Guy Berger Posted December 16, 2006 Report Posted December 16, 2006 Apparently Sony/BMG is releasing remasters of Third, Fourth, Fifth, Six and Seven. Third will have a bonus live disc. I'm guessing that these are UK or Europe-only, but perhaps I am wrong. link I will have to check out 6 & 7 one of these days. Quote
felser Posted December 16, 2006 Report Posted December 16, 2006 Guy said: Apparently Sony/BMG is releasing remasters of Third, Fourth, Fifth, Six and Seven. Third will have a bonus live disc. I'm guessing that these are UK or Europe-only, but perhaps I am wrong. link I will have to check out 6 & 7 one of these days. Guy, this is great news as these works are way overdue for a good remaster. The live CD included with Third is of course potentialy intriguing, but there is a LOT of live Soft Machine on the market, so we'll see if it is noteworthy. Six is well worth having for the live material which makes up half of it (it was a two record set in the day and for the blistering "Stanley Stamps Gibbons Album", one of the most exciting cuts they ever did and the last great moment on a Softs record for the wondeful Michael Ratledge. Seven is OK, worth having, but was always an anticlimax to me. It didn't reach the heights of Six, which came before it, or the wonderful Bundles (THE great Alan Holdsworth performance, to me, is the "Hazard Profile" suite from that album) which came after it. Third and Fourth, of course, belong in every collection. Third was the breakthrough work for their jazz style, and Fourth is the best album they ever did. Quote
rostasi Posted December 17, 2006 Report Posted December 17, 2006 Good to hear about this. Got all of these already (including the BBC date which is just under 40 minutes), But it's nice that they will probably have better sound. I still like 7 - actually, a bit more than Bundles, but yes, there's not much challenge there - some nice delicate pieces without being "new agey". Thanks for this update! Quote
felser Posted December 17, 2006 Report Posted December 17, 2006 rostasi said: I still like 7 - actually, a bit more than Bundles, but yes, there's not much challenge there - some nice delicate pieces without being "new agey". They are very different albums, very different sounds. 7, as you state, is very delicate. Bundles rocks out with Holdsworth's guitar front and center. Preference of either over the other will maybe have as much to do with musical tastes as with the relative merits of the two albums. Me, I really like Holdsworth, and think he was a much needed boost to the group. But I can see where someone else would disagree if they don't like guitar in Soft Machine, Quote
Guy Berger Posted December 17, 2006 Author Report Posted December 17, 2006 felser said: Six is well worth having for the live material which makes up half of it (it was a two record set in the day and for the blistering "Stanley Stamps Gibbons Album", one of the most exciting cuts they ever did and the last great moment on a Softs record for the wondeful Michael Ratledge. Seven is OK, worth having, but was always an anticlimax to me. It didn't reach the heights of Six, which came before it, or the wonderful Bundles (THE great Alan Holdsworth performance, to me, is the "Hazard Profile" suite from that album) which came after it. Third and Fourth, of course, belong in every collection. Third was the breakthrough work for their jazz style, and Fourth is the best album they ever did. I was somewhat disappointed with 5 in comparison to 3 and 4 which is probably why I've avoided 6. But perhaps it's time for me to re-evaluate 5. Guy Quote
felser Posted December 17, 2006 Report Posted December 17, 2006 Guy said: I was somewhat disappointed with 5 in comparison to 3 and 4 which is probably why I've avoided 6. But perhaps it's time for me to re-evaluate 5. I also always found 5 a disappointment (except for "All White"), much prefer 6 to 5. Quote
DatDere Posted December 17, 2006 Report Posted December 17, 2006 I really hope the remastered 'Third' is a big improvement sound-wise, the sound quality wasn't all too great on the original cd. Quote
J Larsen Posted December 17, 2006 Report Posted December 17, 2006 DatDere said: I really hope the remastered 'Third' is a big improvement sound-wise, the sound quality wasn't all too great on the original cd. Agreed. For that matter, I haven't heard a good-sounding Soft Machine CD. Hopefully whoever it is that has the rights will do 1 and 2 someday. I personally don't have any use for anything after 4, but a lot of people seem to like the later stuff. I prefer Wyatt's solo albums to the later Soft Machine. Quote
robert h. Posted December 17, 2006 Report Posted December 17, 2006 The Soft Machine catalog on Epic ( 3 to 7 ) was done in 2005 by Sony Japan in excellent DSD sound. It's doubtful that these are an improvement, they may very well be the same remastering (if lucky). Unfortunately, 3 is still not really great sounding - the story is that the masters are actually long lost. The first Soft Machine was redone last year in Japan with simply outstanding results and is also a great record. Quote
Guest the mommy Posted December 17, 2006 Report Posted December 17, 2006 the half of 5 with phil howard is dope. there was a live soft machine release of some 6-era stuff last year. it is really good. pre-6, since jenkins is brand new to the group and obviously fluffs during the intro tune. there was also a live post-bundles release with john ethereidge already in for holdsworth and it smokes. much better than the dumpy live recent release w. holdsworth where hazard profile is faded out right at the beginning. why use that show? jeez. guye, 6 is much different than the preceding albums. i suspect you might like it more. the second BBC live double disc is also cool if people don't have it. it has some live 4/5 and bundles era stuff on it. also the song hazard profile is the same as song for the bearded lady which nucleus did on both live and studio albums and might be interesting to check out for people like felser as both marshall and jenkins were in nucleus at the time. Quote
felser Posted December 17, 2006 Report Posted December 17, 2006 the mommy said: also the song hazard profile is the same as song for the bearded lady which nucleus did on both live and studio albums and might be interesting to check out for people like felser as both marshall and jenkins were in nucleus at the time. can you point me towards some specific Nucleus albums to check out with Marshall and Jenkins on them? Thanks for the tip. I know who Nucleus is, but haven't really heard them much. Quote
B. Clugston Posted December 18, 2006 Report Posted December 18, 2006 The Royal Albert Hall live "bonus" could be the oft-released Live at the Proms concert with the Ratledge/Hopper/Dean/Wyatt line-up. Quote
clifford_thornton Posted December 19, 2006 Report Posted December 19, 2006 That's a good gig... I hope these are nice and visible here in the States. I mean, it's great to have those Cuneiforms around but studio magic sometimes made for a better Softs. 5 is hip! Quote
David Ayers Posted December 19, 2006 Report Posted December 19, 2006 Look what we got here recently. I...er... forgot to go....................................... Quote The Marlowe Theatre Dates and times Fri 20 Oct, 7.30pm (M20) Tickets £18 The Canterbury Sound Hatfield and the North Brainville / Hugh Hopper Band Caravan musicians Jim Leverton & Geoff Richardson Definition: A term used to loosely describe a group of progressive rock musicians based around Canterbury during the late 1960s and early ’70s, who rotated into different bands, united by a touch of psychedelia. Sharing a concert platform for the first time in decades, don’t miss the chance to relive the glory days with Richard Sinclair, Hugh Hopper, Daevid Allen and friends in this special one-off concert. Statement from the Festival Office 5 September: The Canterbury Sound concert in this year’s Canterbury Festival (Marlowe Theatre, Friday 20 October) will be going ahead despite the tragic death of Hatfield and the North’s drummer Pip Pyle. Caravan’s drummer – Richard Coughlan has withdrawn due to illness, and the band Caravan will be replaced by a new line up of Canterbury musicians led by musical legends Jim Leverton and Geoff Richardson. Brainville/Hugh Hopper Band will be appearing as billed. Rosie Turner (Festival Director) says “Having spoken to a number of the musicians including Richard Sinclair and Hugh Hopper, we are determined that the Canterbury Sound will live on in tribute to Pip. He will be greatly missed but we feel he would be happy that other musicians have the chance to join the concert, and keep the Canterbury Sound alive.” Quote
Tony Pusey Posted December 19, 2006 Report Posted December 19, 2006 Remember seeing that Live at the Proms when it was first aired on BBC, it had been much heralded and some of us got Frenchy the Bar man at the late ,lamented Duke of Abercorn pub in Enfield, to let us watch it in the public bar, scared off the other regulars if I remember rightly. Aside, Frenchy, never knew his real name, a Canadian who had had a severe car accident and fallen on hard times, had played trumpet with Ambrose, and legend would have it, Glen Miller, before the war, DTs got him in the end, but he turned more than a few of us Dead heads on to Jazz and the classics. Quote
David Ayers Posted December 20, 2006 Report Posted December 20, 2006 Short measure, bad sound, findable for a fiver in HMV. Only for the enthusiast. Info © me. Quote Soft Machine Kings of Canterbury (Recall/Snapper SMDCD 456) Disc One 1. Hulloder (Hopper) 0.25 2. Dada Was Here (Hopper) 8.21 3. Thank You Pierrot Lunaire (Hopper/Wyatt) 0.45 4. Have You Even Bean Green? (Hopper/Wyatt) 0.57 5. Pataphysical Introduction Pt. II (Wyatt) 1.00 6. As Long As He Lies Perfectly Still (Wyatt/Ratledge) 1.55 7. Fire Engine Passing With Bells Clanging (Ratledge) 2.17 8. Hibou, Anemone And Bear (Wyatt/Ratledge) 4.18 9. Fire Engine Passing With Bells Clanging (Reprise) (Ratledge) 3.21 From Live at the Paradiso 29th March 1969 Paradiso, Amsterdam Mike Ratledge / electric piano, organ Hugh Hopper / bass Robert Wyatt / drums, vocals 10 Facelift (excerpt) (Hopper) 5:03 11 Moon In June (Wyatt) 5:58 From Live 1970 Feb/Mar 1970 Robert Wyatt / drums Mike Ratledge / keyboards Hugh Hopper / bass Lyn Dobson / saxes Disc Two 1. Slightly all the Time ( Ratledge ) 5:22 2. Mousetrap ( Hopper ) 6:27 3. Noisette ( Hopper ) 0:36 4. Backwards ( Ratledge ) 3:50 5. Mousetrap - reprise ( Hopper ) 0:16 6. Eamonn Andrews ( Ratledge ) 12:10 7. Esthers Nose Job ( Ratledge ) 6:50 8. Pigling Bland (Ratledge ) 3:52 9. I Should've Known ( Hopper ) 4:46 10. Esthers Nose Job - reprise ( Ratledge ) 1:36 From Facelift 26th April 1970 Fairfield Hall, Croydon Mike Ratledge / organ and electric piano Hugh Hopper / bass guitar Robert Wyatt / drums and vocals Elton Dean / alto sax, saxello and electric piano 11. Pig (Ratledge) 2.57 12. Orange Skin Food/A Door Opens And Closes /10.30 Returns to the Bedroom (Ratledge) 12.41 From Live 1970 13th August 1970 Royal Albert Hall Robert Wyatt / drums Mike Ratledge / keyboards Hugh Hopper / bass Elton Dean / saxes Quote
Roger Farbey Posted December 22, 2006 Report Posted December 22, 2006 felser said: the mommy said: also the song hazard profile is the same as song for the bearded lady which nucleus did on both live and studio albums and might be interesting to check out for people like felser as both marshall and jenkins were in nucleus at the time. can you point me towards some specific Nucleus albums to check out with Marshall and Jenkins on them? Thanks for the tip. I know who Nucleus is, but haven't really heard them much. Felser, yeh, the first three Nucleus album all have Marshall and Jenkins on; 'Elastic Rock', 'We'll Talk About it Later' and my personal favourite, 'Solar Plexus' which also features Kenny Wheeler and Harry Beckett amongst others. You can now buy these as two-fers and very good they are too. Check out the full details (discos etc) on the Nucleus website here: http://www.geocities.com/icnucleus/ Quote
Guest the mommy Posted December 22, 2006 Report Posted December 22, 2006 felsoiss-also on the recently released "hemispheres" which has live stuff from 70 and 71. that too has a version of song for the bearded lady/hazard profile.... also, roger-i have to apologize because that 1976 live nucleus recent release has really been growing on me. especially geoff castle's accompaniments.... Quote
Guest the mommy Posted December 22, 2006 Report Posted December 22, 2006 roger and felsoiss-i did solar plexus as an AOW a while back... Quote
felser Posted December 23, 2006 Report Posted December 23, 2006 the mommy said: roger and felsoiss-i did solar plexus as an AOW a while back... Thanks all, I have ordered the twofers with the Jenkins/Marshall version of Nucleus. What was Nucleus like after they left? Quote
Chalupa Posted March 4, 2007 Report Posted March 4, 2007 So did any buy/hear these yet? What's the verdict?? Slightly off topic - any thoughts about Matching Mole? Quote
sidewinder Posted March 4, 2007 Report Posted March 4, 2007 (edited) Chalupa said: Slightly off topic - any thoughts about Matching Mole? It's good. Just spinning the first LP on UK CBS this weekend and can recommend it to all Wyatt fans. Not sure about 'Little Red Record' though, not heard that one. Edited March 5, 2007 by sidewinder Quote
Guy Berger Posted March 4, 2007 Author Report Posted March 4, 2007 sidewinder said: Chalupa said: Slightly off topic - any thoughts about Matching Mole? It's good. Just spinning the first LP on UK CBS this weekend and can recommend it to all Wyatt fans. Not sure about 'Little Red Book' though, not heard that one. I started a thread about Little Record a while back. I don't think it's a very good album. I haven't heard the other MM album. Guy Quote
felser Posted March 4, 2007 Report Posted March 4, 2007 Chalupa said: So did any buy/hear these yet? What's the verdict?? Slightly off topic - any thoughts about Matching Mole? I ordered them from deepdiscount.com a while ago, haven't received them yet. Under $10 each and free shipping from there. Matching Mole was interesting at times, a vehicle for Robert Wyatt's whimsy to be more out front than Soft Machine became. I prefer Soft Machine, though. Quote
GA Russell Posted March 5, 2007 Report Posted March 5, 2007 felser said: Matching Mole was interesting at times, a vehicle for Robert Wyatt's whimsy to be more out front than Soft Machine became. I prefer Soft Machine, though. My thoughts exactly. I enjoyed both MM albums when they came out, but I do not rate them as highly as a number of other Canterbury albums. Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.