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Posted (edited)

I had Joe Locke's Rev-elation cd at the #1 spot on JazzWeek for eight straight weeks a couple of years ago and to tell you the truth, it didn't help cd sales much. It DID help with name recognition and some choice gigs. That can be achieved by sending promos to the best people (by reputation and "influence") and/ or the best stations in the country yourself. I mean, what does it really mean to have a station in say South Dakota play your cd 100 times? I would rather have it played in NYC, LA, the Bay Area etc. ( for the greater population and fans) and save the promo for a print review, or send it to a promoter. You can be very effective by sending out 100 promos in the USA. I put as much, and sometimes more, effort in getting releases played overseas. They pay a decent royalty, and frankly, that's where the audience is.

I would never pay for radio promotion. It's just not cost effective.

Edited by marcello
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Posted

  marcello said:
I had Joe Locke's Rev-elation cd at the #1 spot on JazzWeek for eight straight weeks a couple of years ago and to tell you the truth, it didn't help cd sales much. It DID help with name recognition and some choice gigs. That can be achieved by sending promos to the best people (by reputation and "influence") and/ or the best stations in the country yourself. I mean, what does it really mean to have a station in say South Dakota play your cd 100 times? I would rather have it played in NYC, LA, the Bay Area etc. ( for the greater population and fans) and save the promo for a print review, or send it to a promoter. You can be very effective by sending out 100 promos in the USA. I put as much, and sometimes more, effort in getting releases played overseas. They pay a decent royalty, and frankly, that's where the audience is.

I would never pay for radio promotion. It's just not cost effective.

Did Joe get any spin royalties? Geez, 8 weeks at number one should have generated enough royalty play to cover the cost of a promoter and then some.

I would hope. Or did he do a bunch of covers?

Checkpoint Charlie might chime in here, but honestly here is a variable worth considering.

g

p.s. Jim generated enough spin royalty off of ONE Root Doctor tune to nearly cover the RD promo.

  • 2 weeks later...
Posted

Has DB taken note of either of the earlier releases or is this the first time an Organissimo record will get their attention? Would be cool if it is, I'm sure the review will be excellent. :tup

Posted

  Jim Alfredson said:
3 weeks at #1. If anyone gets their Dec. issue of Downbeat in the next few weeks, look for the review of Groovadelphia. We haven't seen it yet. Hope it's good!

Any press is good press! :)

Btw, congrats at 3 weeks....looks like sales are starting to pick up to boot!! Woohooo!!!

Maybe radio ain't dead afterall. ;)

Just got word the new Root Doctor is doing well too, and a review is scheduled in Downbeat for Feb.

:excited:

  • 2 weeks later...
Guest Bill Barton
Posted

I see that Groovadelphia still places highly on the CMJ chart. It's #3 after a significant run at #1. Impressive! Congratulations, gentlemen!!!!!

P.S. Posted this already but on the wrong thread. Oops. So double congrats...

Posted (edited)

  Jim Alfredson said:
3 weeks at #1. If anyone gets their Dec. issue of Downbeat in the next few weeks, look for the review of Groovadelphia. We haven't seen it yet. Hope it's good!

I have it but haven't peeked inside yet; I'll give it a read. You do realize being in a jazz magazine is bad for jazz???

m

Edited by sheldonm
Guest Bill Barton
Posted

  GregN said:
...Maybe radio ain't dead after all. ;)...

Naw, it just smells really funny. Sorry, couldn't resist. Where have we heard this one before? :crazy:

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