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The best reason why Charlie Parker was called Bird.


Hardbopjazz

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From the annals of Kenny G. This may have been posted here before. I laughed my ass off after reading this.

B&N.com: What are some of your favorite Washington, Coltrane, and Parker

recordings?

KG: The Grover Washington one that I listened to a lot when I was a kid was

called "Inner City Blues." As for Coltrane, of course, "Giant Steps" is the

main one that he did, and he also did a rendition of "My Favorite Things."

With Charlie Parker, there are just so many different records. I don't say

this to be disrespectful, but when you listen to Charlie Parker, on pretty

much any record he's going to sound the same. He's going to be unbelievable.

He'll be playing the fastest lines in that style. He was the fastest. Nobody

played faster and more cleanly than him. Except that there was another

saxophone player named Sonny Stitt. He was actually an almost exact duplicate

of Charlie Parker, except he played it even cleaner. Charlie Parker would

squeak a lot, and that's why they called him Bird, because his reed would

chirp.

B&N.com: You think that's why they called him Bird? That's interesting.

KG: That is why they called him Bird. That was the deal. He played so fast,

and his reed would chirp because it...I don't know, it just couldn't take the

speed of his fingers. But Sonny Stitt used to do it without the chirping

thing, and played beautiful. But I don't think he ever got the same accolades

that Charlie Parker did, mainly because Charlie Parker was the first one.

Anyway, I know a lot about that kind of music, and I admire those players.

But I am not motivated to try to copy what they do or play in that style,

because there's no way that anybody can play better than Charlie Parker. You

can't. So what's the point? I mean, even if I played every note exactly the

way he played it, at exactly the speed, it's not going to be better.

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I mean, even if I played every note exactly the

way he played it, at exactly the speed, it's not going to be better.

wonder why nobody has ever tried to play exactly the same notes chirping but at a much much higher speed (and then another guy might come along and play the same thing cleanly and nobody would care about him)

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The whole interview is must-read stuff, not just the excerpt in the original post. :cool:

indeed! here is another telling favorite...

B&N.com: What sort of things are in your personal listening rotation at this point? Do you listen to a lot of music?

KG: No, I don't listen to a lot of music at all. I'm actually more into...I don't know. I'm just more into playing golf. It's a great thing. I work on my music, and I play my albums, and when I'm done, I'm done.

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The whole interview is must-read stuff, not just the excerpt in the original post. :cool:

indeed! here is another telling favorite...

B&N.com: What sort of things are in your personal listening rotation at this point? Do you listen to a lot of music?

KG: No, I don't listen to a lot of music at all. I'm actually more into...I don't know. I'm just more into playing golf. It's a great thing. I work on my music, and I play my albums, and when I'm done, I'm done.

Holy sh.t !!

If it wasnt so sad it would be hilarious indeed!

As if that "Bird chirp" bit weren't enough already! :excited:

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From another board.

KennyG is probably the greatest jazz musician of all time. In 1997, KennyG earned a place in the Guinness Book of World Records for playing the longest note ever recorded on a saxophone. KennyG held an E-flat for over forty five minutes!

No wonder he hasn't any time to listen to music, he's busy getting in the Guinness Book of world records.

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He cheated. If he was a real man, he'd have held a D# for over an hour.

Doing an E-flat for over forty five minutes instead is like going for the slightly less attractive friend of the girl you really want because you know it'll be easier for a schmuck like you to get there.

Remember - a flat by definition lowers.

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