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Today's NY Times: Larry Carlton's 1967 'Free Spirits'


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In today's NY Times, Nate Chinen's Playlist includes the first-ever CD reissue of the seminal 1967 fusion LP by The Free Spirits. Mr. Chinen provides a mini-review of this "psychedelic rock album made by post-Coltrane youngbloods under corporate supervision". (ABC Records' Bob Thiele with Rudy Van Gelder). "The band's chief creative force was the guitarist Larry Carlton, who wrote all the songs on the album, though not all of its celestial, acid-warped lyrics.

Chinen continues,"Mr. Carlton and the drummer Bob Moses would later play in the Gary Burton Quartet, a more celebrated prototype of jazz-rock led by the vibraphonist Gary Burton, but here they're digging in with Chip Baker on lead vocals, Chris Hills on bass and Jim Pepper on tenor saxophone."

I suppose Mr Chinen might add,"When Carlton left, the guitar chair was eventually taken by 21-year-old Pat Martino, of the Berklee School of Music. Pat Martino would soon meet keyboardist Lyle Mays and form his highly successful Pat Martino Group, which still records and tours to this day."

(We know who got Martino's spot in Burton's group -- Lee Ritenour.)

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The mind still reels at how the NY Times would pay Mr. Chinen to supply us with so many laughs. He was probably listening to the latest from Fourplay while composing his tepid analysis of Coryell's 'Free Spirits'. Ben Ratliff watch out -- Nate Chinen will soon be eating your lunch!

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  • 6 years later...

I just read another music article by Nate Chinen that really bugged me, and I asked someone who NC was. They replied that he was probably the gardening columnist before he got assigned to cover music. When you become too knowlegeable about your subject to be able to relate to the average reader, they move you to another section. Look at what happened to Frank Rich...

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Folks, if you write for a living -- especially if you write on deadline as we do in the newspaper business -- you're going to make some bonehead mistakes. Everyone does. You try and minimize these occurrences, but shit happens every once in a while. The mind says one thing, but you write another and the synapses that are supposed to notice are out having a smoke. I once wrote a review of a symphony concert where the soloist played the Brahms second piano concerto but I called it the first concerto all the way through -- even though the music I was describing was clearly the 4-mvt second rather than the 3-mvt first. The soloist was originally supposed to play the first but changed to the second at the last minute. I knew this but wrote "the first" anyway. For weeks people accused me of writing about a concert that I didn't attend, even though the details reflected specifically what happened in the hall that night.

Moreover, the reality when you have a specialty beat like jazz is that you always know the subject better than the editor, so it's just not realistic to expect either a line editor or copy editor along the chain to know that Carlton was wrong and there would have been no reason not to trust the writer, especially on deadline.

You may or may not like Nate -- I do quite a bit, actually -- but if you're going to beat him up, do so for truly substantive stuff rather than what is really an infrequent brain cramp. There but for the grace of God ...

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