Okay well that's that

[pollock]

I've spent the last two nights in the studio with my band recording my CD. It's completely fucked up. It's great. There's all kind of things wrong with it, it's sloppy and fucked up and wild and it sounds like a bunch of drunk musicians playing in a whorehouse band recorded it, BUT IT'S FUCKING GREAT!

The thing is that people are going to get hung up about how sloppy and weird it all is. BUT THAT'S OKAY! I wouldn't expect, or want, any other response.

The record sucks. It stinks (based on the roughs I've just listened to) but it's great. It's jazz music from the dumpster behind the 24-hour Mini-Mart. It's totally fucked up. Seriously, we're not going to win any awards for the best-played-cleanly-executed jazz record ever made. This is some desperate shit. I don't know why it ended up sounding like that and I don't care.

It's the worst thing I've ever played on, and it's also the best.

[Jim Alfredson]

Sweet! Mix that baby and put it out there!

[Man with the Golden Arm]

Do love that title!

"Jazz music from the dumpster behind the 24-hour Mini-Mart"

[papsrus]

This, I'd like to listen to!

[Christiern]

ESP might want to release it.

[Hot Ptah]

Or Thrill Jockey.

[stuartjewkes]

Yes please, I specialise in fucked up recordings.

[7/4]

Are there any C7#9 chords?

.

[Hot Ptah]

Yes please, I specialise in fucked up recordings.

What does this mean? Are you the owner of a label mentioned here?

[pollock]

Are there any C7#9 chords?

.

I'm sure there has to be a least one in there somewhere. Give me a minute to check and I'll get back to you.

Edited August 16, 2008 by pollock