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Posted (edited)

Time is running fast and Joanne Brackeen is already 68. I like her playing style and specialy when she plays Brazilian music. She first made a solid connection with Brazilian music when she played with Stan Getz between 1975-1977. Her recordings with Getz on SteepleChase are very recommended. This evening I'll listen to this one:

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BTW: Eddie Gomez is doing here a perfect job.

Happy birthday Joanne and all the best.

Edited by B. Goren.
Posted

I've seen her live on several occasions as a sidewoman as well as with her own bands, and it was always great. She has a style of her own and didn't make any compromises - no ugly commercial record in her discography! My hat is off!

Posted (edited)

I think that she is a wonderful pianist. I think that this album is especially great.

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Tune No. 7 on this CD is called *Telavivision* and Joanne Brackeen wrote it after visiting my home town (Tel Aviv).

Edited by B. Goren.
Posted

She's an intelligent woman and expert keyboard player. For my taste she's a pounder.

Happy Birthday.

We all have our different perceptions, which is fine. I have not heard her "pound", either live or on several albums--both solo and as sideperson. For example, on Stan Getz's 50th birthday double album, with the gold cover (what is that title!) she plays the smoothest electric piano I have heard anyone play.

I hope to avoid her pounding albums--which ones are they?

Posted (edited)

She's an intelligent woman and expert keyboard player. For my taste she's a pounder.

Happy Birthday.

We all have our different perceptions, which is fine. I have not heard her "pound", either live or on several albums--both solo and as sideperson. For example, on Stan Getz's 50th birthday double album, with the gold cover (what is that title!) she plays the smoothest electric piano I have heard anyone play.

I hope to avoid her pounding albums--which ones are they?

For what it's worth - not much since they aren't available - she doesn't seem to me to pound on the Freddie McCoy albums.

MG

PS Ray Pounds on the drums.

Edited by The Magnificent Goldberg

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