Tony Scott RIP

[Nate Dorward]

Sad news. Hadn't followed his later work--though I hope someday to hear his multialbum dissertation on "Lush Life"--but have enjoyed what of his earlier work I've heard. (Anyone else heard the rough but interesting recordings with Bills Evans, Jimmy Garrison & Pete LaRoca?)

[alocispepraluger102]

just hear 'misery' with carmen mcrae and with tony on piano

incredible music.

wkcr is now playing some of his quartet music.

Edited March 31, 2007 by alocispepraluger102

[Stereojack]

(Anyone else heard the rough but interesting recordings with Bills Evans, Jimmy Garrison & Pete LaRoca?)

Got these when they came out on Muse, and again when they were combined on a 32 Jazz CD. Great stuff!

[Chuck Nessa]

My introduction to Tony Scott was a Seeco lp called The Modern Art of Jazz. It was recorded the year Brownie met the man. This session included Clark Terry, Jimmy Knepper, Sahib Shihab, Bill Evans, Milt Hinton, Henry Grimes and Paul Motian. It seems the session yielded 3+ lps of material and would be a good beginning for a "Select". Tony's (self produced?) sessions around this time are a mess and need a smart guide to sort it all out.

[alocispepraluger102]

My introduction to Tony Scott was a Seeco lp called The Modern Art of Jazz. It was recorded the year Brownie met the man. This session included Clark Terry, Jimmy Knepper, Sahib Shihab, Bill Evans, Milt Hinton, Henry Grimes and Paul Motian. It seems the session yielded 3+ lps of material and would be a good beginning for a "Select". Tony's (self produced?) sessions around this time are a mess and need a smart guide to sort it all out.

his work is all gorgeous. this koto stuff is somewhere beyond beauty(music for zen meditation).

Edited March 31, 2007 by alocispepraluger102

[alocispepraluger102]

i would love to have heard paul bley and tony duo. would have been incredible.

[brownie]

Tony Scott's obituary in The New York Times today.

TONY SCOTT, JAZZ CLARINETIST WHO MASTERED BEBOP, DIES AT 85

By MARGALIT FOX

Published: March 31, 2007

Tony Scott, a distinguished jazz clarinetist who in the 1950s helped steer his instrument out of the swing era and into the sax-infested waters of bebop, died on Wednesday at his home in Rome. He was 85 and had lived in Italy for many years.

The apparent cause was complications of the prostate cancer Mr. Scott had many years ago, his wife, Cinzia, said.

With Buddy DeFranco, Mr. Scott was considered one of the leading bebop clarinetists. (The two men were often described as the only major clarinetists to take on bebop, a style thought to be incompatible with the instrument’s soft, sweet sound.) Mr. Scott, who also played the saxophone, performed and recorded with some of the titans of mid-20th-century jazz, among them Duke Ellington, Ben Webster, Sarah Vaughan and Billie Holiday.

If Mr. Scott was not widely known to the American public, it was partly because his eclectic style made him unclassifiable: over the years, he ranged through bebop and what today would be called New Age and world music. It was also because he was peripatetic: for decades he roamed the globe, clarinet in hand. He had lived mostly abroad since the late ’50s.

Mr. Scott was also well regarded as a composer and arranger. His composition “Blues for Charlie Parker,” which he created extemporaneously at a concert in Yugoslavia in 1957, became his most-requested number. He also arranged hits like “The Banana Boat Song (Day-O)” for Harry Belafonte.

In a profile of Mr. Scott in The New York Times in 1967, John S. Wilson described him “playing his clarinet in his own uncompromisingly distinctive manner, a manner which encompasses both a feathery, light-as-air impressionism and an intense, emotional ferocity that makes the old-time ‘hot’ men sound as though they were blowing icicles.”

By the end of the 1940s, the swing style popularized by Benny Goodman was on the wane, and the clarinet was falling out of favor as a jazz instrument. Mr. Scott persevered, touring Sweden, South Africa, Senegal, the Philippines, Malaysia, Indonesia, Japan and elsewhere. His 1964 album “Music for Zen Meditation” (Verve), a collaboration with traditional Japanese musicians, is considered an early example of New Age music.

Among his other albums are “The Touch of Tony Scott” (RCA Victor, 1956); “The Modern Art of Jazz” (Seeco, 1957); “Tony Scott in Afrika” (A World of Music, 1997); and “A Jazz Life” (Kind of Blue), scheduled for release next month.

Anthony Joseph Sciacca — his family name is pronounced “Shaka” — was born on June 17, 1921, in Morristown, N.J., to parents who had come from Sicily. His father was a barber and amateur guitarist; his mother played the violin. He began playing the clarinet at 12 and in 1942 earned a diploma from the Juilliard School.

Mr. Scott’s first two marriages ended in divorce. Besides his wife, the former Cinzia Bastianon, he is survived by two daughters from his second marriage, Monica Sciacca, a jazz singer, of Manhattan, and Nina Shaka of Paris; and one grandchild.

During World War II, Mr. Scott was stationed with the Army on Governor’s Island in New York. This meant he could spend many happy nights in Manhattan, playing the jazz clubs that lined West 52nd Street. He was such a ubiquitous presence there, Mr. Wilson wrote in The Times, that “one night an out-of-town visitor, making his way down the street, began to worry about what the booze was doing to him because he noticed that, in club after club, the clarinetist always seemed to look the same.”

[Fer Urbina]

... and yet, this is out:

TONY SCOTT - A Jazz Life (Kind of Blue 10015)

A review

tony scott - clarinet, piano and vocals

shane endsley - trumpet

ben wendel - tenor saxophone

adam benjamin - acoustic piano and rhodes

kaveh rastegar - acoustic bass

nate wood - drums

It carries a 30-min DVD with interviews and footage of the sessions. Liner notes by Nat Hentoff.

Recorded in February 2006

RIP

F

Edited March 31, 2007 by Fer Urbina

[Stereojack]

My introduction to Tony Scott was a Seeco lp called The Modern Art of Jazz. It was recorded the year Brownie met the man. This session included Clark Terry, Jimmy Knepper, Sahib Shihab, Bill Evans, Milt Hinton, Henry Grimes and Paul Motian. It seems the session yielded 3+ lps of material and would be a good beginning for a "Select". Tony's (self produced?) sessions around this time are a mess and need a smart guide to sort it all out.

There is a Fresh Sounds release that gathers all the material from this marathon session on 2 CD's. It came out in 1991, and is still available.

http://www.freshsoundrecords.com/record_po...?record_id=2454

[king ubu]

Playing that Freshsound set right now, great music!

Would certainly be great to have this in a decent-sounding version done by a more caring label!

[king ubu]

now playing the other 2CD set with Bill Evans, "At Last" (32 jazz)

[musicmargaret]

Tony Scott & Henry Grimes, Rome, 2OO3, photo by Barbara Ledda:

[chewy-chew-chew-bean-benitez]

r u sure thats not Henry Grimes and Hermento Pascal?

[mikeweil]

That's Tony Scott - Hermeto Pascoal always wears glasses due to his very sensitive eyes - he's an albino. Scott was simply a "white eminence".