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Man-made saxophonist


Christiern

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In 1984, when I was in Tokyo with Toshiko Akiyoshi and Lew Tabackin, we visited a fascinating science fair. The people in charge asked Toshiko to bring sheet music of one of her compositions. She complied and they placed it in front of a robot that was seated at a piano. The robot (he wouldn't have won a beauty contest) gave the music a quick look, then proceeded to play. Every note was in place, but totally without emotion. I am often reminded of that when I hear a certain trumpeter play. You get the idea when you listen to

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