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Posted

I don't know about my "favorite", but the Konitz & Marsh - Atlantic lp has been in heavy rotation for the last week or two. I have also been enjoying the Marsh & Tabackin ~ Tenor Gladness quite a bit as well.

Posted

Pepper/Marsh "All The Things" available less expensively (and can be listened to) here:

http://www.amazon.com/Way-Was-Art-Pepper/dp/B000000YLN

Their solos are great. but the exchanges between them toward the end of the track are from another planet.

Looks like the Japanese issue has some different tunes:

...

6. Avalon - (studio)

7. Tickle Toe - (studio)

8. Warnin (Take 1) - (studio)

9. Warnin (Take 2) - (studio)

10. Stomping At The Savoy - (studio)

Compared to the one available at Amazon:

...

6. Tickle Toe

7. The Man I Love

8. Autumn Leaves

9. The Way You Look Tonight

Any opinions as to whether "Avalon", the two takes of "Warnin'" and "Savoy" are worth $20 more than "Man I Love", "Autumn Leaves" and "The Way You Look Tonight"?

Posted

Pepper/Marsh "All The Things" available less expensively (and can be listened to) here:

http://www.amazon.com/Way-Was-Art-Pepper/dp/B000000YLN

Their solos are great. but the exchanges between them toward the end of the track are from another planet.

Looks like the Japanese issue has some different tunes:

...

6. Avalon - (studio)

7. Tickle Toe - (studio)

8. Warnin (Take 1) - (studio)

9. Warnin (Take 2) - (studio)

10. Stomping At The Savoy - (studio)

Compared to the one available at Amazon:

...

6. Tickle Toe

7. The Man I Love

8. Autumn Leaves

9. The Way You Look Tonight

Any opinions as to whether "Avalon", the two takes of "Warnin'" and "Savoy" are worth $20 more than "Man I Love", "Autumn Leaves" and "The Way You Look Tonight"?

Oh hell yeah.

The Japanese version is all Warne/Pepper, whereas the American issue is a straight reissue of the LP, which was Warne/Art on one side & Pepper "leftovers" from other sessions on the other.

Both are certainly worthy issues, but in my world (and using the EDC method of valuistic formuology) More Warne ≥ More $$$ outlay. Always.

Posted (edited)

As I understand the thread title, it's duos with two saxes (and rhythm ad lib), not sax and another different instrument ...

Marsh and Konitz came to mind first.

Coltrane and Dolphy I like, Dolphy and Oliver Nelson, Dolphy and Ken McIntyre.

I have a very nice Don Schlitten produced MPS session with James Moody and Al Cohn.

There are lots of fine sax pairings ....

Edited by mikeweil
Posted

Pepper/Marsh "All The Things" available less expensively (and can be listened to) here:

http://www.amazon.com/Way-Was-Art-Pepper/dp/B000000YLN

Their solos are great. but the exchanges between them toward the end of the track are from another planet.

Looks like the Japanese issue has some different tunes:

...

6. Avalon - (studio)

7. Tickle Toe - (studio)

8. Warnin (Take 1) - (studio)

9. Warnin (Take 2) - (studio)

10. Stomping At The Savoy - (studio)

Compared to the one available at Amazon:

...

6. Tickle Toe

7. The Man I Love

8. Autumn Leaves

9. The Way You Look Tonight

Any opinions as to whether "Avalon", the two takes of "Warnin'" and "Savoy" are worth $20 more than "Man I Love", "Autumn Leaves" and "The Way You Look Tonight"?

Oh hell yeah.

The Japanese version is all Warne/Pepper, whereas the American issue is a straight reissue of the LP, which was Warne/Art on one side & Pepper "leftovers" from other sessions on the other.

Both are certainly worthy issues, but in my world (and using the EDC method of valuistic formuology) More Warne ? More $$$ outlay. Always.

Yes, but the Japanese version does have a very wide and rather weird stereo separation -- Art and Warne to the far left, rhythm section to the far right. I need the extra material (though OJC issue doesn't leave out anything great) but wish I'd also kept my copy of "The Way It Was," which if IIRC either used a mono master or tamed the wide stereo spread.

Posted

As I understand the thread title, it's duos with two saxes (and rhythm ad lib), not sax and another different instrument ...

Marsh and Konitz came to mind first.

Coltrane and Dolphy I like, Dolphy and Oliver Nelson, Dolphy and Ken McIntyre.

I have a very nice Don Schlitten produced MPS session with James Moody and Al Cohn.

There are lots of fine sax pairings ....

Right-o...

I'd also mention:

Lasha/Simmons

Shepp/Tchicai

Lacy/Potts

Wright/Howard

Posted

Pepper/Marsh "All The Things" available less expensively (and can be listened to) here:

http://www.amazon.com/Way-Was-Art-Pepper/dp/B000000YLN

Their solos are great. but the exchanges between them toward the end of the track are from another planet.

Looks like the Japanese issue has some different tunes...

6. Avalon - (studio)

7. Tickle Toe - (studio)

8. Warnin (Take 1) - (studio)

9. Warnin (Take 2) - (studio)

10. Stomping At The Savoy - (studio)

Compared to the one available at Amazon:

...

6. Tickle Toe

7. The Man I Love

8. Autumn Leaves

9. The Way You Look Tonight

Any opinions as to whether "Avalon", the two takes of "Warnin'" and "Savoy" are worth $20 more than "Man I Love", "Autumn Leaves" and "The Way You Look Tonight"?

Oh hell yeah.

The Japanese version is all Warne/Pepper, whereas the American issue is a straight reissue of the LP, which was Warne/Art on one side & Pepper "leftovers" from other sessions on the other.

Both are certainly worthy issues, but in my world (and using the EDC method of valuistic formuology) More Warne ? More $$$ outlay. Always.

Yes, but the Japanese version does have a very wide and rather weird stereo separation -- Art and Warne to the far left, rhythm section to the far right. I need the extra material (though OJC issue doesn't leave out anything great) but wish I'd also kept my copy of "The Way It Was," which if IIRC either used a mono master or tamed the wide stereo spread.

I've still got my vinyl of TWIW (surprised they didn't call it "The Way We Were" to try and snag some sucker-buys...), and pretty sure it's all stereo. Is that weird spread just on the bonus material? Maybe they just didn't touch the original session tapes or something like that. Oh well.

Back in the day, an amp w/a mono switch was no big deal. Now it seems to be a "special feature".

The glorification of the mundane, it's made our life so much better!

Neverthenonetheless (and still using the EDC method of valuistic formuology) More Warne ≥ More $$$ outlay. Always.

And that ? = "greater than or equal to". Guess Character Map transfers don't work. Weird.

Can I get a mono switch?

Posted

As I understand the thread title, it's duos with two saxes (and rhythm ad lib), not sax and another different instrument ....

Eruh...

Don't the examples in the first post suggest otherwise?

If so, there was a Rollins/Tyner duet on "In A Sentimental Mood" on PBS back in 74 or 75 that was killer. Far more beautifinous than the one that came out on the Milestone Jazzstars side.

Posted

I'm confused here. Not all that unusual for me, but perhaps Jazztropic should clarify what he intended when he began this topic - 2 sax duos or sax + another instrument.

Anyway - here are a few:

Sax + piano:

Archie Shepp/Horace Parlan: Goin' Home

Archie Shepp/Dollar Brand: Duets

Stan Getz/Albert Dailey: Poetry

Duo saxes:

Lee Konitz/Richie Kamuca: "Tickle Toe" from The Lee Konitz Duets

Posted

I've still got my vinyl of TWIW (surprised they didn't call it "The Way We Were" to try and snag some sucker-buys...), and pretty sure it's all stereo. Is that weird spread just on the bonus material? Maybe they just didn't touch the original session tapes or something like that. Oh well.

Back in the day, an amp w/a mono switch was no big deal. Now it seems to be a "special feature".

The glorification of the mundane, it's made our life so much better!

Neverthenonetheless (and still using the EDC method of valuistic formuology) More Warne ? More $$$ outlay. Always.

And that ? = "greater than or equal to". Guess Character Map transfers don't work. Weird.

Can I get a mono switch?

The weird spread is on all the tracks in the Japanese issue. It sounds like Art is to the left of my left speaker and thus, at times, in a different sonic space than Warne. (A reverse polarity thing? Oh no!) I want a mono switch too.

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