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Posted

Maybe this is common knowledge but... does anyone know which is the first jazz concert ever recorded?

(considering live broadcasts and without considering them)

Thanks in advance!

Agustín

Posted

Wow, I didn't know that.  Thanks, Michael.

What were the first commerical live jazz recordings?  Spirituals to Swing?

That´s what I was thinking, John, but was not sure.

Posted

Cotton Club location recordings (featuring Cab Calloway) from April 1931 were issued by Bear Family.

Mike

Thanks, Mike. It´s a pricey set that has been on my wish list for a long time...

Posted

Storyville is going to put out two cds of the Ellington stuff from later on. . . some of which I think is in the Bear Family set. . . I'm going for the Storyvilles!

Posted

Storyville is going to put out two cds of the Ellington stuff from later on. . . some of which I think is in the Bear Family set. . . I'm going for the Storyvilles!

Yes, Lon. These 1938 broadcasts:

http://www.organissimo.org/forum/index.php...&hl=cotton+club

I have them in an awfully sounding edition in the rip-off label Galaxy. Great music that deserves to be properly remastered and presented!

Posted

The first JATP on Asch, when was that issued?

1946

From Verve´s website:

...

Granz became a jazz pioneer on July 2, 1944, when he presented Jazz at the Philharmonic at Los Angeles' Philharmonic Hall. The all-star show marked one of the first instances of jazz being presented in the rarefied environs of a concert hall rather than a smoky nightclub or rowdy dance hall. At the time, the presentation of jazz as a legitimate art form, rather than accompaniment for dancing and carousing, was a revolutionary concept. The concert also was a harbinger of a new approach in live jazz presentation, the repertory package tour, and laid the groundwork for the establishment of Verve.

Jam sessions were a common element of live performances in the Big Band Era, as much for the benefit of the participating musicians as for the audience, providing relief for the musicians who often felt restricted by written arrangements. But those jam sessions, like other live performances of the era, generally lived on only in the memories of those present. Radio stations and networks would make transcriptions of remote broadcasts from ballrooms, but only for later broadcast, never with public release in mind. One reason was the three-to-five-minute limit of a 78 rpm record side; the other was that canning live music for home consumption simply did not occur to anyone—at least not until Norman Granz came along.

As it happened, Granz's Jazz at the Philharmonic show had been recorded for the Armed Forces Radio Service for overseas broadcast to GIs, but the recordings were simply too exciting to keep from the general listening public. So, in 1946, Granz made arrangements with future Folkways Records founder Moses Asch, to issue the first Philharmonic concert on Asch's Disc label. That release offered home listeners the new experience of hearing extended solos, with the musicians egged on by the roar of the audience. By the time the long-playing record album was introduced to the marketplace a few years later, the landmark Jazz at the Philharmonic release was already a part of American record buyers' vocabulary.

...

Posted

And from Folkalliance website:

...

In 1946 Asch teamed with Norman Granz to issue the first Jazz at the Philharmonic recordings on Asch's label, now called Disc Records. The JATP records lost a lot of money and Asch dissolved Disc in 1947, forming Folkways the next year.

...

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