jazz1 Posted December 16, 2006 Report Posted December 16, 2006 How would you describe swing? Can you describe it, or can you only feel it. Just curious Quote
Kalo Posted December 16, 2006 Report Posted December 16, 2006 Swing is that without which "it" would not mean a thing. Seriously, has anyone ever been able to put what swing is into words? I've certainly never come across a convincing, memorable formulation. Quote
Alexander Posted December 16, 2006 Report Posted December 16, 2006 I'm tempted to quote Fats Walller and say, "If you don't know what it is, for heaven's sake don't mess with it!" But I won't, because I don't want to be one of *those* jazz fans who look down their noses at people who dare to ask such questions. "Swing" is hard to define, but in simplest terms it is this: "In music, a swung note or shuffle note is the rhythmic device in which the duration of the initial note in a pair is augmented and that of the second is diminished. A swing or shuffle rhythm is the rhythm produced by playing repeated pairs of notes in this way. Lilting can refer to swinging, but might also indicate syncopation or other subtle ways of interpreting and shaping musical time. In some jazz music, especially of the big band era, there is a convention that pairs of written eighth notes are not played equally--as the notation would otherwise be understood--but with the first longer than the second. The first note of each of these pairs is often understood to be twice as long as the second, implying a quarter note-eighth note triplet feel, but in practice the difference is rarely that pronounced. This is an assumed convention of notation in many styles of jazz, but usually does not apply to jazz before the early 1930s, latin jazz, bebop, or to the work of composers writing in the 1950s or later, unless "swing" is specified in the score." (Wikipedia entry on swing) Swing indicated a big musical leap from the syncopated rhythm of jazz in the 1920s. It changed the whole feeling of jazz. It made for a more laid-back sound. In comparison, '20s jazz sounds frantic. Quote
Free For All Posted December 16, 2006 Report Posted December 16, 2006 In my experience, there are two interpretations of "swing": One decribes a specific style of music (which gets into the eighth/triplet-feel business). The other describes the energy (most often the rhythmic momentum, but not only that) created by any music (not just jazz) that affects you physically (toe tapping etc.) and emotionally. It moves you and makes you want to move. I frequently use the term "swing" to describe non-jazz music. For example, I think Beethoven swung hard! That's how I see it. Your mileage may vary. (guess I kind of "Roostered out" with the parentheses) () Quote
Jim R Posted December 17, 2006 Report Posted December 17, 2006 In my experience, there are two interpretations of "swing": One decribes a specific style of music (which gets into the eighth/triplet-feel business). The other describes the energy (most often the rhythmic momentum, but not only that) created by any music (not just jazz) that affects you physically (toe tapping etc.) and emotionally. It moves you and makes you want to move. I frequently use the term "swing" to describe non-jazz music. For example, I think Beethoven swung hard! That's how I see it. Your mileage may vary. (guess I kind of "Roostered out" with the parentheses) () Hey, HEY. Nobody goes overboard with the parentheses like me- nobody (Rooster is more about enlarged text, bold, red and blue, etc)... (oh, and btw, I agree with you on "swing" and "Swing")... (like they say, if you have to ask...). ( ) Quote
flat5 Posted December 17, 2006 Report Posted December 17, 2006 (edited) The effect should be a forward momentum. The time should keep moving. Not start stop. I sometimes think of Elvin Jones playing as someone walking who is falling forward but never hits the ground :-) Edited December 17, 2006 by flat5 Quote
Alexander Posted December 17, 2006 Report Posted December 17, 2006 The effect should be a forward momentum. The time should keep moving. Not start stop. I sometimes think of Elvin Jones playing as someone walking who is falling forward but never hits the ground :-) By contrast, Monk (who also swung) is the musical equivilent of a man walking a high-wire. He makes it look like he doesn't know where his foot is going to land, but it always lands exactly where it needs to be. Quote
ep1str0phy Posted December 17, 2006 Report Posted December 17, 2006 I was just flipping through the Jost "Free Jazz" book (having spent far too much time with said materials writing theses and whatnot), and the word "flowing" is used (as well as some terminology that would just as well describe syncopation in general--i.e., the displacement of accents, etc.). Motion or momentum, again, is what I hear often. But then, that's the academic side of things... There's a strong duality between the "spiritual" nature of swing and any sort of theoretical definition, and it's interesting to see what you'll "reach for" first when the question is posed. Like Free For All mentioned Beethoven--I'd say the same about Derek Bailey! Quote
JSngry Posted December 17, 2006 Report Posted December 17, 2006 Swing is...nature making love with time. Quote
flat5 Posted December 17, 2006 Report Posted December 17, 2006 "Swing is...nature making love with time." Poetic...and kinky. Quote
The Magnificent Goldberg Posted December 17, 2006 Report Posted December 17, 2006 Swing is...nature making love with time. Is that in the men's room? MG Quote
JSngry Posted December 17, 2006 Report Posted December 17, 2006 "Swing is...nature making love with time." Poetic...and kinky. And that differs from swing how? Quote
JSngry Posted December 17, 2006 Report Posted December 17, 2006 Swing is...nature making love with time. Is that in the men's room? MG Wherever two or more are gathered in swing's name... Quote
The Magnificent Goldberg Posted December 17, 2006 Report Posted December 17, 2006 Swing is...nature making love with time. Is that in the men's room? MG Wherever two or more are gathered in swing's name... MG Quote
Jazzmoose Posted December 17, 2006 Report Posted December 17, 2006 Swing is the aural version of the rear view of a woman walking... Quote
Soul Stream Posted December 17, 2006 Report Posted December 17, 2006 When the music feels good...that's swing to me. Quote
The Magnificent Goldberg Posted December 17, 2006 Report Posted December 17, 2006 Swing is the aural version of the rear view of a woman walking... Oh, I like that. And, I like THAT, too! MG Quote
clifford_thornton Posted December 18, 2006 Report Posted December 18, 2006 The tension created from a meeting between the expected and the unexpected. To me, that's what drives the music. Quote
flat5 Posted December 18, 2006 Report Posted December 18, 2006 Old joke about the WW2 Nazi dentist. "Vee halfv vays to make you shwving". Quote
Quasimado Posted December 19, 2006 Report Posted December 19, 2006 Swing is the aural version of the rear view of a woman walking... Exactly! Examples that come to mind are Lester Young on Lady be Good/ Charlie Parker on KoKo/ Warne Marsh on I'll Remember April (Xanadu) ... Q Quote
BruceH Posted December 19, 2006 Report Posted December 19, 2006 Swing is that without which "it" would not mean a thing. Beat me to it. Quote
AllenLowe Posted December 20, 2006 Report Posted December 20, 2006 sorry, you're all wrong - swing is 3 over 4 - Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.