bluesbro Posted November 12, 2008 Report Posted November 12, 2008 (edited) All I have in my collection is the Ken Burns compilation. I was listening to this yesterday and was blown away by the raw power of this guy. Where to go next? I want to start with what would be considered the essential. From the Ken Burns comp, I enjoyed more the late 40s tracks. Edited November 12, 2008 by bluesbro Quote
AllenLowe Posted November 12, 2008 Report Posted November 12, 2008 personally I love the late 1930s, early 1940s Victors - and particularly the ones with Ladnier, whom I believe is one of the greats - Quote
jazzbo Posted November 12, 2008 Report Posted November 12, 2008 Yes, all the RCAs are great. And the Blue Notes. Almost all Bechet is uniformly high level. Get whatever Blue Notes are in print. . . and the Mosaic Select is a good batch of sides as well. Quote
BruceH Posted November 12, 2008 Report Posted November 12, 2008 If you can find the Mosaic Complete Blue Note box used for a reasonable price, of course, that's a good way to go.... Quote
Cliff Englewood Posted November 12, 2008 Report Posted November 12, 2008 Ditto on the Blue Notes, I have these two and they are excellent; Quote
Hot Ptah Posted November 12, 2008 Report Posted November 12, 2008 If you are into vinyl, the Blue Notes "Vol. 1" and "Vol. 2" albums are great. Quote
kh1958 Posted November 13, 2008 Report Posted November 13, 2008 I like the quartet recording with Martial Solal alot also. Quote
Chuck Nessa Posted November 13, 2008 Report Posted November 13, 2008 I am of the opinion that Bechet deserves equal billing with Armstrong for developing/transforming the jazz solo concept. He lost out (pr wise) for a number of reasons but he was a supreme master. I will buy almost anything with his solo on it. The Victors would be first choice to get a feel for his style at a peak. Bechet (from 1923 until his death) was an unrecognized influence. Quote
Larry Kart Posted November 13, 2008 Report Posted November 13, 2008 I am of the opinion that Bechet deserves equal billing with Armstrong for developing/transforming the jazz solo concept. He lost out (pr wise) for a number of reasons but he was a supreme master. I will buy almost anything with his solo on it. The Victors would be first choice to get a feel for his style at a peak. Bechet (from 1923 until his death) was an unrecognized influence. The "Texas Moaner"/"Cake Walking Babies" dates from 1924/25, with both Bechet and Armstrong, suggest that Bechet was then further along than Armstrong was rhythmically -- "further along" not because it was a horse race but because they were working along pretty similar lines. Quote
Chuck Nessa Posted November 13, 2008 Report Posted November 13, 2008 I am of the opinion that Bechet deserves equal billing with Armstrong for developing/transforming the jazz solo concept. He lost out (pr wise) for a number of reasons but he was a supreme master. I will buy almost anything with his solo on it. The Victors would be first choice to get a feel for his style at a peak. Bechet (from 1923 until his death) was an unrecognized influence. The "Texas Moaner"/"Cake Walking Babies" dates from 1924/25, with both Bechet and Armstrong, suggest that Bechet was then further along than Armstrong was rhythmically. Agreed. Quote
J.A.W. Posted November 13, 2008 Report Posted November 13, 2008 I am of the opinion that Bechet deserves equal billing with Armstrong for developing/transforming the jazz solo concept. He lost out (pr wise) for a number of reasons but he was a supreme master. I will buy almost anything with his solo on it. The Victors would be first choice to get a feel for his style at a peak. Bechet (from 1923 until his death) was an unrecognized influence. Agreed. Quote
thomastreichler Posted November 13, 2008 Report Posted November 13, 2008 I strongly recommend the Bechet / Spanier Big Four sessions; they are on the Mosaic H.R.S. box set and on this one: Quote
The Magnificent Goldberg Posted November 13, 2008 Report Posted November 13, 2008 The Victors would be first choice to get a feel for his style at a peak. What releases are there of the Victors, please Chuck? MG Quote
Big Beat Steve Posted November 13, 2008 Report Posted November 13, 2008 E.g. the vinyl albums from the RCA "Black and White" series (released in the 70s/80s) that might/should still be around in 2nd hand record bins (wherever you still have these ). Quote
The Magnificent Goldberg Posted November 13, 2008 Report Posted November 13, 2008 E.g. the vinyl albums from the RCA "Black and White" series (released in the 70s/80s) that might/should still be around in 2nd hand record bins (wherever you still have these ). Not in my neck of the woods. I was thinking about CD issues, actually. Is there something like a Proper box that covers these recordings? MG Quote
jazzbo Posted November 13, 2008 Report Posted November 13, 2008 They are getting hard to find in the US. There was an early cd four disc (or was it three? can't check right now) set on RCA of all the masters, and then RCA US also put out the series in the "Black and White" cd series that included the alternates. This material also showed up in the excellent French "Masters of Jazz" series of complete Bechet. There's probably a Proper set that includes some of this. . . I have an aversion to Proper and haven't paid attention. Quote
Sundog Posted November 13, 2008 Report Posted November 13, 2008 They are getting hard to find in the US. There was an early cd four disc (or was it three? can't check right now) Sidney Bechet The Victor Session Master Takes 1932-43. That was a 3 disc set produced in 1990. Good set. Quote
bluesbro Posted November 13, 2008 Author Report Posted November 13, 2008 I found the RCA Master takes and also a 3CD set from Andorra with the complete blue note master takes. Cant afford the Mosaic ... Quote
jostber Posted November 13, 2008 Report Posted November 13, 2008 I strongly recommend the Bechet / Spanier Big Four sessions; they are on the Mosaic H.R.S. box set and on this one: Some of my favourite music ever! Quote
J.A.W. Posted November 13, 2008 Report Posted November 13, 2008 (edited) As I said earlier I fully agree with Chuck that Bechet "deserves equal billing with Armstrong for developing/transforming the jazz solo concept", but after so many years I still find Bechet's vibrato very hard to listen to... I can't get used to it. My loss, I know Edited November 13, 2008 by J.A.W. Quote
The Magnificent Goldberg Posted November 13, 2008 Report Posted November 13, 2008 I like Bechet's sound a lot. To me it feels a lot like Earl Bostic's. MG Quote
kh1958 Posted November 13, 2008 Report Posted November 13, 2008 Here's a fine Bechet CD on the Jazz in Paris series, for only $4.99. http://www.dustygroove.com/item.php?id=gwr...5%26amp%3By%3D9 Quote
J.A.W. Posted November 13, 2008 Report Posted November 13, 2008 I like Bechet's sound a lot. To me it feels a lot like Earl Bostic's. MG As someone once said to me, you either love it or hate it, there's nothing in between Quote
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