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Posted

listening to Lucy Reed this morning, it occurs to me that the reason I like her so much (also feel this way about Helen Merrill) is that she gets to the essence of the song without artifice; I'm tired of badly executed scat and melisma, sung with bad pitch. Give me a singer who holds the pitch with purity and feeling - basically the same reason I love Sinatra.

So I'm thinking, is there anybody around today, old or young (aside from Merrill, whom I've considered calling, as I knew her a bit from when she worked with Al Haig) who can sing in such a way without sounding moldy and anachronistic? Thinking about a future recording project -

any ideas? It's gotta be a singer I can contact directly - through email or telephone or maybe by peeping in their front window -

Posted

The female singer I am in love with this week is Liane Carroll. She has produced three albums. She is a very good pianist, she just sits and plays piano while singing. She does a solo act like Joe Pass use to, talks to the audiance like they are friends and then sings and you wish you were her friend. Her version of "I Only Have Eyes For You", gets me every time.

Posted

Anita Gravine, NYC-based. Her album of Burke-Van Huesen songs from the "Road" pictures, "Welcome to My Dream" (with Mike Abene charts), is to die for. I should know; I wrote the notes, and it killed me. Some excellent playing from Gary Burton on the album as well. Anita really swings, without any hip chick mannerisms, and she has a gorgeous contralto-ish voice.

Posted

thanks - some good suggestions - also got an email from Jim Sangrey with a very nice audio clip of a Japanese singer - thanks, Jim, sorry I can't email you directly from this computer -

Posted (edited)

thanks everybody - a lot of good ideas - Jim Sangrey, if you are reading this please send me the email address for the singer you mentioned - (I'm not at my regular computer right now) - also will listen to Gravine and Dollison - Larry, do you know where Gravine lives? can you shoot me a private email with related info?

also, just had a nice phone conversation with Helen Merrill, whom I knew a bit through Al Haig - interesting recollections of Haig, but that's another story -

my idea is to put some songs together for a CD that use "standard" song form, but that are new songs that don't sound typically cloddish (think The Bergman's) with a decent lyric and a nice melody that sounds like it could have been written in, say, the 1920s (but that doesn't sound like a parody or imitation). Merrill was very nice and said I should send her a demo, which I will. Not sure how much of a possibility she is, but we'll see. Will also, of course, pursue other avenues -

Edited by AllenLowe
Posted

let me also ask - has anyone heard Helen Merrill sing recently? Wondering how she sounds -

Plan to see her at the Tokyo Blue Note in early March. I am also wondering how she will sound.

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