Jump to content

Johnny's First Columbia Album


Recommended Posts

I've got the first album, and it's decidedly jazz oriented. Not long after he made it, he hit big with the straight pop tune "Wonderful Wonderful" and realized that greener pastures were elsewhere. Also, although the charts are nice on the first album, I'm not convinced that Johnny is all that convincing as a jazz singer.

Link to comment
Share on other sites

... I'm not convinced that Johnny is all that convincing as a jazz singer.

I hear you. But I've always felt that there are jazz singers, pop singers, and a bunch of singers between at various points on the spectrum. I think that pop singers with good intonation and a decent sense of swing - when given the right tunes, arrangements, and instrumental settings - can make very good and listenable "jazzy" records, even if they're not purely jazz (however we would define that).

Link to comment
Share on other sites

... I'm not convinced that Johnny is all that convincing as a jazz singer.

I hear you. But I've always felt that there are jazz singers, pop singers, and a bunch of singers between at various points on the spectrum. I think that pop singers with good intonation and a decent sense of swing - when given the right tunes, arrangements, and instrumental settings - can make very good and listenable "jazzy" records, even if they're not purely jazz (however we would define that).

I agree - and people in that middle ground, like Peggy Lee, Frank Sinatra and Ella Fitzgerald, are pretty interesting. But I've never heard that in Johnny Mathis.

MG

Link to comment
Share on other sites

I agree - and people in that middle ground, like Peggy Lee, Frank Sinatra and Ella Fitzgerald, are pretty interesting. But I've never heard that in Johnny Mathis.

MG

He comes off differently on the first album. If you ever have the chance to check it out, it's worth a listen.

OK - what's it look like?

MG

Link to comment
Share on other sites

Well, you see...the first two Johnny Winter albums on Columbia are amazing.

Sorry to derail the thread, really I am this time. :lol:

You're absolutely right. For some reason I always reached for that third (and final) lp side of the second one.

Link to comment
Share on other sites

I once heard that the first pianist he worked with as a pro, in San Francisco I think, was Don Ewell. Mathis' manager thought a solid accompanist would help settle down a nervous young man. Certainly adds credence to the jazz flavour...

(Maybe Don himself told me? It was 40 years ago, so....)

Link to comment
Share on other sites

i was a crazed Mathis fan in the '50s and '60s. in fact, i was completely devastated when almost all my Mathis lp's were stolen from my 5th floor walk-up in the East Village in the early '60s!! never thought of him with much potential for jazz though.

Edited by ValerieB
Link to comment
Share on other sites

I bought this because of Gil Evans. But that was 30 years after I bought my first Mathis Lp: the soundtrack to my teen age make out sessions.

IIRC he was discovered by George Avakian who was in San Francisco to sign Dave Brubeck.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...