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Davey Williams and John Corbett - Humdinger (14 Improvisations and a Monograph on Failed Wind Instruments) -UMS. Gave it shot since I found a used copy for only $1. Pretty strange stuff. For example, there's one track that features over seven minutes of (John Corbett?) just flipping through stations on a radio.

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I've always wanted that 'Sounds of the Junkyard' LP on Folkways. Rod probably has it.
:lol: Well, actually...

Some of the tracks are kind of "diddling" around in the yards,

but in college, I used to blast the acetylene torch tracks out of the dorm room.

I have 100+ hours of recordings of asphalt roofing kettles that I've made over the past few decades

(with an excerpt released on disc here.)

I think that the "Junkyard" LP was probably an influence.

Edited by rostasi
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Some of the tracks are kind of "diddling" around in the yards,

but in college, I used to blast the acetylene torch tracks out of the dorm room.

I have 100+ hours of recordings of asphalt roofing kettles that I've made over the past few decades

(with an excerpt released on disc here.)

I think that the "Junkyard" LP was probably an influence.

It completely boggles my mind that any of this stuff can be of interest to anyone.

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Some of the tracks are kind of "diddling" around in the yards,

but in college, I used to blast the acetylene torch tracks out of the dorm room.

I have 100+ hours of recordings of asphalt roofing kettles that I've made over the past few decades

(with an excerpt released on disc here.)

I think that the "Junkyard" LP was probably an influence.

It completely boggles my mind that any of this stuff can be of interest to anyone.

Maybe, but this description made me stop and listen:

07. Richard Lerman - Auschwitz [MP3 - 5 MB]

Auschwitz, November 18, 1999 was recorded while offering a performance at the 1999 Audio Art Festival in Krakow. The recording, made on a cold rainy day gathered audio mostly from the fences still standing at the site. I used a Walkman recorder and piezo disks.

And it definitely had a "quality" to it that is hard to deny. It is music in its own way, as it evokes an atmosphere just as effective as a Bill Evans piano trio recording. Of course, what makes it that is what I bring as a listener, what my mind is telling about the history of Auschiwitz, the sadness, and maybe, just maybe, that life goes on as the rain falls. Interesting.

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occasionally i discretely whip out my set of awesome environments recordings for guests.

they are really well made.

Do you have a turntable that will play at 16rpm

in order to play Vol. 2's "Tintinnabulation"?

one of my fav favs. that big bell sounds huge huge. yes to the 16er.

the patterns of these recordings are so incredibly subtle that no boring patterns develop.

hearing the aviary recording is like downing 10 cups of coffee in 15 minutes.

Edited by alocispepraluger102
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I've always wanted that 'Sounds of the Junkyard' LP on Folkways. Rod probably has it.
:lol: Well, actually...

Some of the tracks are kind of "diddling" around in the yards,

but in college, I used to blast the acetylene torch tracks out of the dorm room.

I have 100+ hours of recordings of asphalt roofing kettles that I've made over the past few decades

(with an excerpt released on disc here.)

I think that the "Junkyard" LP was probably an influence.

Whetting my appetite, indeed...

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Wow....that's gonna take a few days of thought...

plus, I'll have to figure out who's path.

(BTW, I have all of the recordings mentioned so far. :P)

I realize that it's not a contest, but I can't see anyone topping you, Rod.

well, if you take "unusual" as compared to what you listen to usually yourself, then Rod is relatively easy to top actually, all you need are sufficiently narrow tastes...

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I couldn't get a sound clip of your roofing torch going. Am I missing something?
No sound link, just a location for reading.

Marcelo has since chosen to have links for just a couple from each comp.

You can read what other's have done. Let's just say that I've had one person

describe the roofing kettle piece as being what it must be like inside

The Large Magellanic Cloud. Since it's recorded binaurally,

it's meant to gently and very slowly give multiple spatial orientations

on various central axes ("Axis of Weeble"?) through gentle rotations

while emphasizing various sound spectra within the "cloud."

It doesn't come off as being the kind of Merzbow-type roar

that one might think it would sound like, but more like

a gentle massaging of the brain. Like the review at the link states:

"a wooshing noise that builds, slightly changes pitch and volume but

reveals internal variation and layers, in an intense seven minutes before fading again."

Edited by rostasi
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Someone once gave me a CD of Jewish liturgical music from Ethiopia, assuming that I like all African music. It was the most awful music I've ever heard. I gave it to a colleague who said she could put up with anything.

I don't think she knows Rod.

She never spoke to me again.

MG

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I've always wanted that 'Sounds of the Junkyard' LP on Folkways. Rod probably has it.
:lol: Well, actually...

Some of the tracks are kind of "diddling" around in the yards,

but in college, I used to blast the acetylene torch tracks out of the dorm room.

I have 100+ hours of recordings of asphalt roofing kettles that I've made over the past few decades

(with an excerpt released on disc here.)

I think that the "Junkyard" LP was probably an influence.

I have many field [no pun intended] recordings of antique tractors and steam engines. Some of them this summer benefited from my new dual condenser mic setup. I haven't found a place to host these sounds online for easy playback. Thoughts?

Here is a lo-fi clip of one of the engines i recorded this summer:

It is awesome, with that odd singing squeak and the never-ending clicks. :tup
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Someone once gave me a CD of Jewish liturgical music from Ethiopia, assuming that I like all African music. It was the most awful music I've ever heard. I gave it to a colleague who said she could put up with anything.

I don't think she knows Rod.

She never spoke to me again.

Yup, it's an acquired taste fer sure! Very "raw" sound, but the melodic bits

often tries to emulate the sound of a one-string lute with the "testifying" response of

a gospel church congregation (albeit very low-key ;) ).

Fascinating, but not all that engaging (unless you're a follower, I suppose).

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