Chuck Nessa Posted May 12, 2006 Report Share Posted May 12, 2006 Rufus swung, his face at last to the wind, then his neck snapped. I can't forget this line. Quote Link to comment Share on other sites More sharing options...
ep1str0phy Posted May 13, 2006 Report Share Posted May 13, 2006 Maybe I've said this elsewhere, but the take of "Rufus" on the Impulse LP sounds very West Coast-y to my ears. In the interaction between Shepp and Tchicai I'm almost getting a Marsh-Konitz vibe, strangely enough. Prefer this version to the one on the Fontana LP (though I love that Fontana!). There's something really beautifully, tragically grotesque about the FFT version. It's got just the right tempo--lyrical, but edgy. Moffett, for one, was perfect for this sort of tune. Quote Link to comment Share on other sites More sharing options...
Guy Berger Posted May 9, 2007 Report Share Posted May 9, 2007 I admit I was surprised by how this album sounded. I was expecting something a lot more outside but this was just a very swinging freebop date with some fantastic arrangements. I'd never heard Roswell Rudd before -- he is fantastic. One of my best pick ups at the Tower Sale. Guy Quote Link to comment Share on other sites More sharing options...
fomafomic65 Posted May 9, 2007 Report Share Posted May 9, 2007 (...) some fantastic arrangements. I'd never heard Roswell Rudd before -- he is fantastic. Guy, you should give a close listen to Roswell's music. He's a real giant. Check out the few Lacy/Rudd recordings, the ones with Shepp, his group with Enrico Rava, his interpretations of Nichols and Monk (I'd remember that terrific Allen Lowe record too). I absolutely admire him, and I discovered him with the first cd edition of Four For Trane -still one of the most loved jazz record in my collection. Quote Link to comment Share on other sites More sharing options...
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