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Posted (edited)

Frank Foster, Richard Davis and Elvin Jones playing Shiny Stockings (from Heavy Sounds). I played it for some students this week and was reminded how MF great it is.

Frank's beautiful solo, Richard Davis' tasty playing (especially the chorus where all three are blowing) and maybe the best part, Elvin's brush work. He plays a fill on the outchorus that is so incredibly hip I just crack up every time I hear it.

That tune is the highlight of the whole side IMHO.

Edited by Free For All
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Posted

This week it's got to be Fredriksson, Kullhammar & Zetterberg's version of "Inchworm" from, Gyldene Tider Vol.2. The extended drum opening sets up a nice groove for Jonas to go nuts over. Fun stuff!

Posted

Frank Foster, Richard Davis and Elvin Jones playing Shiny Stockings (from Heavy Sounds). I played it for some students this week and was reminded how MF great it is.

Frank's beautiful solo, Richard Davis' tasty playing (especially the chorus where all three are blowing) and maybe the best part, Elvin's brush work. He plays a fill on the outchorus that is so incredibly hip I just crack up every time I hear it.

That tune is the highlight of the whole side IMHO.

Wow. Haven't listened to Heavy Sounds in a long, long time. Will give Shiny Stockings a spin.

Posted

"Da monzon" from the album "Orchestre Regionale de Segou" by the Orchestre Regionale de Segou, which I downloaded the other day.

The sleeve notes say, "Recognise again the purely Ellingtonian flights in pieces like Da monzon". Well, I don't get the Ellingtonian flights - someone with better ears than me could, maybe - but this is a revelatory piece for me. I never knew that Bambara musicians used "namo sayers", in the same way as Mandinke and Soninke musicians. Use of "namo sayers" is about the only bit of African music technique that got transferred to America more or less intact.

MG

Posted

Dixie Ramblers, "La Musique Encore Encore," Cajun French version of "The Music Goes Round and Round," the song done by Wingy Manone, Louis Prima and others, on Rare and Authentic Cajun (1928-1939), 4 cd set, JSP. Nice remasters by Chris King.

Posted

Louis Armstrong And His New Sebastian Cotton Club Orchestra

August 19, 1930, Los Angeles, CA

I'm Confessin' (that I Love You) (Neiburg; Daugherty; Reynolds) [master W.404405-A] -- OKeh 41448

Armstrong, Louis (Trumpet, Vocal)

Elkins, Leon (Conductor, Trumpet)

Brown, Lawrence (Trombone)

Herriford, Leon (Alto Saxophone)

Stark, Willie (Alto Saxophone)

Franz, William (Tenor Saxophone)

Brooks, Harvey (Piano)

Burke, Ceele (Banjo, Steel Guitar)

Jones, Reggie (Tuba)

Hampton, Lionel (Drums, Vibrophone)

Posted

Just a Little Loving by Shelby Lynne, the whole damn album! In an age when everyone feels compelled to oversing everything, a little subtlety goes along way and this is over/under the top with nuance and all good stuff like that. "Inspired by Dusty" - sound like someone singing along softly to themselves and bringing out evrything it meens to them. This is my new litmus test, if you don't get it don't even bother saying what you do like...

Posted

Last night, inspired by Paul's thread about vocalists, I was knocked out by Jimmy Jones' bass lead on "Motherless child" by the Harmonizing Four (from a Charly comp of their Vee--Jay recordings). The greatest bass lead ever!

And at breakfast this morning, by "Stardust" by Lionel Hampton's Just Jazz All Stars, from "The legendary Decca recordings of LH". This is with Charlie Shavers (tp), Willie Smith (as), Corky Corcoran (ts) - all three of whom are in top form on this; great solos. Live at Pasadena, 4 Aug 1947.

MG

Posted (edited)

Last night, inspired by Paul's thread about vocalists, I was knocked out by Jimmy Jones' bass lead on "Motherless child" by the Harmonizing Four (from a Charly comp of their Vee--Jay recordings). The greatest bass lead ever!

MG

Thanks for mentioning that track, MG. I hadn't listened to the Harmonizing Four in a while, & it was time. Beautiful vocal by Jimmy Jones. The Harmonizing Four weren't as flamboyant as some of the classic gospel quartets of the 50's, but they were right up there with the best.

Edited by paul secor

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