas lyf adhagrow" (for prepared piano) (02.19)* 2. Edgar Varese - "Ionisation" (06.13)* 3. Plaid - "Scope" (16.36) 4. George Antheil - "Ballet Mecanique" (16.25)* 5. John Cage - "First Construction in Metal" (09.11)* 6. Jamie Lidell - "Solo Set" (28.21) disc 2: 1. Steve Reich - "Six Marimbas" (16.37)* 2. Aphex Twin - "Polygon Window" (08.28)* Couple very nice tracks there. Quote
BruceH Posted January 30, 2009 Report Posted January 30, 2009 2. Edgar Varese - "Ionisation" (06.13)* I wouldn't exactly call it "electronic" but it's certainly on of my favorite pieces of avant garde classical. Reich's "Six Marimbas" is nice too. Quote
rockefeller center Posted January 30, 2009 Report Posted January 30, 2009 (edited) You're right. Actually only one track (#3. Plaid - Scope) qualifies for this thread but I've been listening to it on repeat and forgot what the rest is all about. Edited January 30, 2009 by rockefeller center Quote
randyhersom Posted March 6, 2009 Report Posted March 6, 2009 I had to go read Varese's name when I had 25 eMusic downloads left. The two Naxos volumes knocked that down to 2 and I found a Joe Maneri to finish them off. Been looking forward to checking these out, I fondly remember hearing Ionisation in a music class. Quote
7/4 Posted March 6, 2009 Report Posted March 6, 2009 But AFAIK, Deserts is his only electronic music! dB Quote
Noj Posted October 4, 2009 Report Posted October 4, 2009 These are a few of my favorites which relate to this sort of music, but might be too beat-oriented for some of you. I'm a big fan of Kraftwerk and Art Of Noise (I love the Aphex Twin comp referenced earlier), and have delved into some Raymond Scott. I plan on checking out some of the other recs here to broaden my horizons. Kreuder & Dorfmeister - G-Stoned Shawn Lee & Clutchy Hopkins - Clutch Of The Tiger Nobody - Western Water Music, Vol.1 Blockhead - Music By Cavelight Desmond Williams - Delights Of The Garden The Dining Rooms - Numero Deux DJ Krush - KRUSH Felix Laband - Thin Shoes In June J-Boogie's Dubtronic Science Kid Koala - Carpal Tunnel Syndrome Kosma - Early Works Mr. Scruff - Keep It Unreal Omid - Distant Drummer St. Germain - Tourist Thievery Corporation - Sounds Of The Thievery Hi-Fi Tosca - Dehli 9 Quote
Jim Alfredson Posted October 5, 2009 Author Report Posted October 5, 2009 I'm actually finishing up an electronic album of tunes dedicated to my father (who was into ambient music and got me into it as a young kid). Mine is kinda old school sounding; influenced by Vangelis and the like more than the more modern guys. Quote
rockefeller center Posted October 5, 2009 Report Posted October 5, 2009 I'm actually finishing up an electronic album of tunes dedicated to my father (who was into ambient music and got me into it as a young kid). Mine is kinda old school sounding; influenced by Vangelis and the like more than the more modern guys. Nice. Are you going to put it online in some form? Quote
Jim Alfredson Posted October 9, 2009 Author Report Posted October 9, 2009 Not sure what I'm going to do with it yet. I can't really put too much money into it, though I really feel the need to make a physical product. Perhaps I'll print up 100 copies. It will definitely be on iTunes, but if I print up copies the artwork is going to be worth it. Quote
rockefeller center Posted November 4, 2009 Report Posted November 4, 2009 http://label.idmforums.com/idmf006.html At least two very nice tracks IMO: "Bathing in Blindfolds" and "Technicolor Yawn" (scroll down to stream/download) Quote
7/4 Posted December 25, 2010 Report Posted December 25, 2010 David First - Privacy Issues. article. Quote
Jim Alfredson Posted December 25, 2010 Author Report Posted December 25, 2010 Whoa. As a piano tuner and someone very sensitive to pitch, the sample in that article is fucking with my brain. In a good way. On the new electronic CD I'm working on, I have a piece that is loosely similar, due to my own impatience. The Alesis Andromeda analog polysynth takes a good 15 or 20 minutes to warm up and stabilize it's tuning. One night I had an idea I had to get down and didn't want to wait for the Andromeda to warm up, so I just started recording. And because of this, the song starts out quite flat, though at first there's no reference point to let you know that, since it is all Andromeda. But then a little lead line comes in, out of tune. And then a Wurlitzer part, much sharper than even the lead line. And eventually, as the song progresses about 11 minutes or so, the Andromeda is slowly warming up and things are coming into tune, almost like they are coming into focus, slowly. It's extremely hypnotic but subtle. Quote
7/4 Posted December 26, 2010 Report Posted December 26, 2010 Did you ever try any just tunings on a synth? Thats how I got into microtonality. Quote
7/4 Posted January 3, 2014 Report Posted January 3, 2014 (edited) Robert Rich - Trances and Drones classic from '82-'83. Edited January 3, 2014 by 7/4 Quote
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