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Posted

blue note should of had a cheap subsidary. MODERN ---> RPM had the lovely notorious CROWN, Prestige had STATUS (?- i dont know much about the releatoinship between those two please speak up and lets talk about SUBIDIARYS (sic) in this post

blue note should of had a cheap subidiary to put on all the lps that werent "fit" for bluenote, such as Barry Harris Trio for example. Barry Harris trio would of been #1. Can you believe they wouldn't let him work for blue note (as a leader)?!?!?!?

Posted

Well, it's kind of a mark of BN's "quality control" that they didn't take the subsidiary route, isn't it? It was either deemed worthy for the label or it wasn't.

There were probably some economics involved as well, but really, the "mystique" of the label has a lot to do with the lack of diffusion, no?

Posted

THE ONLY ENGLISH I WANT ON ME IS A JACQUELINE BISSET / PRINCESS DIANA SANDWICH

That would be half rotten.

You mean Jacqueline is still alive?

That's good news for Sam Malone.

Posted (edited)

It seems that after BN was sold to Capitol/EMI that there were the subsiderary labels. For instance, my copy of Wayne Shorter's Moto Grosso Feio is on 'One way Records' which is a 'Cema special market' from Cpaitol. I did not buy mine new, so I don't know what it went for list, but it seems that it must've gone for at least mid-price. There's also the 'EMI special products' label which seems to handle albums that the regular label is not willing to release, like Don Ellis' 'Essence'.

Edited by Holy Ghost
Posted (edited)

chewmeister, once and for all...

"should of" = should HAVE

"could of" =could HAVE

"would of" = would HAVE

Sorry to go all "English" on you,

your pal, FFA :)

FFA, once and for all...

"should of" = shoulda

"could of" = coulda

"would of" = woulda

Sorry to go all "Street" on ya,

your pal, James :-)

w/regard to the topic...........what Jim said.

Edited by James
Posted (edited)

Jacqueline Bisset was on that show Nip/Tuck last season. She was kinda scary...a super-bitch who would set people up to have their internal organs stolen from them! (really bad one-night stands...I'm glad I never really did that when I was younger...)

She was pretty cute in that grasshopper movie though...oh, and "The Deep." That t-shirt scene... :tup

Edited by Parkertown
Posted

Well, it's kind of a mark of BN's "quality control" that they didn't take the subsidiary route, isn't it? It was either deemed worthy for the label or it wasn't.

There were probably some economics involved as well, but really, the "mystique" of the label has a lot to do with the lack of diffusion, no?

Are you forgetting that the label's "quality control" went way South at one point when it embraced shallow funk?

Posted

In Europe, Disky (a Dutch label) did reissue recordings licensed by EMI for a few years (don't know if they still do). Among those, there was a series of compilations called The Story Of Jazz which contained Blue Note and Capitol recordings (I remember seeing a Horace Silver and a Jackie Davies compilations).

Also, at least in the UK, EMI launched a "HMV" collection mainly devoted to classical music, but also to jazz, country, easy listening, etc.

F

Posted

Well, it's kind of a mark of BN's "quality control" that they didn't take the subsidiary route, isn't it? It was either deemed worthy for the label or it wasn't.

There were probably some economics involved as well, but really, the "mystique" of the label has a lot to do with the lack of diffusion, no?

Are you forgetting that the label's "quality control" went way South at one point when it embraced shallow funk?

what about those BN releases from spain?

Posted

Status records were cheap repressings of old Prestige titles. IIRC the stores I operated paid 65 cents for them. Prestige used existing metal parts and cover art. If they had old print material left over they just slapped Status stickers on the jackets.

Posted

It seems that after BN was sold to Capitol/EMI that there were the subsiderary labels. For instance, my copy of Wayne Shorter's Moto Grosso Feio is on 'One way Records' which is a 'Cema special market' from Cpaitol. I did not buy mine new, so I don't know what it went for list, but it seems that it must've gone for at least mid-price. There's also the 'EMI special products' label which seems to handle albums that the regular label is not willing to release, like Don Ellis' 'Essence'.

I think that reissue of Moto Grosso Feio was part of a contractual oversight on someone's part, IIRC.

Posted

Well, it's kind of a mark of BN's "quality control" that they didn't take the subsidiary route, isn't it? It was either deemed worthy for the label or it wasn't.

There were probably some economics involved as well, but really, the "mystique" of the label has a lot to do with the lack of diffusion, no?

Are you forgetting that the label's "quality control" went way South at one point when it embraced shallow funk?

Chris, are you calling Baby Face Willette, John Patton, Lou Donaldson, Freddie Roach, Lonnie Smith, Reuben Wilson, Grant Green, Jimmy Smith, Stan Turrentine & Don Wilkerson shallow funk? Or do you mean what happened after Francis Wolff died?

I'd have to admit that, even with this line up, Blue Note wasn't as good as Prestige at this stuff but dismissing it doesn't seem anywhere near right.

MG

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