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Posted

In keeping with the jazz theme of this board, Shadows. I probably saw it 5 times the week it showed up my freshman year.

How about,, then

The Connection (Shirley Clarke, from play by Jack Gelber)

The Cool World

Also one I just saw, getting a limited theatrical release currently, and coming soon to DVD:

The Exiles (1961)

Killer of Sheep

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Posted

"Since color became available"? Color has been "available" since the 1930's...so what are we talking about here?

"The color era"? What is this? Color movies became common in Hollywood in the 1950's. But then there was a brief period of producing prestige pictures in B&W in the first half of the 1960's because they figured the films would look better on TV (which was then overwhelmingly B&W) because Hollywood had finally admitted that the TV aftermarket was where it's bread was buttered. When TV programs started being shot and broadcast in color, in the mid-60's, Hollywood dropped B&W like a hot potato and never looked back.

Exactly. Hence, the thread's concept brings to my mind "Paper Moon", not "Citizen Kane".

Posted

Many of the films so far mentioned are great, but made before color became an almost universal medium; i.e after the sixties. A very recent good one is In Search of a Midnight Kiss.

Posted

this one too..

coffee-n-cigarettes.jpg

Yes, Jarmusch is clearly someone who went out of his way to make deliberate use of the b&w medium, except in Broken Flowers, of course.

Posted

I read somewhere that the director of In Cold Blood really fought to have it filmed in B&W, which the studio was very much against. Got to hand it to him. Still, admirable as it is in many ways, I somehow find it a hard film to like, and impossible to love.

The Elephant Man (1980) is another B&W island in the color ocean.

Posted

The Elephant Man (1980) is another B&W island in the color ocean.

Surprised it took this long to be mentioned. Always thought it was one of the greatest. It certainly deserved a space on that Top 8 list.

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