Jump to content

Wizard Of The Vibes


Guest

Recommended Posts

I purchased the Blue Note CD and noticed that three of the original songs from the LP BLP 5011 are missing.

criss-cross

eronel

willow, weep for me

Why would they omit these songs?

PS: I understand that I can find these songs on one of monks Blue Note CDs.

Link to comment
Share on other sites

Most people, Giddins included, seem to forget that the first LP issues of this music were in 10" LP format - the mixup of material from different sessions only appeared when this music was reissued on 12" LP. Why are the historical first issues on 10" LP ignored? Just because most have never seen one? The Blue Notes make much more sense in that format: sessions were mostly complete (except for alternate takes added to later issues).

... Gary Giddins was quite critical of the reordering of the recordings.

The 12" LP he refers to was the first reordering! Ridiculous!

Link to comment
Share on other sites

Most people, Giddins included, seem to forget that the first LP issues of this music were in 10" LP format - the mixup of material from different sessions only appeared when this music was reissued on 12" LP. Why are the historical first issues on 10" LP ignored? Just because most have never seen one? The Blue Notes make much more sense in that format: sessions were mostly complete (except for alternate takes added to later issues).

... Gary Giddins was quite critical of the reordering of the recordings.

The 12" LP he refers to was the first reordering! Ridiculous!

Even more ridiculous when you understand "Wizard Of The Vibes" was a reissue of a bunch of 78s. What a bunch of crap!

Link to comment
Share on other sites

Of course, the original track sequence of a certain album does not always have to be most desirable for everybody.

(Example - have been discussed on other forums in an ancient past: Mobley's No Room for Squares, The Turnaround and Straight, No Filter, I prefer to listen to the tracks from a certain session; I remember Jim Sangrey thinks otherwise ;) )

Link to comment
Share on other sites

Of course, the original track sequence of a certain album does not always have to be most desirable for everybody.

(Example - have been discussed on other forums in an ancient past: Mobley's No Room for Squares, The Turnaround and Straight, No Filter, I prefer to listen to the tracks from a certain session; I remember Jim Sangrey thinks otherwise ;) )

FWIW, this is a different case. The "original LP sequence" for the Jackson tracks in question wasn't the original issue. This is not true for the Mobley.

Guy

Link to comment
Share on other sites

FWIW, this is a different case. The "original LP sequence" for the Jackson tracks in question wasn't the original issue. This is not true for the Mobley.

I know. I just wanted to point out that there may be cases where some people feel that a certain presentation of a couple of sessions works better, while not being the "original", and the Mobley albums just sprang to mind.

All that being said, I'd still like to see all of the tracks associated with this title in one place!

Why?
Edited by Daniel A
Link to comment
Share on other sites

Why? Why not? Hey, I'm not bitching. I'm just saying I'd like to have all of those recordings right there. Wouldn't it be nice?

I'm not shelling out the clams for a Japanese reissue just to have a particular sequence. I'm just saying, wouldn't it be nice? Yes. Yes, it would. The more Bags the better.

I really don't understand. All the stuff is available with material grouped by session. What is the problem?

Link to comment
Share on other sites

The problem is:

Each disc format, 10" LP, 12" LP, Compact disc, has its playing time limits.

IIRC Milt Jackson recorded only five sessions for Blue Note, one as a leader, two with Thelonious Monk, one as a pianist on a Fats Navarro/Howard McGhee session, and later one as a featured guest with Hank Mobley.

The first four all were issued as 78's first and then as 10" LPs. Nobody believed the 12" LP would practically force the smaller LP format out of business only a few years later. So when Alfred Lion wanted to reissue this material on 12" LP he had to re-assemble and sequence the tracks with respect to LP playing time and musical coherence. Plus, there were some alternate takes worthy of release. But there was no way two complete sessions would fit on one 12" LP. So he spread the two sessions with Monk and Bags' own among two 12" Lps including a few alternates.

For CD issue, you face the same problem: All material from these three sessions will not fit onto one CD, perhaps if you leave off the alternates.

I think its the better solution to keep sessions intact on reissues. But for most collectors, a bit of nostalgia plays a part: you want to recapture the feelings you had when you first encountered the music, and this seems to be much easier for most people when they listen to the tracks in the same order. I think it's as simple as that.

I too sometimes expect to hear tracks in a certain order, but I also use random play every once in a while to get a new listenting experience - but when I asked for this I found practically noone here seems to practice this, too. I agree with Daniel A that session order sheds a different new light on the music - as a reissue producer I would decide separately each time beacuse it doesn't work the same always.

For similar reasons, I would opt for new liner notes or at least additional new ones to eliminate some meaningless commentary or put it into perspective.

Link to comment
Share on other sites

I would like to preserve my 10" copy of milt.

Even though I am not 100% happy with the CD format, I do like being able to hear my rare LPs (via CD) without having to wear them out.

I think that any original LP reissued on CD should keep to the original sequence of songs.

After the original sequence, put in the alternate and additional stuff.

Edited by Westy56
Link to comment
Share on other sites

  • 18 years later...
54 minutes ago, jazzbo said:

I think the RVG cds sound really darned good on all the Monk and Monk/Jackson material. Possibly the very best digital sound of the Monk led sessions is on this two cd set:

https://www.discogs.com/release/6474196-Thelonious-Monk-Round-Midnight-The-Complete-Blue-Note-Singles-1947-1952

Thanks.  The 4 Wizard tracks (Milt Jackson, not Todd Rundgren) sound like 78s to my ears, but many of the tracks on the remastered Genius CDs sound like proto-hi-fi. I will do a more thorough comparison though.

Does the set that you reference have different mastering?  (I realize that "remastering" can including everything from making entirely fresh transfers to tweaking the treble from the previous remaster.)

Link to comment
Share on other sites

40 minutes ago, Teasing the Korean said:

Thanks.  The 4 Wizard tracks (Milt Jackson, not Todd Rundgren) sound like 78s to my ears, but many of the tracks on the remastered Genius CDs sound like proto-hi-fi. I will do a more thorough comparison though.

Does the set that you reference have different mastering?  (I realize that "remastering" can including everything from making entirely fresh transfers to tweaking the treble from the previous remaster.)

Yes, different, non RVG, non McMaster mastering--mastered by Kevin Reeves. I like the RVGS (I have kept US and Japanese versions) AND I like this 2 cd set which sounds very good as well. 

Edited by jazzbo
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...