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Posted (edited)

SharedImage-96259.jpg?t=3434c062bf0078e8

Picked mine up this morning and was told they'd flown away. They only had 2 left. Am with Tubbs in N.Y. now. With Horace Parlan, Eddie Costa on vibes and Clark Terry.

Edited by Bluesnik
  • 4 weeks later...
Posted
On 12/20/2019 at 4:46 PM, Bluesnik said:

SharedImage-96259.jpg?t=3434c062bf0078e8

Picked mine up this morning and was told they'd flown away. They only had 2 left. Am with Tubbs in N.Y. now. With Horace Parlan, Eddie Costa on vibes and Clark Terry.

Listening to it as well—on Down In The Village right now, an excellent live date. This is a superlative set.

Posted
3 hours ago, ghost of miles said:

This is a superlative set.

Yeah, I listened to it again last night: Mexican Green, Grits and Tubbs. I even like the Orchestra album that precedes Grits, with its two respective Lennon-McCartney and Bacharach songs, which is basically a pop song versions album.

  • 2 weeks later...
Posted
5 minutes ago, Jim Duckworth said:

Image result for the complete sun singles

Although I've listened very closely to (most of) this music for decades, I, for some reason, have been listening to every Sun single in order and am getting close to the end.  I'm not certain I would recommend this to anyone harboring less than a very deep love for this music, but it is very different from my previous experiences of investigating one artist's output at a time.  

 

The difference in experience is that with box sets like this you get to experience the music quite a bit more the way it was experienced by listeners BACK THEN. This can be very instructive. If you investigate (any) one's (Sun) artist's output at a time you get a very different set of music because the ratio of tracks not issued at the time is INORDINATELY high (often way more than 50%, and all this was issued for the first time only from the 70s onwards when the first relatively comprehensive avalanche of 50s Sun music was pressed by Charly). Great as a lot this previously unreleased music is, of course the 50s audience never got to hear it, so what we listen to as the "Sun sound" is not quite what it actually was at the time. This colors our perception and appreciation (and as with many jazz artists where every note committed to tape or wax has since been dug up this can be a dangerous thing if the unissueds are underhandedly or unwittingly included when we today figure out what the PUBLIC awareness and appreciation of the artist was back then or - worse still - ought to have been).

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