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Posted

Big fan here. I had the good fortune to have seen him live in the 60s and over the years I've accumulated a lot of his recordings. His Commodore recordings, the Blue Notes with Bechet, all the stuff with Eddie Condon, his Columbia "string" albums, etc etc.

He created his own instantly identifiable style out of Louis and Bix, as did Bobby Hackett and Max Kaminsky, to name just two more. They all sounded different from one another although they drew from the sama sources.

Posted

He drove the car the fatal night when Frank Teschemacher died. That must have haunted him, and allegedly some Chicago musicians blamed him for Tesch's death. It took a decade before he reemerged on the scene in the 40s. Great musician though.

Posted

Is the cover to With Strings Attached just as classic? (Please post if you have it!) When I hear Davison, I often think "Woody Allen soundtrack" — in the best sense of that phrase. Timeless and uplifting.

Posted (edited)

  Late said:
Is the cover to With Strings Attached just as classic? (Please post if you have it!) When I hear Davison, I often think "Woody Allen soundtrack" — in the best sense of that phrase. Timeless and uplifting.

I have it but have no idea how to post it. It's a picture of Wild Bill, Cutty Cutshall, and Bob Wilbur. I checked Google Images to no avail.

Edited by Harold_Z
Posted

In the early 80s Wild Bill was a guest on the Johnny Carson show. He said that he was playing a gig in the late 20s on Chicago's south side and when he arrived he saw a sign outside the venue. It said "Now Appearing - Wild Bill Davison - the white Louis Armstrong". Bill was embarresed by the sign but the nickname stuck.

No doubt helped by his docile reputation and healthy liquid intake..

  • 1 year later...
Posted (edited)

Yes, the Columbia albums were released on cd by Arbors Jazz. His Storyville string date was also out on cd.

Edited by jazzbo
Posted

  On 6/3/2008 at 6:40 PM, BillF said:

  Late said:
Any fans? Love his work with Bechet, and this one is a sentimental favorite.

Love his work on the Condon jam sessions.

Bill's solo on 'Fidgety Feet' on the 'Jammin' at Condon's album is one of the most perfect in jazz. The timing, the sound, the rhythmic drive....!!!!!!!!

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