bertrand Posted August 13, 2008 Report Posted August 13, 2008 The Clark composition that appears on the Jackie McLean Quintet session ('Blues In A Jiff') is actually the same tune as 'Marbles' from Lawrence Marable's Tenor Man session. Bertrand. Quote
jmjk Posted August 17, 2008 Report Posted August 17, 2008 Sam Rivers: Dimensions and Extensions My 1988 copy reads "Demensions and Extensions" on the spines. Still waiting for A New Conception to be issued, but for me, Dimensions is a more rewarding listen. Quote
AndrewHill Posted August 17, 2008 Report Posted August 17, 2008 Sam Rivers: Dimensions and Extensions My 1988 copy reads "Demensions and Extensions" on the spines. Still waiting for A New Conception to be issued, but for me, Dimensions is a more rewarding listen. my collector's choice copy says that too. Never noticed that! Quote
clifford_thornton Posted August 17, 2008 Report Posted August 17, 2008 Mine says Involution on the spine. Talk about a typo.. Quote
jazzbo Posted August 18, 2008 Report Posted August 18, 2008 Me, I like it fine but I want to reach out and dampen Steve Ellington's ride cymbal or readjust the mike! Quote
Parkertown Posted August 20, 2008 Report Posted August 20, 2008 It's kinda shimmery, ain't it? Just listening last night and this morning to the DMM Lp with the real cover. I'm really happy with the sound. I also found the "brown bag" double Lp a while back and don't recall it sounding quite like this. Will compare later. Quote
clifford_thornton Posted August 20, 2008 Report Posted August 20, 2008 Steve Ellington's drums are washy elsewhere, too. It may be something in how he set up his cymbals that Wolff or RVG couldn't find a way around at the time. Quote
Bluerein Posted August 21, 2008 Report Posted August 21, 2008 maybe the reflections off his camera caused the extra bash........ Quote
mikeweil Posted August 21, 2008 Report Posted August 21, 2008 Steve Ellington's drums are washy elsewhere, too. It may be something in how he set up his cymbals that Wolff or RVG couldn't find a way around at the time. RVG used close miking for the ride cymbal to get more overtones, but if the cymbal is suspended rather loosely, it moves around, the volume level changes all the time and you get a sound similar to a phasing effect. The only solution would be overhead miking of the drumset, but I can't remember RVG ever used that. Quote
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