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Posted (edited)

Yeah ten years later, but what an incredible drummer Han Bennick is: worth rehearsing how exciting he is still! Hope this allowed:

 

 

 

 

 

And this  from Amherst:

 

 

 

Kinda like Mingus/Richmond, Brotz/Bennink are another magical combo.

Edited by Holy Ghost
Posted
2 hours ago, Holy Ghost said:

what an incredible drummer Han Bennick is

Completely agree!

The 2006 Amherst concert is available on CD on the Bro label (run by Eremite). Some of his best music is available on that label. Bought a ticket to see Peter Brotzmann in Melbourne 5 minutes ago for about USD 15. Can't believe it, every local pub band charges more.

Posted
11 hours ago, Misterioso said:

Completely agree!

The 2006 Amherst concert is available on CD on the Bro label (run by Eremite). Some of his best music is available on that label. Bought a ticket to see Peter Brotzmann in Melbourne 5 minutes ago for about USD 15. Can't believe it, every local pub band charges more.

Yeah, I couldn't believe it either when a club here in Cleveland last year was only asking for $20. Albeit, it was a strange line up, I kinda was hoping for a "Die Like a Dog" line up, but regardless, it Brotz! Now that's a steal not a deal!

Posted (edited)
3 hours ago, Holy Ghost said:

Sounds right, it was a female and she was playing some weird form of a synthesizer or something. It was just him and her.

I was at both shows when Brotzmann and Leigh played the Beachland Ballroom.  Although Brotzmann is known for his intensity, I think that in duos he shows that in his heart he is actually a very melodic reedist.  I know that Brotzmann puts his pants on one leg at a time like the rest of us, but it was kind of surreal to see him perusing the Whole Foods salad bar with Leigh.  He comes across as a pretty quiet, self-effacing man, but I have never spoken to him at a gig.

Edited by Justin V
Posted

I spoke to him briefly after an Oto gig and he was charming, almost self-deprecating in his description of the sets he'd just played

I've been enjoying this album a lot recently.the combination really clicks for me. Probably the first time I've knowingly listened to a "stoner rock band" as the label describes them

 

Posted (edited)

Totally blown away!!!! just seen that Brotz is doing an Australian tour & playing here in Brisbane on May 5 (Institute of Modern Art)

On 28/03/2018 at 5:45 PM, Misterioso said:

Completely agree!

The 2006 Amherst concert is available on CD on the Bro label (run by Eremite). Some of his best music is available on that label. Bought a ticket to see Peter Brotzmann in Melbourne 5 minutes ago for about USD 15. Can't believe it, every local pub band charges more.

Misterioso, How did you manage to buy the tickets? I've looked on a couple of sites here in Australia & there do not appear to be any tickets on sale as of yet.

Edited by romualdo
Posted
20 minutes ago, romualdo said:

Misterioso, How did you manage to buy the tickets? I've looked on a couple of sites here in Australia & there do not appear to be any tickets on sale as of yet.

The Melbourne concert is organized by a local art collective called Liquid Architecture. After seeing the announcement on PB's homepage, I subscribed to their email newsletter. A few days ago, they announced the concert and provided a link to oztix for purchasing tickets.

The venue here is quite a bit rougher than the Brisbane one and certainly not known for attracting a jazz audience. Will be interesting.

  • 2 weeks later...
Posted (edited)
On 31/03/2018 at 11:32 PM, Misterioso said:

The Melbourne concert is organized by a local art collective called Liquid Architecture. After seeing the announcement on PB's homepage, I subscribed to their email newsletter. A few days ago, they announced the concert and provided a link to oztix for purchasing tickets.

The venue here is quite a bit rougher than the Brisbane one and certainly not known for attracting a jazz audience. Will be interesting.

Tickets went up for the Brisbane concert (May 5) last night - they're FREE!!! but very limited numbers/space (scored two)

Edited by romualdo
  • 3 years later...
  • 3 years later...
Posted

There was no indication at the time in his playing that he would die so soon afterwards.

He'd been audibly pacing himself for the last few previous visits but was still playing as strongly if not as ferociously or with as much duration.

Posted (edited)

I listened to the stream of The Quartet, and, to my surprise, enjoyed it greatly. First of all, Brötzmann plays a lot of alto, which I really like (I remember at one of his concert I attended he played blistering mean alto behind the closed curtains during warm up only to play no alto at all during the concert itself). Second, possibly thanks to physical limitations, he is more concise that usual and less prone to falling back on repetitive licks. Adasiewicz's vibes add a melancholic tinge, and Noble is just fantastic. Good stuff, I might get the CD in honor of the great Mensch. 

        

Edited by Д.Д.
Posted
On 3/29/2018 at 7:41 PM, Justin V said:

I was at both shows when Brotzmann and Leigh played the Beachland Ballroom.  Although Brotzmann is known for his intensity, I think that in duos he shows that in his heart he is actually a very melodic reedist.  I know that Brotzmann puts his pants on one leg at a time like the rest of us, but it was kind of surreal to see him perusing the Whole Foods salad bar with Leigh.  He comes across as a pretty quiet, self-effacing man, but I have never spoken to him at a gig.

Love Brotz, and could've brought all my FMP's to sign, but it just was not my ideal lineup. Don't regret missing this show. 

Posted

I saw that duo and it was definitely worth going even though their records may not be my go-to Brötzmann... But what was totally amazing was a trio with Leigh and Toshinori Kondo added on tp and electronics... It's been a while and I forgot the details but Kondo somehow managed to organize the sounds and had a great interaction with Leigh in a way that made it all come together even better 

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