Tony Pusey Posted July 18, 2007 Report Posted July 18, 2007 Shad brought Big Brother to Chicago to record that first 22 minute album. Then he stiffed them and they had problems getting back to SF. And then after Monterey, when Grossman and the rest of the world heard Janis, Columbia bought the rights to that album for a cool 2 million if I remember correctly, which is why that album was subsequently reissued after Cheap Thrills on Columbia complete with that goofy Mainstream drawing on the back. Quote
etherbored Posted July 18, 2007 Report Posted July 18, 2007 dunno how many people are hip to it, but i love the alice clark record. sound samples here. Quote
Guest donald petersen Posted July 23, 2007 Report Posted July 23, 2007 actually, as i think about it...i don't really need the hal galper session on CD for 25 bucks either. g_d my excitement over this batch of reisues has petered out... Quote
Daniel A Posted November 14, 2007 Report Posted November 14, 2007 The Mike Longos have cocktail piano over some nice Mickey Roker backbeats. They're fun the first time, but not convincing in the end. Quote
Daniel A Posted November 14, 2007 Report Posted November 14, 2007 It was a couple of years since I heard them. Yes, the one with Moody is better. The trio albums are mostly acoustical piano from what I can remember, and I can't get away from the feel of "cocktail"; simple licks, block chords, not very exciting rhythmically. I guess I don't find Longo's playing very interesting. Nothing against electrical piano (I love to play the Fender Rhodes myself), and usually I'm quite fond of the sound of Rhodes+acoustic bass. Quote
Daniel A Posted November 14, 2007 Report Posted November 14, 2007 Just spinning 'Funkia' now, and I still stand by my "cocktail" notion. BTW, 3 out of 8 tracks have Rhodes, nicely recorded if nothing else. Quote
Daniel A Posted November 14, 2007 Report Posted November 14, 2007 I don't own the Mainstream one, heard it at a friend's years ago. The only track I can remember was a bossa which had a nice flute solo from Moody. Will try to check it out if you're interested (and if you feel you can trust me once more... ) Quote
Daniel A Posted November 14, 2007 Report Posted November 14, 2007 Well we did at least get the opportunity to voice some general opinions on Mike Longo... You must excuse me, I did perhaps not read your initial post too carefully. What's more, for some reason I thought this thread was about the Groove Merchant reissues... Will try to check out the Mainstream album anyway. Quote
Daniel A Posted November 14, 2007 Report Posted November 14, 2007 Well, when hearing "late" Gillespie (end of the 60s and onwards) I can't get out of my mind what he once sounded like. His tone got kind of weaker somewhere around then. For sure, there's some hilarious 70s live stuff on variuos bootleg labels, but the last Gillespie album I tend to enjoy was the one scored by J.J. Johnson (early 60s). Maybe it's my loss. Quote
felser Posted November 28, 2007 Report Posted November 28, 2007 what kind of effects did the mainstream studio have? both the longo and the galper-the e piano has some cool stuff going on. maybe a phaser or something at points. some sort of filter? Something called a ring modulator was used a lot on electric pianos back then. I remember George Cables recording with it. The musicians in the crowd can tell you a lot more about it, I'm sure. Quote
Head Man Posted August 29, 2014 Report Posted August 29, 2014 Just noticed that Ace has a couple of Mainstream re-issues out: I think the Harold Land has already been mentioned here but the Chico Hamilton is new to me. Can anyone say whether it's a "getter"? Oh, and I see they have re-issued this Duke Ellington as well... Quote
sidewinder Posted August 29, 2014 Report Posted August 29, 2014 what kind of effects did the mainstream studio have? both the longo and the galper-the e piano has some cool stuff going on. maybe a phaser or something at points. some sort of filter? Something called a ring modulator was used a lot on electric pianos back then. I remember George Cables recording with it. Woody Shaw's 'Song of Songs' on Contemporary comes immediately to mind re: Cables with ring modulator. Quote
felser Posted August 29, 2014 Report Posted August 29, 2014 what kind of effects did the mainstream studio have? both the longo and the galper-the e piano has some cool stuff going on. maybe a phaser or something at points. some sort of filter? Something called a ring modulator was used a lot on electric pianos back then. I remember George Cables recording with it. Woody Shaw's 'Song of Songs' on Contemporary comes immediately to mind re: Cables with ring modulator. Also the earliest Milestone Joe Henderson's. Cables was quite enamored of that effect. I wasn't. Quote
The Magnificent Goldberg Posted August 29, 2014 Report Posted August 29, 2014 Just looked at the Ace site. Didn't see the Roy Haynes, but did notice two albums formerly on Crown by Coleperson Hawkins and Chico Hamilton. MG Quote
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