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Posted (edited)

I was wondering what people thought of this recording. Been getting more into Rollins recordings from 1950s lately, and I thought I should give a more recent recording a try. This one seems most likely to resemble his earlier recordings -- in terms of both music selection and lineup. Have some qualms about the electric bass, but perhaps it won't be too glaring or intrusive.

I don't know why the 1950s Rollins recordings did not "work" for me before. Now they seem fantastic. His sound is so much more compelling than other tenor sax players.

Edited by Bol
Posted

I've never heard +3; it's one of those I've been meaning to get around to. I have noticed that of all of Sonny's Milestones records of the 25 years before Silver City was released, it has received the most favorable comments. Often the comment was to say that it is the only one of that period worth getting.

Posted

I think its a good enough disc, but make sure you have all his great recordings from the 50s and 60s first. Those are light years ahead of his newer stuff.

Posted

It's a good album you can do without. This and Without a Song. The 9/11 Concert (which I just picked up yesterday) are the only Rollins albums I have from the last 10-15 years so though unexceptional on its own it might indeed be one of the better albums of recent vintage.

Posted (edited)

I forgot to say that I like his choice of standards on this one and am fond of the way he renders the melodies (the tone and nuances therein more than anything else).

Edited by gnhrtg
Posted

I got this one. I really like it. There is not that sense of anything-can-happen as there is in his early recordings. But still a very fine album. But for the life of me, I don't know why he prefers an electric bass to a real one. The plucking sound of a standup bass is one of the best sounds of jazz.

Posted

I'll vouch for it. Another great album. Cut #2 (I think it's an original called "Biji") regularly pops into my head. Love that melody. I have a lot of Sonny and this is the one I play most often.

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